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Akshay Kumar at fourth place in Forbes highest paid actors list

With an earning figure of $65 million, Bollywood superstar Akshay Kumar has beaten Hollywood biggies like Bradley Cooper, Chris Evans and Will Smith to secure fourth place in Forbes' annual list of world's highest paid actors.

Only Dwayne Johnson ($89.4 million), Chris Hemsworth ($76.4 million) and Robert Downey Jr ($66 million) have more earnings than Akshay. Akshay is currently riding high on the success of his latest release Mission Mangal which has crossed Rs 100 crore mark at the box office.


The outlet reported that Akshay pulls in "at least $5 million and up to $10 million per film". He gets million through his endorsement of over 20 brands, including Tata and Harpic.

All earnings of the actors were calculated between the period of June 1, 2018, and June 1, 2019. After Akshay, legendary actor Jackie Chan is placed at fifth with $58 million haul, followed by Cooper and Adam Sandler at sixth with $57 million each.

Evans, who appeared alongside Cooper, Downey Jr and Hemsworth in summer blockbuster Avengers: Endgame, secured eighth place in the list.

Paul Rudd and Smith were placed at the ninth and tenth positions, respectively.

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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