Bollywood actors Swara Bhasker, Shabana Azmi, Mohd Zeeshan Ayyub and Taapsee Pannu, and filmmakers Aparna Sen and Hansal Mehta on Sunday condemned the violence at the Jawaharlal Nehru University (JNU) and urged Delhi Police to intervene.
Violence broke out at JNU on Sunday night after masked men armed with sticks attacked students and teachers and damaged property on the campus, prompting the administration to call in police.
At least 18 people were injured and admitted to the All India Institute of Medical Sciences (AIIMS). JNU students' union president Aishe Ghosh suffered a head injury.
The Left-controlled JNUSU and the RSS-affiliated ABVP blamed each other for the violence that continued for nearly two hours. Several disturbing videos that show masked people carrying sticks and bats have gone viral on social media.
Swara, whose mother Ira Bhaskar is a professor at the JNU, took to Twitter to appeal to the people on social media to reach the campus "to pressure the government and Delhi Police" to control the violence.
"Urgent appeal!!!! To all Delhiites PLS gather in large numbers outside the Main Gate of JNU campus on Baba Gangnath Marg.. to pressure the govt. & #DelhiPolice to stop the rampage by alleged ABVP masked goons on JNU campus," the actor captioned the video, adding that she was concerned about her parents' safety who live at the campus.
Commenting on Swara's video, Azmi said she was shocked by the violence and called for immediate action against the perpetrators.
"Is this really happening ? Im not in India and it all seems like a nightmare. 20 Students Admitted To AIIMS As Violence Breaks Out In JNU. Students and Teachers beaten. Reprehensible, Appalling Condemnable. Immediate action must be taken against the perpetrators," she tweeted.
Aparna alleged that the JNU students were being beaten up by Akhil Bharatiya Vidyarthi Parishad (ABVP) "goons".
"How much longer are you going to look the other way? Or r u spineless? Yes I AM a liberal! Yes, I AM secular! And proud to be so if THIS is the alternative. Shame! Shame on ABVP & the police who are aiding & abetting them!" she tweeted.
Taapsee said it was saddening to see an educational institution "getting scarred forever".
She shared a video allegedly showing the situation on campus.
"Such is the condition inside what we consider to be a place where our future is shaped. It's getting scarred for ever. Irreversible damage. What kind of shaping up is happening here, it's there for us to see..." Taapsee tweeted.
Zeeshan asked people to reach the JNU in large numbers.
"By closing the doors and roads they have given free hand to their goons. Tell your friends and relatives, tell everyone and gather there together," the actor said in a tweet.
"Friends in Okhla and Jamia go to Shaheen Bagh. This #JNUAttack has been done to divert attention and they'll surely attack Shaheen Bagh at night," he tweeted.
Zeeshan further called for peace amid violence and urged people to exercise patience and take care of their friends.
Director Anurag Kashyap retweeted several purported videos of violence and vandalism from the JNU.
Mehta asked Delhi Chief Minister Arvind Kejriwal to intervene.
"Dear @ArvindKejriwal. Can you do something to stop the violence in JNU?" the filmmaker tweeted.
Writer Kanika Dhillon too asked Kejriwal to step in.
"Sir!!! Pls atleast reach there!!!! Ur presence will help!!!!" she said.
"Masaan" fame director Neeraj Ghaywan asked the police to help the students.
"Extremely distressing video from JNU. @DelhiPolice, these are students, the future of our nation, like your own. Help them please!" Ghaywan wrote.
Filmmaker Vinod Kapri also shared an alleged video from JNU campus.
"This is a horrifying video. At least 30-40 masked goons are vandalising JNU hostel. Delhi Police is nowhere to be seen. This has full political support. TV news channels have shut their eyes," Kapri tweeted.
Filmmaker-composer Vishal Bhardwaj also condemned the violence. "It's shameful and enraging to see what's happening in #JNUViolence," he said.
Director Bejoy Nambiar questioned the silence of many in the film fraternity.
"All you silent friends of mine watch this !!! Watch this & then come and talk to me about how concerned you are about the damage to public' property. How is THIS OK ? How can we watch students & teachers being brutally attacked like this and stay quiet ?" he asked.
"#SOSJNU @DelhiPolice this is NOT OK. JNUSU president has been brutally beaten up. She is severely wounded. Media Please het there @ndtv @BBCIndia #JNU," tweeted director Onir.
Actor Richa Chadha said: "A few months ago JNU gave the world a Nobel laureate. Now JNU teachers and students are being beaten up for protesting a fee hike. World watches."
"Frightening visuals from #JNU. Praying that the #Delhipolice intervene swiftly and protect the students. Stay safe students. What a scary world we live in," wrote actor Siddharth on the microblogging site.
Director Anubhav Sinha tweeted: "Either this Government is not capable of maintaining law and order or they are complicit..."
Writer Gaurav Solanki called the attack on the varsity "an act of terror by terrorists".
Actor Renuka Shahane wrote on the microblogging site: "Complete lawlessness! How could masked goons enter JNU & terrorize students and teachers? What is @DelhiPolice doing?... Unbelievable!! Scary!! Shameful.
Spain leads a growing boycott movement, with Ireland, the Netherlands and Slovenia also refusing to participate if Israel competes.
The European Broadcasting Union (EBU) is in crisis talks, extending its decision deadline to December 2025.
The situation draws direct comparisons to Russia’s exclusion in 2022, creating a precedent the EBU must now navigate.
The core dilemma pits Eurovision’s non-political ideals against the stark reality of a humanitarian crisis.
The Eurovision Song Contest, that glitter-drenched annual spectacle of pop and unity, is staring into the abyss. The escalating call for a Eurovision boycott over Israel's participation, against the backdrop of the ongoing Gaza conflict, has put the organisers into their most severe political crisis yet. This isn't just about another song entry but a fundamental clash between the contest's cherished apolitical fantasy and the inescapable geopolitics of the real world, threatening to tear the competition apart from within.
Spain announces withdrawal from Eurovision over Israel participation amid growing boycott movement Instagram/eurovision
What is causing the Eurovision 2025–2026 crisis?
The main trigger is Israel’s ongoing military campaign in Gaza. Casualty figures reported by the Hamas-run Gaza Health Ministry exceed 64,000 Palestinians by September 2025, drawing international scrutiny. Several European countries argue that Israel’s presence in a major cultural event like Eurovision would appear to normalise the humanitarian crisis. On the other hand, Israel insists participation is purely cultural and unrelated to politics.
What countries are boycotting Eurovision over Israel?
So, which nations are taking this stance? The movement gained its most significant momentum with Spain's announcement. Its public broadcaster, RTVE, issued a decisive statement, confirming an overwhelming vote to withdraw. The organisation cited Israel's military actions in Gaza and stated it could not, in good conscience, "look the other way." This move is particularly consequential as Spain is one of the "Big Five" major financial contributors to the contest.
They were swiftly followed by Ireland’s RTÉ, which deemed participation "unconscionable" given the situation in Gaza. Public broadcasters in the Netherlands and Slovenia subsequently aligned with similar positions. Iceland's broadcaster has also indicated it is considering its position, formally "reserving the right" to withdraw. This is not a peripheral protest but a movement emerging from within the contest's core European membership, raising questions about which other countries may follow.
How is the EBU handling the Eurovision boycott calls?
The European Broadcasting Union faces an immense challenge. Its standard operating procedure of promoting unity through music appears insufficient for this geopolitical dilemma. The gravity of the situation can be seen in its unprecedented decision to delay the standard deadline for participation confirmations to mid-December 2025. This extension is dedicated to extensive consultation with all member unions in an effort to find a viable resolution that preserves the contest's integrity.
Concurrently, the EBU has been forced to publicly deny reports from Israeli media outlets suggesting it had advised Israel to withdraw voluntarily to avoid a "humiliating elimination," calling these claims false.
Is this Eurovision situation similar to Russia's exclusion?
This comparison forms the crux of the debate for many. The 2022 exclusion of Russia following its invasion of Ukraine established a clear precedent; the EBU justified its decision by stating Russia's participation would "bring the competition into disrepute."
Boycott advocates now argue that the same standard must be applied consistently, questioning why Israel's actions in Gaza do not merit an identical response. The EBU will likely attempt to differentiate the cases based on nuanced legalities of membership and the operational independence of the respective national broadcasters. However, in the court of public and political opinion, the perception of a double standard is a significant threat to the EBU's credibility.
What are the arguments for and against the boycott?
Proponents of the boycott base their position on principles of human rights and conscience. They stress the extensive civilian casualty figures reported by authorities in Gaza, alongside assessments from UN agencies, to argue that Israel’s inclusion on a cultural platform constitutes a form of normalisation of the ongoing conflict.
Conversely, opponents of a boycott contend that cultural events must remain separate from political disputes. They caution that excluding a nation’s artists could veer into prejudice and stress that the Israeli broadcaster, Kan, operates with editorial independence, unlike the state-controlled media of Russia. There is no clear, unambiguous resolution that will satisfy all parties.
What happens if Israel is allowed to compete in Eurovision 2026?
Should the EBU permit Israel's participation, an immediate and consequential withdrawal of several key members is all but certain. The loss of Spain, a major funder, would represent a serious financial and credibility blow. The subsequent absence of Ireland, the Netherlands, Slovenia, and potentially others would noticeably diminish the contest's scale and diversity.
Furthermore, the event itself would likely become a focal point for large-scale protests, potentially disrupting the broadcast and overshadowing the musical competition, further alienating segments of its global audience.
What happens if Israel is excluded from Eurovision?
An exclusion would trigger a different but equally severe crisis for the EBU. It would face vehement accusations of hypocrisy and double standards, particularly from Israel and its allies. The move could prompt legal challenges and potentially lead to Israel's permanent withdrawal from the union.
It would also establish a new and far-reaching precedent for excluding countries involved in international conflicts, fundamentally transforming Eurovision from an inclusive cultural space into an institution that makes overt political judgements.
The future is decidedly uncertain. The EBU is confronted with a dilemma where any decision carries significant negative consequences. The upcoming General Assembly in December is going to be a tense and potentially historic meeting. While some have speculated about a compromise, such as Israel participating under a neutral banner, the EBU has denied pursuing this option.
The underlying truth is that Eurovision has always been intertwined with politics, from historical participation under authoritarian regimes to contemporary voting blocs. The current crisis has simply stripped away the glittering façade, forcing a direct confrontation with this reality. The contest's future will depend on navigating a path that may not exist, balancing its ideals against an increasingly polarised world.
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Malayalam star Unni Mukundan to play Narendra Modi in ‘Maa Vande’ tracing PM’s roots and mother’s legacy
Malayalam star Unni Mukundan announced as lead in Narendra Modi biopic titled Maa Vande.
The film will focus on the Prime Minister's early life and bond with his mother.
A pan-India release is planned for 2026 with a major technical crew attached.
Mukundan is currently riding high on the success of his brutal action film Marco.
Malayalam cinema actor Unni Mukundan is stepping into the biggest role of his career. He has been officially cast as Prime Minister Narendra Modi in the upcoming biographical film Maa Vande. The project, announced on the PM's 75th birthday, promises a fresh look at Modi's formative years. Instead of another political portrait, the filmmakers are zeroing in on his personal journey and the profound influence of his mother.
Malayalam star Unni Mukundan to play Narendra Modi in ‘Maa Vande’ tracing PM’s roots and mother’s legacy Instagram/iamunnimukundan
Who is Unni Mukundan and why was he cast?
If you're not deep into Malayalam films, that name might not ring a bell. But down south, he is a proper lead star. He has been working for over a decade, starting off with smaller roles, having a hit with Mallu Singh, and then breaking through with last year’s Malikappuram.
And then Marco happened, a violent film that crossed the £1.2 million (₹100 crore) mark. The actor can portray devotion and then deliver a brutal action scene. Perhaps that versatility is what the filmmakers wanted. Adding to that, he actually grew up in Ahmedabad. He mentioned in a post that he knew Modi as his "Chief Minister" back then. That personal connection is probably a massive factor.
What will the Narendra Modi biopic Maa Vande be about?
The official line is that it traces his journey from childhood to becoming the leader of the nation. But the tagline gives the real focus: "The Anthem of a Mother." So, this is not going to be a policy-by-policy rundown. It is about his relationship with his late mother, Heeraben Modi.
That is the fresh angle, the human story behind the politician. How that relationship shaped him is the emotional hook. It connects with people on a different level. The filmmakers are planning a 2026 release, and it is set to be pan-India, in multiple languages including English.
The crew list is stacked. It is being directed by Kranthi Kumar C.H. and produced by Veer Reddy M. under Silver Cast Creations. The technical team is impressive: KK Senthil Kumar is on camera, the cinematographer of Baahubali. The music is by Ravi Basrur, editing by Sreekar Prasad, and production design by Sabu Cyril. It is clear that this is not a low-effort cash-in. The A-team from Telugu and Malayalam industries has been brought together to mount this project properly. Serious resources are being invested to ensure it looks and sounds huge.
No. Vivek Oberoi played him in a 2019 film directed by Omung Kumar, which was also called PM Narendra Modi. That film focused more on his political rise. Maa Vande seems to be carving its own niche by going back to the start, focusing on his personal roots. It will be interesting to see how they differentiate it. For Mukundan, it is a massive opportunity. After the physicality of Marco, this role is about capturing Modi’s essence, voice, and posture. It is the biggest challenge of his life, no question.
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Bobby Deol says Aryan Khan has fearless spark and rare talent as The Bastards of Bollywood gears up for Netflix release
Bobby Deol has heaped praise on Aryan Khan, calling him a talented actor who could have easily chosen to be in front of the camera. The veteran star, who features in the newcomer’s directorial debut 'The Ba***ds Of Bollywood', said the show’s teaser confirmed his belief that Shah Rukh Khan’s son has a natural screen presence. Deol also opened up about the young director’s meticulous and passionate approach to filmmaking.
Bobby Deol says Aryan Khan has fearless spark and rare talent as The Bastards of Bollywood gears up for Netflix release Instagram/iambobbydeol/redchilliesent
What did Bobby Deol say about Aryan Khan’s acting?
Let's get this out of the way first. Everyone who saw that teaser had the same thought: can Aryan Khan act? Well, Bobby Deol reckons he absolutely can. He didn’t just direct; he apparently performed every part for his cast. Deol told reviewers that Aryan would act out scenes, even mimicking a journalist’s lisp, to show his actors exactly what he wanted.
“Itna talented hai woh bachcha!” Deol exclaimed. He even phoned Aryan after the teaser dropped to say he’d miss seeing him perform on screen. The big takeaway? He looks like his dad, sure, but Bobby insists “he is totally different.”
Oh, absolutely. That’s the word everyone uses. Bobby didn’t sugar-coat it; he called Aryan a “tough taskmaster.” Deol admitted there were moments the cast wondered why they were doing so many takes, but later saw it brought out their best work. It seems that famous Khan perfectionism is a family trait.
Aryan’s focus was apparently unshakeable. Seven-hour narrations? No problem. Chaos on set? He never lost his cool. For a 27-year-old debutant, that’s pretty rare air. He lived and breathed this project, and his conviction was apparently infectious.
How does Bobby Deol feel about Aryan Khan personally?
This is where it gets interesting. Beyond the professional respect, Bobby’s tone shifts to something almost paternal. He openly talked about feeling “fatherly emotions” on set. He knows the pressure of being a star kid, calling it “not an easy task” to step out of the shadow of the “biggest Indian superstar in the world.”
But he sees a fearlessness in Aryan. He mentioned meeting him a year before the project and sensing a special “spark” and a fire to achieve something on his own terms. It’s not just about a famous surname, but about the person determined to carve his own path, and Bobby clearly respects that.
The upcoming Netflix series, produced by Red Chillies Entertainment, is a satirical dive into the inner workings of the Hindi film industry. It follows an outsider, Aasman Singh, navigating the brutal and glamorous world of Bollywood. Bobby Deol plays a top superstar named Ajay Talwar who is desperate to orchestrate a grand launch for his daughter, played by Sahher Bambba.
The show is a mix of sharp, self-aware humour and a gripping narrative. With a cast including Raghav Juyal, Anya Singh, and Manoj Pahwa, it’s one of the most anticipated Indian web releases this year. Mark your diaries for its premiere on September 18.
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Malaika Arora reveals judgement made her stronger and shaped her boldness
The star revealed she was constantly judged for her career and clothing choices.
Malaika said she felt free when she stopped explaining herself to others.
She now sees confidence as moving forward with grace despite self-doubt.
The actor and model insists the only narrative that matters is her own.
Malaika Arora has defiantly addressed the lifetime of criticism she has faced for her personal and professional choices. The actor and model, known for her impeccable fitness and fashion sense, said being labelled “too bold” is something she now wears as a crown. In a new interview, she opened up about her journey to unshakeable self-acceptance and shutting out the noise.
Malaika Arora reveals judgement made her stronger and shaped her boldness Getty Images
What has Malaika Arora said about the criticism she faces?
It seems there is very little Malaika has not been judged for. She laid it all out in a chat with The Hindustan Times, stating, “I was judged for my career, my clothes, my relationships, you name it.” That constant scrutiny from the public and media would be enough to make anyone second-guess themselves.
But her approach changed completely when she decided to stop engaging with it. She called the moment she quit explaining herself the moment she truly felt liberated. Her philosophy is pretty straightforward now: “The only narrative that matters is the one you write for yourself.” It is a powerful shift from being defined to doing the defining.
Malaika Arora owns every label from bold to outspoken and calls them her strength Getty Images
How does Malaika Arora respond to being called 'too much'?
Honestly, she has turned it into a strength. Those very criticisms have become a part of her identity, and she owns them completely. “I have been called too bold, too outspoken, too everything. And honestly? I wear it like a crown now,” she stated.
She even has a sharp, modern clapback for her detractors: “If I am ‘too much’ for someone, they are probably not enough for me.” This mindset is not just for show. It feeds into everything she does, from her fashion collaborations to her fitness brand. She has never followed a template, believing real confidence is when you “stop performing for the world and start living for yourself.”
Malaika Arora insists the only story that matters is the one she writes herself Getty Images
Does Malaika Arora ever experience self-doubt?
Absolutely. It is a reminder that confidence is not about being bulletproof. She is human, after all. Malaika was candid about the fact that self-doubt “never really disappears,” admitting there are days she questions herself just like anyone else. The key difference now is how she handles those moments. Instead of meting out self-criticism, she practises kindness. For her, confidence is not the absence of doubt but the ability to “move forward with grace despite it.”
This nuanced take is a far cry from the perfect, curated images we often see, making her stance all the more relatable to her fans who navigate their own insecurities.
Malaika Arora says she stopped explaining herself and found true freedomGetty Images
What is the core of Malaika Arora's confident mindset?
It all boils down to ownership. Her recent work as the face of a beauty campaign titled Own It felt less like a job and more like telling her own life story. She has had to fight labels and expectations her entire career. This is not about arrogance; it is about a quiet certainty in her own choices.
Whether it is balancing motherhood with her career or navigating public relationships, she trusts her gut. Her message is clear: stop letting outside opinions write your story. The greatest freedom comes from writing it yourself, unapologetically and on your own terms.
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Paul Rudd and Jack Black gear up for jungle chaos in the new Anaconda
First look images reveal the meta comedy take on the 1997 creature feature.
The film sees the duo as fans trying to shoot their own version of the original film.
Director Tom Gormican applies his The Unbearable Weight of Massive Talent formula.
The cast, including Thandiwe Newton and Steve Zahn, promises chaotic fun.
It is slated for a Christmas Day release, aiming for a box office strike.
The first photos from the wildly unexpected Anaconda remake have finally surfaced. This is not your typical Hollywood rehash, mind you. Jack Black and Paul Rudd are leading a brilliantly meta charge, playing superfans whose dream project goes horrifyingly wrong. The new images tease the comedic chaos planned for the big screen this Christmas.
Paul Rudd and Jack Black gear up for jungle chaos in the new Anaconda People/Courtesy of Sony Pictures
What is the new Anaconda movie actually about?
Right, so the plot is almost more interesting than the original film's premise. Black and Rudd play lifelong mates, Doug and Griff, who are utterly obsessed with the 1997 J.Lo and Ice Cube B-movie classic. They hit a midlife crisis and decide, you know what, let's actually do it. Let's go to the Amazon and remake Anaconda ourselves. The synopsis says their chaotic movie set gets turned upside down when a real, genuine giant anaconda decides to crash the party. So the film they're desperate to make might literally end them.
One name: Tom Gormican. He is the director behind The Unbearable Weight of Massive Talent, that brilliantly unhinged Nicolas Cage meta flick. He is bringing that exact same self aware, comedic energy here. Rudd himself said the script's clever meta angles appealed to him directly because he was a fan of The Unbearable Weight of Massive Talent. This is not some dour, serious reboot. It is like a knowing wink to the audience, a celebration of a so bad it's good film, all wrapped up in a proper action comedy. That angle is everything right now.
Sounds like an absolute riot, honestly. The chemistry between Black and Rudd is the main engine. Black said point blank that working with Rudd was the "main reason" he took the job, calling him "f---ing hilarious" and a "sweet pea". Rudd shared the same feelings, thrilled to finally work with Black properly for months. Even Steve Zahn, who is also in the mix, admitted to messing up takes because he could not stop laughing at them. When the cast is having that much fun, it usually bleeds through onto the screen.
Mark your calendars for a seriously unconventional Christmas Day. 25 December is the planned release date. Releasing a film about a giant killer snake on Christmas itself is a bizarre choice, you have to admit. It is going up against some family friendly stuff, but maybe that is the point, offering an alternative for those tired of the same formulaic content. Whether it becomes a festive box office gift or gets squeezed out remains to be seen, but one thing is for sure: it will be a talking point!