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Actor Satyajeet Dubey bags Sanjay Dutt Productions’ next

Superstar Sanjay Dutt, who is set to revive his production house, Sanjay Dutt Productions, with the Hindi remake of Telugu blockbuster, Prasthanam, wants the best of talents for his production venture. After roping in Ali Fazal, Amyra Dastur and incredibly talented Manisha Koirala, the team has now locked the young and versatile actor, Satyajeet Dubey, for an important role.

Dubey, who made his acting debut with Shah Rukh Khan’s home production, Always Kabhi Kabhi in 2011, has been seemingly doing everything — from ads to short films and movies - ever since entering showbiz.


The young actor has also worked with legendary Amitabh Bachchan in an advertisement. He was also seen in Disney's remake of the Hollywood movie The Luck of The Irish (2001), and Baankey Ki Crazy Baraat (2015). However, his breakout performance happened in 2016, when he played the title role in Ashok Yadav’s Kerry on Kutton.

Working for 7 years now, the actor has been signed for one of the biggest films of his career, Prasthaanam. Though nothing much is known about actors’ characters in the movie, insiders reveal that Satyajeet plays the role of Sanjay Dutt’s hot-blooded son in the movie.

Prasthaanam is being helmed by Deva Katta, who directed the original movie as well.

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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