Skip to content
Search

Latest Stories

Aamir Khan’s ambitious project on Indian epic Mahabharata shelved

A couple of months ago, B-town was buzzing with the news that Aamir Khan was planning to make a multi-million film on Indian epic Mahabharata. Reports suggested that the superstar wanted to rope in some of the biggest stars of Indian cinema, including himself.

However, if fresh reports are to be believed, the much-ambitious project has been shelved. Aamir Khan has taken this decision keeping in mind the high production cost of the movie.


“After weighing the pros and cons, Aamir has decided not to make a movie or series. For one, it would become controversial. But more importantly, the scale at which the project was being planned was not commercially viable. He would have to set aside five years for the project, which would mean losing out on at least three films. So there’s going to be no Mahabharata,” a source reveals to an Indian daily.

Meanwhile, Aamir Khan is presently busy with his upcoming film Thugs Of Hindostan. Also starring Amitabh Bachchan, Katrina Kaif and Fatima Sana Sheikh, the film is scheduled to release on 8th November, 2018.

More For You

5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

Keep ReadingShow less