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Aamir Khan: I am not the person putting money in wheat bags

A few days ago, a video on social media went viral in which it was stated that Aamir Khan had sent a ration truck in a slum area. People were told to take the wheat sacks from the truck and when they reached home and opened it, there was also Rs. 15000 inside the sack.

Well, of course, everyone started thinking if the video is genuine and if Aamir has actually given Rs. 15000 to people. On social media, a lot of people also started praising the actor for his gesture.


However, today, the Thugs Of Hindostan actor took to Twitter to clear the air about it. Aamir tweeted, “Guys, I am not the person putting money in wheat bags. Its either a fake story completely, or Robin Hood doesn't want to reveal himself! Stay safe. Love. a.”

Well, we love how Aamir has given a humorous touch to his tweet.

Talking about Aamir’s movies, before the lockdown, the actor was shooting for Laal Singh Chaddha, a remake of Hollywood film Forrest Gump. The movie, which is directed by Advait Chandan, also stars Kareena Kapoor Khan in the lead role. It is slated to release on Christmas this year, but as the shooting has been stalled, we wonder if the movie will release this year.

Recently, Aamir became a part of the digital concert, I For India. Along with his wife, Kiran Rao, the actor sung the songs like Aa Chal Ke Tujhe Main Leke Chalun and Jeena Isi K Naam Hai.

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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