Deepika is one of those who opened about suffering from depression. To which she stated, “I thought it was stress, so I tried to distract myself by focusing on work, and surrounding myself with people, which helped for a while. But the nagging feeling didn’t go away. My breath was shallow, I suffered from lack of concentration and I broke down often”.
2. Karan Johar
The popular director, spoke about his battle with depression, in an interview with a television channel. To which he said, "There was a phase in my life when I was really depressed. When I went through that phase, I thought I am getting a cardiac arrest. Then I rushed to the doctor. He then said I am having an anxiety attack. I went to a psychologist post that. Then I realised that I had some internal issues to deal with, which got built up to such point that it resulted in anxiety."
3. Shah Rukh Khan
Shahrukh Khan also suffered from depression. Post his shoulder surgery in 2010 and after the release of Ra. One. Shahrukh admitted that he was depressed for three months after the release of the film. "Due to the shoulder injury, and the suffering, I had got into a depression mode, but now I am out of it. I feel happy and boosted with energy," he added.
4. Varun Dhawan
Varun is also one of the actors from Bollywood who suffered from depression. He said, “I was depressed. I was not clinically declared depressed, but I was heading there. I was very sad to a certain degree. I don't want to use the term 'depression' loosely, because it's a serious illness. It definitely affected my mental health. I was prescribed, and did see a doctor for it, as well."
5. Ileana D'Cruz
In an interview, Ileana talked about her struggle with Body Dysmorphic Disorder, anxiety and depression. She talked to her friends and family which proved to be a great support during her tough times. To which she mentioned, "I think it's important for everybody to get themselves checked – mental health is something that's very important. Anxiety has been a big problem for me, but I think my biggest struggle has been depression. For me, my depression doesn't revolve around my work, it revolves around me personally."
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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