WHEN Kaho Naa Pyaar Hai was released on January 14, 2000, it became a surprise hit and the first Bollywood blockbuster of the new millennium. As the second-highest-grossing Hindi film of the year, it catapulted Hrithik Roshan to overnight superstardom. Directed by Rakesh Roshan, this romantic drama achieved numerous milestones, including breaking records for awards, redefining the Hindi film hero, and influencing popular culture.
To celebrate the 25th anniversary of this iconic film, Eastern Eye presents an A to Z guide covering its unforgettable moments, behind-the-scenes stories, and lasting legacy.
A is for awards: Kaho Naa Pyaar Hai won so many awards that it entered the Guinness Book of World Records, bagging top honours across Bollywood ceremonies, including best film, best director, best actor, and best music.
B is for box office: This unexpected blockbuster became the year’s second-highest-grossing Bollywood film, drawing audiences worldwide.
C is for casting: Shah Rukh Khan was initially approached for the lead role but turned it down, leading to the director’s son, Hrithik Roshan, stepping in and making a historic debut. Kareena Kapoor was originally cast opposite him but left the project after a disagreement, paving the way for debutante Ameesha Patel to take on the role.
D is for different double: Hrithik Roshan redefined the portrayal of double roles in Bollywood by breaking traditional stereotypes. He explained, “For the cool dude Raj in the second half, I made him wear glasses and kept him clean-shaven. I gave Rohit, the simpleton, stubble. Traditionally, stubble was reserved for the hero and glasses for the nerd. I reversed that, and it worked like magic.”
E is for Ek Pal Ka Jeena: While the soundtrack (see M) featured multiple hit songs, Ek Pal Ka Jeena became a standout due to its remarkable picturisation. The song showcased Hrithik Roshan's extraordinary dance skills, including his globally celebrated signature move, and earned Farah Khan top honours at all major choreography awards.
F is for frenzy: Hrithik Roshan’s debut sparked an unprecedented level of overnight superstardom, creating a massive fan frenzy that was dubbed ‘Hrithik-mania.’
G is for glasses: Hrithik Roshan reused the glasses he wore as the suave Raj in Kaho Naa Pyaar Hai for his portrayal of the mentally disabled Rohit in Koi Mil Gaya, another hit film produced and directed by his father, Rakesh Roshan.
H is for hidden: Hrithik Roshan’s extra thumb, a well-known physical feature, was carefully concealed and never shown in his debut film, Kaho Naa Pyaar Hai.
I is for impact:Kaho Naa Pyaar Hai left a lasting impression on popular culture with its fashion, dance moves, music, and stunning locations. Most significantly, Hrithik Roshan redefined the Hindi film hero by combining a muscular physique with exceptional dancing skills. The film inspired countless aspiring actors, including future stars, to pursue a career in Bollywood.
J is for Jasveer: Before rising to fame as a popular TV actress, Jasveer Kaur worked as a background dancer, including in Kaho Naa Pyaar Hai. The film also marked the acting debut of TV personality Tannaz Irani.
K is for Khao Phing Kan: The title track of Kaho Naa Pyaar Hai was filmed at Khao Phing Kan in Thailand, famously known as James Bond Island. The picturesque location has since become a favourite spot for Bollywood fans, many of whom recreate the iconic song there.
L is for Lucky Ali: The soundtrack of Kaho Naa Pyaar Hai stands as singer Lucky Ali’s biggest Bollywood success, featuring the chart-topping songs Ek Pal Ka Jeena and Na Tum Jano Na Hum. These tracks remain fan favourites, and he continues to perform them live to this day.
M is for music: Rajesh Roshan’s award-winning soundtrack for Kaho Naa Pyaar Hai featured iconic hits such as Ek Pal Ka Jeena, Na Tum Jano Na Hum, Chand Sitaare, and the unforgettable title track. As one of the decade’s best-selling albums, it swept all the major Bollywood music awards.
N is for no: Rakesh Roshan initially declined to launch Hrithik as a hero, encouraging him to succeed on his own. When he eventually decided to cast his son in the lead roles, prominent figures in the film industry tried to dissuade him. However, after completing the script, Rakesh became convinced that Hrithik was the perfect choice for the double role.
O is for Otago:Kaho Naa Pyaar Hai became the first Bollywood film to be shot in New Zealand, featuring stunning locations like Queenstown, Christchurch, and Otago. Its success paved the way for other Indian films to be filmed in the country and contributed to a significant boom in Indian tourism to New Zealand.
P is for publicity: Unlike most newcomers, Hrithik Roshan did no promotional activities before the release of Kaho Naa Pyaar Hai. He explained to Eastern Eye: “People said as a new guy you have to do magazine covers and press interviews. You have to put yourself out there, but I did absolutely nothing. The first time people saw me was on the big screen. They only knew me through the promos and trailers of Kaho Naa Pyaar Hai. Nobody had really done that until then.”
Q is for quick: Although Kareena Kapoor exited the film, there is a blink-and-you-miss-it shot of her in Kaho Naa Pyaar Hai from a distance – a detail that came to light many years later.
R is for Rakesh Roshan: Kaho Naa Pyaar Hai was written, directed, and produced by actor-turned-filmmaker Rakesh Roshan. He dedicated over two years to the project, including guiding his son Hrithik through a physical transformation for the roles. The film became the biggest success of his career and marked the beginning of a dream collaboration with Hrithik, leading to subsequent blockbusters like Koi Mil Gaya and the Krrish series.
S is for superstition: Rakesh Roshan has consistently begun the titles of his films with the letter "K," believing it to bring good luck. He continued this tradition with Kaho Naa Pyaar Hai and followed it in all subsequent films, including Koi Mil Gaya, Krrish, and Kites.
T is for twist: The plot of Kaho Naa Pyaar Hai includes a twist where the heroine encounters a lookalike of her deceased lover in the second half. This mirrors a similar plot element in the 1986 Kannada film Ratha Sapthami, although it has never been confirmed if Kaho Naa Pyaar Hai was inspired by it.
U is for underwater: The dramatic underwater scene where Rohit meets his tragic end required Hrithik Roshan to dive 30 feet below the surface and stay submerged for nearly 45 minutes. Trained divers were on hand to guide him through the sequence. Reflecting on the moment, producer-director Rakesh Roshan said, “I felt proud of Hrithik. Remaining underwater for so long required a great deal of guts, more than anything else, as anything could have gone wrong at any time.”
V is for victory: Hrithik Roshan made history as the first actor in Bollywood to win both the Filmfare award for best debut and best actor in the same year. He replicated this success at other major award ceremonies, including IIFA, Screen, and Zee Awards, solidifying his place as a breakout star.
W is for weight-training: Hrithik Roshan’s chiseled physique in Kaho Naa Pyaar Hai set a new standard for the Hindi film hero. His intensive weight-training regimen not only gave him a well-defined body but also earned him the nickname “Greek God.”
X is for X-Factor: While Kaho Naa Pyaar Hai boasted a strong storyline, memorable music, and stunning locations, its undeniable X-Factor was Hrithik Roshan. His performance marked the most impactful male debut in Bollywood history, redefining the Hindi cinema leading man and setting a new benchmark for future actors.
Y is for yacht: The romantic song Pyaar Ki Kashti Mein was filmed aboard the luxurious Star Clipper yacht.
Z is for ZEE5: When Kaho Naa Pyaar Hai premiered on television, it garnered exceptionally high ratings. Today, the film remains accessible on the streaming platform ZEE5, with unofficial copies also available on YouTube.
Brian Wilson, who died this week aged 82, is best remembered as the sonic architect of the Beach Boys and the laid-back "California sound" that swept the world in the 1960s. But to stop there would be to miss the scale of his ambition. Behind the striped shirts and sun-soaked harmonies was a composer and producer who transformed pop music, often by refusing to stay in one genre.
From symphonic pop to soul and psychedelia, Wilson built bridges between styles that rarely met. Here’s a look at six genres that define his legacy and show how much more there was to the man who gave us Good Vibrations.
1. Surf music – but deeper than it seemed
Wilson may have helped define surf rock, but his early work was far from novelty. Tracks like Surfer Girl and In My Room carried emotional weight and complex arrangements, showing Wilson’s desire to blend catchy hooks with rich harmonies. The Beach Boys' 1963–65 catalogue offered a polished, heartfelt counterpoint to the rawness of garage bands and early rock’n’roll.
2. Baroque pop – Pet Sounds and pop perfection
If one album changed the idea of what pop music could be, it was 1966’s Pet Sounds. Incorporating strings, woodwinds and intricate vocal layering, Wilson created a lush, introspective masterpiece that directly influenced The Beatles’ Sgt. Pepper. God Only Knows is still considered by many, including Paul McCartney, to be one of the greatest songs ever written.
3. Psychedelic experimentation – Smile and beyond
If one album changed the idea of what pop music could be, it was 1966’s Pet SoundsGetty Images
Wilson’s most ambitious project, Smile, was meant to be a “teenage symphony to God”. Though shelved for decades, its fragments (like Heroes and Villains and Surf’s Up) revealed a composer playing with modular recording, avant-garde techniques, and surreal lyrical structures. When Wilson finally completed it in 2004, it was hailed as a lost classic of psychedelic pop.
4. R&B and soul – stripped back and heartfelt
By the late 1960s, the Beach Boys had shed their surfboards. Albums like Wild Honey (1967) reflected Wilson’s love for rhythm and blues, with tracks like Darlin’ showing a rougher, more soulful edge. The stripped-down production was a deliberate pivot away from the excess of Pet Sounds, but still brimming with melody and feeling.
5. Americana – the spiritual core of Smile
Even as he experimented, Wilson remained fascinated by America’s musical past. Smile included references to spirituals, cowboy songs, and folk traditions, blending them into a surreal journey through the country’s cultural memory. Cabin Essence and Wonderful offer glimpses into a deeply introspective version of American identity, filtered through Wilson’s fragile genius.
6. Adult pop balladry – the gentle strength of Love and Mercy
As dementia affected his final years, it’s this kind of understated emotional honesty that enduresRolling stone
In later years, Wilson’s solo work embraced vulnerability. His 1988 single Love and Mercy has become his personal anthem—gentle, aching, and hopeful. As dementia affected his final years, it’s this kind of understated emotional honesty that endures. “There’s a lot of people out there hurting,” he once said. “And it really scares me.”
A final chord
Wilson’s music lives on—not just in sun-drenched nostalgia, but in the emotional complexity he brought to modern music. His impact stretches from the Beatles to Bowie, from punk to dream pop. His life was often marked by personal turmoil, but his compositions soared beyond it.
Brian Wilson didn’t just soundtrack the beach. He gave pop music a soul, a brain, and occasionally, a nervous breakdown. And through it all, he kept writing.
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Weinstein is currently serving a 16-year prison sentence in California
Disgraced Hollywood producer Harvey Weinstein has been found guilty of committing a criminal sexual act against one woman in his New York retrial. The 73-year-old was acquitted of another count of the same charge relating to a second woman.
The jury did not reach a verdict on a third charge of rape involving a third woman. Weinstein had pleaded not guilty to all three charges, maintaining that all sexual encounters were consensual and denying any assault.
Conviction follows overturned 2020 verdict
The retrial followed a decision by a New York appeals court to overturn Weinstein’s 2020 conviction last year. Prosecutors presented three charges during the retrial—two of which were from the original trial, and a third added last year, accusing him of forcing oral sex on a separate woman.
The charges related to incidents in 2013, including the alleged rape of aspiring actress Jessica Mann in a New York hotel room and sexual assaults against two other women.
Courtroom tension as jury deliberates
The partial verdict came after a tense day in court. The jury foreperson asked to speak to the judge privately about an unspecified “situation”. Earlier in the trial, the same juror had raised concerns about pressure within the jury room and discussions straying beyond the scope of the charges.
The 73-year-old was acquitted of another count of the same charge relating to a second womanGetty Images
Weinstein addressed the court directly before any verdict was announced, pleading: “My life is on the line and you know what? It's not fair... It's time to say this trial is over."
This week also saw calls for a mistrial from Weinstein’s legal team after a juror complained another was being treated unfairly. The judge denied the request.
Weinstein is already serving a California sentence
Weinstein is currently serving a 16-year prison sentence in California after being convicted of rape in 2022. He also denied those charges.
The former film producer became a central figure in the #MeToo movement after multiple women came forward with allegations of sexual misconduct nearly eight years ago. Some of these allegations led to criminal convictions on both US coasts.
Weinstein faces further sentencing in relation to the latest New York conviction.
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Ten buzzworthy indie films that could shape the TIFF 2025 conversation
As the Toronto International Film Festival (TIFF) 2025 draws near, a wave of independently made films is already dominating conversations among critics, programmers, and distributors. These are not your typical star-studded blockbusters. In fact, they’re character-driven, stylistically bold, and often politically or emotionally charged stories. Many have already premiered at Cannes or Sundance, while a few are TIFF-bound discoveries. One Indian film, in particular, is catching the attention of international curators with its quiet force.
Here’s a look at 10 indie titles being talked about before the TIFF line-up is even announced.
Kristen Stewart steps behind the camera for her first feature, adapting Lidia Yuknavitch’s emotionally intense memoir. The story centres on a young woman navigating trauma, sexuality, and swimming, all told through a non-linear, stream-of-consciousness narrative. Imogen Poots plays the lead, and the film’s visual style has already drawn comparisons to Derek Cianfrance. It premiered out of competition at Cannes 2025 and is generating serious interest from indie distributors.
Lynne Ramsay’s return after an eight-year hiatus is being hailed as one of the most anticipated auteur-driven works of the year. Jennifer Lawrence stars in this adaptation of Ariana Harwicz’s novel about a woman struggling with postpartum psychosis. The script is by Alice Birch, and early responses from Cannes suggest this is Ramsay at her most unrelenting. A24 and Apple reportedly battled over rights, hinting at serious awards potential.
After Beau Is Afraid, Ari Aster switches tone again with this “modern Western,” featuring Joaquin Phoenix and Pedro Pascal. The film debuted at Sundance 2025 and won the Grand Jury Prize, making it a serious contender for further festival attention. The story follows two estranged brothers forced to reunite in a post-capitalist landscape. It’s moody, slow-burning, and already being called one of Aster’s most emotionally mature works.
Solondz is back with a genre twist. Dangerous Animals takes on his trademark bleak humour with a surreal, body-horror narrative that drew comparisons to Julia Ducournau’s Titane during early Cannes market talks. It follows a child star turned recluse who becomes the subject of a bizarre suburban experiment. Programmers expect this one to land in TIFF’s Midnight Madness section due to its provocative tone and overall risk-taking structure.
Celine Song’s follow-up to Past Lives is a sharp, darkly comic look at art, commerce and class. Starring Dakota Johnson and Pedro Pascal, Materialists premiered at Cannes 2025, where its razor-sharp satire of luxury culture and beauty standards won Best Screenplay. Industry insiders say its strong aesthetic and festival reaction make it a top Vanguard or Discovery pick for TIFF 2025.
A quiet surprise from India, Sabar Bonda is the first Marathi-language feature to screen in Sundance’s World Cinema Dramatic section. Directed by queer filmmaker Rohan Kanawade, it explores the relationship between a young boy and his teacher in a rural village, subtly exploring themes of gender, caste, and queerness. With TIFF’s history of championing regional Indian cinema, especially post-All We Imagine As Light, this is one of the most likely South Asian entries to break through.
Linklater’s latest film is a love letter to French cinema, both stylistically and thematically. Nouvelle Vague is set in 1960s Paris and follows a young American student who becomes entangled in a world of cinephiles, protests, and fleeting romance. It's less a plot-driven film and more an ode to a particular cinematic moment. Industry insiders say it’s tailor-made for TIFF’s cinephile crowd, possibly as part of a Cinema Makers tribute.
Wes Anderson returns with a twist on the heist genre. The Phoenician Scheme features an ensemble cast trapped in a fictional desert state during a crumbling political regime. It was screened privately during Cannes Village and quickly became one of the most talked-about titles among buyers. TIFF might host its North American premiere, offering a major red carpet moment while still fitting its indie tone due to Anderson’s distinct auteur status.
Scarlett Johansson’s first feature as a solo director was selected for Cannes Jury Screening and was met with strong praise. The story follows a reclusive former stage actor navigating grief and late-life reinvention in New York City. It’s intimate and character-focused, with a restrained visual style that allows its performances to shine. TIFF’s interest in debut directors makes this a strong candidate for a Platform slot.
Trier reunites with Renate Reinsve for Sentimental Value, a film that builds on the emotional resonance of The Worst Person in the World. The narrative centres around a family dealing with the return of a long-absent parent, told with Trier’s signature emotional clarity and subtle humour. It received warm reviews at Cannes and could emerge as one of TIFF’s most acclaimed European entries.
Why this matters?
Unlike blockbuster-heavy seasons, TIFF 2025 is shaping up to be a filmmaker’s festival. From deeply personal stories to hybrid genre experiments, this year's buzzed-about indie titles reflect a shift toward narrative risk and regional specificity. And with the inclusion of Sabar Bonda, there’s a clear sign that Indian independent cinema is no longer confined to the margins. It’s earning its seat at the global table.
TIFF 2025 runs from 4–14 September, with the official lineup dropping later this summer. Until then, these are the names to watch.
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Arjun Rampal says Rauf is the darkest character he has portrayed
Arjun Rampal has stepped into a deeply unsettling place with his portrayal of Rauf in Netflix’s Rana Naidu season 2. The actor, known for playing intense characters, says this role was unlike anything he’s done before.
“He’s the most terrifyingly real character I’ve ever played,” Rampal said. Rauf is unpredictable, violent, and entirely devoid of empathy, yet not completely soulless. What sets him apart is a surprising emotional sliver: the fierce love he holds for his niece. “She’s the only one he protects without question,” he explained. “It’s the only time you see something human in him.”
For Rampal, the challenge wasn’t just about playing a violent man. It was about showing the emotional contradictions buried under that rage. “The fine line between menace and vulnerability is where Rauf lives. That’s what made him so difficult to portray,” he said.
A new layer of conflict in Rana Naidu season 2
In the latest season, Rampal’s character is a new addition to the already explosive dynamic between Rana Daggubati and Venkatesh Daggubati, who play a feuding son and father. Rauf’s entry heightens the emotional stakes, bringing in a cold, calculated energy that shifts the entire tone of the show.
Directed by Karan Anshuman, Suparn Verma, and Abhay Chopra, and produced by Locomotive Global Media, Rana Naidu continues to explore themes of loyalty, power, and personal demons, with Rampal’s Rauf adding a new layer of darkness.
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Director Sukumar could reunite with Mythri for a record-breaking project with SRK
Rumours are swirling that Shah Rukh Khan may soon headline India’s most expensive film yet, with a whopping £28.5 million (₹300 crore) offer reportedly on the table. The production house behind the buzz? Mythri Movie Makers, the banner that backed Pushpa and Rangasthalam. If true, this would be SRK’s biggest payday ever.
Mythri Movie Makers eye massive collaboration with SRK for their next big ventureGetty Images
A historic pay packet or just industry chatter?
Multiple outlets suggest that Mythri is in talks with SRK for a £28.5 million (₹300 crore) deal, a figure unprecedented in Indian cinema. The film is also said to be directed by Sukumar, whose skill in bringing together commercial appeal with deep storytelling made Pushpa a national sensation.
Early reports estimate the film’s overall budget could touch £95 million (₹1,000 crore), factoring in Khan’s fee, large-scale production elements, and a full-blown pan-India marketing campaign. If accurate, this would make it the most expensive Indian film ever made, surpassing RRR, Ramayana, and Adipurush in terms of scale and ambition.
But there’s a twist: according to sources, no meeting has yet taken place between Shah Rukh and Mythri. Sources close to the actor claim he is entirely focused on King, his upcoming action film with daughter Suhana Khan and director Siddharth Anand. As per this report, SRK will only start exploring new projects towards the end of 2025.
Shah Rukh Khan may become India’s highest-paid actor with this upcoming filmGetty Images
Sukumar’s direction, Mythri’s ambition, but what’s next for SRK?
If the project with Mythri Movie Makers does move forward, it could redefine how pan-India films are conceived, taking advantage of Bollywood’s reach with South India’s storytelling prowess. Sukumar’s directorial vision paired with SRK’s stardom might be the crossover moment Indian cinema has long awaited.
However, it’s important to note that nothing has been officially announced. The speculation may be premature, especially since SRK is currently tied up with King, expected to start production in early 2026. Until he wraps that, other projects remain on hold.
Pan-India film with ₹1000 crore budget reportedly being planned with Shah Rukh KhanGetty Images
For now, fans are watching closely. Whether or not this massive collaboration materialises, the very idea that Indian cinema is inching toward £95 million (₹1,000 crore) productions, with actors commanding £28.5 million (₹300 crore) fees, is itself proof that the stakes have never been higher.