Why Sikhs in England, Wales at risk of facing 'unlawful' ban from entering court
British-Sikh lawyer Jaskeerat Singh Gulshan has challenged security policy of the courts & tribunals concerning the Sikhs’ religious article of kirpan after he was barred from entering a magistrates’ building carrying the same.
Unlawful ban from entering courthouses of tribunals in England and Wales may greet practising Sikhs under prevailing security guidelines over kirpans, a case which was heard on Thursday (9) by the lord chief justice and the vice president of the court of appeal said.
According to a report by The Guardian, in a hearing which many experts feel is of national importance, legal representatives for Jaskeerat Singh Gulshan challenged the security policy of the courts and tribunals related to kirpans, the ceremonial short knife with a curved blade that practising Sikhs must carry at all times.
In 2021, Gulshan, a British-Sikh lawyer and one of the founders of the Sikh Lawyers Association, was barred from entering a magistrates' building in Ealing in west London till he removed his kirpan.
Under the court security policy being followed currently, Sikhs are permitted to carry a kirpan into a court or tribunal building if the overall length is not over six inches and the blade is not longer than five inches.
But Gulshan differs with the rule, saying that it would not be possible to comply with what his faith requires with a five-inch blade as in that case, the handle would measure only an inch and hence impossible to hold, the report added.
In April 2021, Gulshan was stopped from entering the Ealing magistrates' court as his kirpan measured eight inches in overall length. The length of the blade was within the permissible length of four inches.
The obstacle he faced to enter the court with his kirpan, he argued, violated both primary legislation and separate right for people to manifest their religious faith under the Human Rights Act.
The primary legislation allows people to carry kirpans of any length for religious reasons in the open.
“In light of the HMCTS [HM Courts and Tribunals Service] guidance as it currently stands, it is apparent that a Sikh lawyer … cannot expect to practice law because he has effectively been banned from appearing in court in violation of his right to carry a kirpan as protected by UK legislation,” Parminder Saini, Gulshan’s barrister, told the lord chief justice, Lord Burnett, and the vice-president of the court of appeal, Lord Justice Underhill, The Guardian report added.
“Sikhs are unique in being a protected religion as well as a race. As a person of Sikh ethnicity, this systemic discriminatory treatment therefore occurs on both religious and ethnic grounds, and equates to systematic discrimination against Sikhs,” he added.
The government said in its skeleton argument on behalf of the lord chancellor that the security policy came into force after consulting the Sikh community. Saini countered it saying the government spoke with the smaller Supreme Sikh Council and not the Sikh Council UK, the community's largest platform in the country, the report added.
The Sikh Council UK was also not pleased with the security policy.
Sukhjeevan Singh from the council said in his submission to the court, “We are extremely disappointed that HMCTS has published a policy without seeking guidance or recommendation from us and without any proper consultation with the community.”
He said the Sikh Council UK “condemns” the courts' policy on kirpans.
“To design and manufacture such a kirpan would be a mockery of our sacred article of faith,” he said.
According to Saini, the court's guidance is unlawful since it seeks to overrule primary legislation -- it is not a crime to carry an article with a blade in public if a person has it with him for reasons that are religious.
He added that the court's guidance “unequivocally contravenes” the Human Rights Act 1998 and the European convention on human rights protecting Gulshan’s right to manifest his religious take.
“By prohibiting the length of a kirpan that can be carried the guidance also impermissibly seeks to treat the kirpan as a bladed article, contrary to its designation under primary legislation and its categorisation as an article of the Sikh religion and race. The importance of this distinction should not be taken lightly,” he said.
In its submission, the government said the permission to appeal should be refused as the policy falls under the legitimate aim of protecting others' security.
Saini’s objections, according to it, are “a misreading of primary legislation”.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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