What's the ‘rule of 80/20’ and how it can help you achieve your diet goals?
With the right motivation to stay on track, you could achieve your diet goals in no time.
By Kimberly RodriguesDec 22, 2022
Most people face the struggle of remaining consistent to achieve their diet goals. If you are one among these, it is very important to understand how much to have and not starve yourself. Doing so could be a tough journey but with the right motivation to stay on track, you could achieve your diet goals in no time.
Taking to Instagram, nutritionist Shubhi Shivhare shares some tips to help you stay consistent with your fitness while also allowing a little room for indulgence.
• Stay as far away as possible from the guilt trap if you indulge – this is one of the major mistakes most people make. Stay positive and get back on track the following day.
• Always follow the rule of 80/20 by eating around 80% of healthy food for the day and indulging in just 20% of the food you love to satiate your cravings.
It could be a small piece of chocolate after a meal or consuming a cup of coffee or tea with less sugar.
Meal planning is one of the most important contributors to weight loss goals. Most of the time, it happens people reach out for the wrong food when the right one is unavailable. This is why planning your meals way ahead is important.
Agreeing, Anupama Menon, nutritionist, and food coach, explains that one of the most important contributors to your weight loss goals is meal planning, the Indian Express informs.
Anupama reportedly said, “Most of time, we reach out to the wrong food when the right food isn’t available. Which is reason enough to plan your meals in advance.”
She adds, “The risk of the healthy food not being available is the most probable give-in to a fried samosa or a pastry or an unreasonable burst of love for a packet of chips. And finally keep at hand the most important nutrient that you could put into your body – water.”
• Choose a sustainable diet. Giving up on chapati or rice completely or any food for that matter will not help in the long run.
• Avoid storing packaged and junk food which might force you to binge eat on them unnecessarily.
• Differentiate between psychological hunger and physical hunger. You can try drinking some water when there is hunger in your mind. If you feel too hungry, all you might need is a sandwich filled with vegetables, fruits, and nuts if you crave snacks, and makhna or bhel if you are looking for crunchy snacks. Consuming samosa, pastries, or a packet of snacks rather than the healthier alternative poses more risk from the diet perspective.
• Make sure you always remain hydrated. Reduced water consumption could also remain a hindrance to your weight loss goals.
• Find a solution for midnight cravings. You can brush your teeth or keep some healthy snacks like makhna, roasted chana, chickpeas, rice crackers and so on handy which would keep you away from fried food, chips, or aerated drinks.
However, Anupama advises to avoid combining too many foods into your diet. Too many foods would mean too much to digest. Avoid burdening your system. One source of protein, carbohydrates, and a vegetable or probably a salad is all that your body requires for a meal. With this combo, you would never end up overeating.
“Know that results will be achieved, but not by magic. It requires consistency in exercise, food balance, clean eating, claiming back one’s circadian cycle routine — all of which may take time. Give yourself the time to reach your destination with happiness and health,” Anupama concludes.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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