What is freshers flu? Here's all you need to know about this illness
Whether you are a fresher or a second-or third-year student, you may not be able to escape the dreaded infection.
By Kimberly RodriguesSep 23, 2022
Many students across the UK have started their first term of university this week, and you are more likely to get ‘freshers flu’ as the name suggests, in your first few weeks of studying at university.
University students are bound to contract ‘freshers flu’ as their lives are filled with partying, making new friends, and socializing.
So, whether you are a fresher or a second-or third-year student, you may not be able to escape the dreaded infection.
Yet, students can probably avoid freshers flu this year, and there are many ways to go about this.
However, if you have already contracted the illness there are also many ways to boost your immune system before your lectures start in full swing.
It’s important to know that freshers flu is not actually a medical term but an awful cold, also known as student cold.
Here's everything you need to know about freshers flu.
It is a combination of physical and psychological factors which can disrupt your immune system and cause you to feel ill for a week or two.
This flu is normally caused by a combination of things, including:
• A severe lack of sleep due to socializing and adjusting to a new lifestyle.
• Meeting many new people who could be carrying viruses that escape your immunity.
• Stress due to homesickness and anxiety caused by the experience of starting university.
• Drinking alcohol – an excess of it can cause a weakening of your immune system.
• Eating unhealthy food like fast food due to a lack of time, hangovers, and the fast-paced life of university students.
Symptoms of the flu according to the NHS include:
• Sudden high temperature
• Dry cough
• Sore throat
• Aches and pains
• Feeling tired or exhausted
• Headache
• Difficulty sleeping
• Loss of appetite
• Diarrhoea or stomach ache
• Feeling sick and being sick.
Treatment for freshers flu:
Get plenty of sleep as your symptoms could get worse with a lack of sleep.
Increase your fluid and water intake to avoid dehydration and ease the symptoms of the flu.
Stick to a healthy diet that helps to boost your immune system. Eat plenty of vitamin-C-rich foods.
Though there is no direct cure for freshers flu, you can make the symptoms of the flu more bearable, by taking painkillers like paracetamol and ibuprofen.
In case symptoms of the flu worsen, seek medical advice from your GP or visit the NHS website for more information.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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