Actor Daniel Kaluuya says he often lost out on roles due to producers' apparent prejudice in favour of the white skin.
Frustrated, the 30-year-old actor headed to America, he said.
"I was going for a lot of stuff (in England). But I wasn't getting roles because of the colour of my skin. It wasn't fair. It was a trap.
"For example, I went up for this show. It was ten rounds of auditions. There was me and a white guy for the lead. It was about aliens. And I realised as I was going to one audition that the other guy had been given an acting coach. They didn’t love me like they loved him," Kaluuya told The Sunday Times.
“In any other profession, that would be weird, but it was accepted in mine. It happened a few times, and I went, ‘Nah. I’m not an idiot’,” he added.
Kaluuya later starred in Jordan Peele''s 2017 horror film Get Out and was nominated for best actor at the Oscars, Golden Globes, BAFTAs and Screen Actors Guild Awards for his performance.
The actor, who grew up on an estate in Kentish Town, London, further said he is "confusing" to people in the US because Americans are used to being sold British exports such as Downton Abbey and The Crown.
"There’s Brand Britain, so there’s an awareness that I’m British, but they don’t know me. I’m just seen as privileged because I have an English accent,” he said.
“That story (of coming from an estate) isn’t sold. It isn’t sold internationally. They only sell Downton Abbey. What was being sent abroad was a certain brand of Britain that, maybe, is what Americans want it to be. Then someone goes to London and realises it's similar to New York - but that story’s not sold," he added.
Kaluuya's comments come days after 2020 BAFTAs was criticised for the lack of diversity in nominations for its annual film awards.
Among the stars snubbed despite collecting awards and nominations in other ceremonies this year were Jennifer Lopez for Hustlers, Eddie Murphy for Dolemite Is My Name, Lupita Nyong’o for Us, Antonio Banderas for Pain & Glory and Cynthia Erivo for Harriet.
Kaluuya will next be seen in Queen & Slim, a film about a black couple who go on the run after shooting a police officer in self-defence, which is slated for a January 31 release.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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