THESE recipes are taken from Mountain Berries & Desert Spice by Sumayya Usmani. Published by Frances Lincoln. ISBN: 978 0 7112 3852 7
Bakar khani (Sweet puff pastry biscuits) (Makes 8-10)
Ingredients:
1 tbsp ghee for greasing tray and fingers
320g/11¼oz packet ready-rolled puff pastry
plain flour, for dusting
2 cardamom pods, seeds removed and finely ground
1 egg yolk
1tbsp white poppy seeds
1tbsp sesame seeds
2tbsp caster sugar
Method:
Preheat the oven to 180C/350F/ gas mark 4 and grease a baking tray. Spread out the puff pastry sheet on a lightly floured work surface and cut out pastry lengthways into 2.5cm/1 inch strips.
Sprinkle the ground cardamom over each pastry strip, then rub a tiny bit of ghee on your fingers and roll up the strips until you have a small cylinder.
Using your palms, press each cylinder down flat, spreading the corners so that the pastry is a little thinner at the edges compared to the middle of the disc to allow the biscuit to rise in a dome.
Stir the egg yolk and milk together in a small bowl and brush the egg wash over the pastries.
Sprinkle with the poppy seeds, sesame seeds and sugar, and then place on the prepared baking tray.
Bake in the oven for 15-20 minutes until golden brown and puffy. Serve warm or cold. Store in an airtight container for 3-4 days.
Rose and lychee sagodanna pudding (Serves 4)
Ingredients:
150g/5½oz /1 cup tapioca pearls
350ml/12fl oz/1½ cups milk
150ml/5fl oz/2-3 cup coconut milk
50ml/2fl oz/ scant ¼ cup water
2tbsp dried milk powder
2 cardamom pods, seeds removed
200g/7oz/generous 1 cup caster sugar
180g/6oz can lychees, in a heavy syrup
50ml/2f oz/scant ¼ cup rose syrup
To decorate:
8 dried rose petals
tbsp slivered pistachios
canned lychees
Method:
Wash the tapioca pearls, then soak in a bowl of water for one hour, or overnight.
The next day, drain the tapioca, discard the soaking water and place the tapioca in a saucepan with the milks, water, milk powder, cardamom seeds, sugar and lychee syrup (set the lychees aside).
Cook over a medium heat for 15 minutes until the tapioca is cooked through and transparent. Add half the lychees and the rose syrup, then turn the heat to low and cook for another five minutes.
Pour the tapioca into a serving dish and allow to cool completely before chilling in the fridge for four-five hours before serving. When ready to serve, decorate with rose petals, slivered pistachio and lychee.
THESE recipes are taken from Chai,Chaat & Chutney by Chetna Makan. Published by Octopus Books. ISBN: 978 1 78472 287 6
Falooda (Serves 4)
Ingredients:
1 tablespoon sweet basil seeds (sabja seeds)
500ml (18fl oz) water
50g (1¾ oz) glass noodles (falooda sev)
8 tablespoons rose syrup
400ml (14fl oz) chilled milk
4 scoops of vanilla ice cream
handful of pistachio nuts, finely chopped
handful of almonds, finely chopped
Method:
Soak the basil seeds in the measured water for 30 minutes. Meanwhile, cook the noodles according to the packet instructions and leave to cool completely. To assemble the falooda, pour two tablespoons of the rose syrup into a serving glass.
Add two tablespoons of the now much expanded soaked basil seeds, then 100ml (3½ fl oz) of the chilled milk. Add a handful of noodles and top with a scoop of ice cream. Sprinkle over pistachios and almonds. Repeat with the remaining ingredients to create four servings and serve immediately.
Cardamom and Pistachio Kulfi (Serves 6)
Ingredients:
1.5 litres (2¾ pints) milk
50g (1¾ oz) golden caster sugar
½ teaspoon ground cardamom
3 tablespoons finely chopped pistachio nuts, plus extra to decorate
Method:
Pour the milk into a large, heavy-based saucepan. Bring it to the boil, then reduce the heat to low and simmer for three hours, stirring every five-seven minutes to ensure the milk does not stick to the bottom of the pan.
Once the milk has reduced by two-thirds, measure it to ensure the volume has reduced to 500ml (18 fl oz), then return it to the pan. Add the sugar and cardamom and stir for one minute, then add the pistachios.
Pour the mixture into a jug and leave to cool a little. Divide the mixture between six kulfi cones (use plastic containers if you don’t have any) and freeze overnight. When ready to serve, dip the cones in warm water for a few seconds, then turn out the kulfi onto individual serving plates. Sprinkle with the extra pistachios to serve.
ACTOR Raj Ghatak praised the enduring appeal of The Producers as he takes on a role in the hit Broadway show, now playing in the West End.
Ghatak is the first person of colour to portray Carmen Ghia, the flamboyant partner of eccentric director Roger DeBris (Trevor Ashley) and, consequently, his character is dressed in the south Asian attire of sherwani (tunic) and kurta pyjama.
In an interview with Eastern Eye, he said, “The world was arguably a happier place when it was first written.
“But what we’re finding now is that audiences are so grateful to laugh. They sit down, immerse themselves in the story, and forget everything else. That’s the power of theatre.”
Describing the show as a kind of “therapy” for modern times, Ghatak said, “Audiences tell us how welcome it is to laugh so hard again”.
It is the first major London revival of American filmmaker and actor Mel Brooks’ classic, which earned an unprecedented 12 Tony Awards, and has transferred from a sold-out run at the Menier Chocolate Factory to the Garrick Theatre.
Based on Brooks’ 1967 cult film, the story follows two desperate Broadway producers who scheme to get rich by producing a flop, only for their plan to go hilariously wrong.
Trevor Ashley as Roger DeBris and Ghatak as Carmen Ghia in The Producers
Teeming with Brooks’ signature wit, the show delights in its irreverence, sending up everything from show business to politics. Ghatak said, “It’s massively exciting to be part of it. And this time around, they’ve leaned in to my ethnicity. I wear a kurta pajama and a sherwani – things that have obviously never been done before. It gives us visibility.”
Two decades ago, Ghatak starred in Bombay Dreams, AR Rahman’s West End musical produced by Andrew Lloyd Webber, that became a cultural turning point for British Asian performers.
Ghatak recalled how the show “broke the glass ceiling for south Asian actors”.
He said, “At the time, it was just a job – a very high-profile one. But, years later, people tell me they were taken to see that show as children, and because of it, they felt they had permission to be an actor. That’s something that was never the case in my day.”
That generational shift is something Ghatak takes pride in. “When I look back, it feels like we’ve come a long way. But we still have a long way to go.”
Being part of The Producers brought Ghatak face to face with one of his heroes. Brooks himself, now 99, had to approve his casting.
The actor said, “They filmed my meeting. I met the team on a Friday afternoon, and on Monday morning they said, ‘Pending Mel Brooks’ approval, we’d like to offer you the role.’ I remember thinking, if I don’t get his approval, does this mean I can’t do the job?”
The cast had four weeks of full-time rehearsals. “For that production, I watched both films,” Ghatak said, referring to the 1967 original and the 2005 version with Nathan Lane and Matthew Broderick.
“I wanted to understand the source material. I’m a firm believer that if it’s not broke, don’t fix it. Otherwise, you’re changing something for the sake of it. But rehearsals are where you experiment and play.” He credited both Brooks’ writing and Patrick Marber’s direction for the show’s humour.
“Our director comes from a background of plays. My own background is in plays, TV and film. So, we both approached this with the idea that, however heightened the situation or character, it must be grounded in truth,” he said.
Ghatak trained at the Royal Central School of Speech and Drama and Queen Mary University in London and has worked with Emma Thompson, Nicole Kidman, Riz Ahmed, Sir Derek Jacobi, Ewan M c G r e - g o r, Hugh Jackman and Benedict Cumberbatch. His stage credits include The Kite Runner, Life of Pi, Everybody’s Talking About Jamie and The Father and the Assassin. He has worked with some of the most respected directors in theatre, including Dominic Cooke, Indhu Rubasingham, Rufus Norris, Kerry Michael and now Marber.
Despite his achievements, the actor is conscious of the ongoing struggles for representation. He said, “As much as the situation has improved, we’ve still got a long way to go. Roles that challenge me, excite me. There are so many stories from the Asian subcontinent and diaspora that deserve to be told.
“When I started, there were very few people I could look to as role models. That’s why I’ve become such a champion for diversity and inclusion.”
Born and raised in north London to Bengali parents from Kolkata, he grew up surrounded by music and culture.
“My father was a doctor, and my mother was a chemistry teacher,” Ghatak said, adding, “But there was always music at home. My father sings Rabindra Sangeet, my mother plays guitar, and my sister is a classical singer.” Initially, he didn’t see acting as a viable career. “I went to a very academic school.
My interests were split between medical sciences and the performing arts.”
Eventually, he followed his childhood passion and trained as an actor.
He said, “A show like The Producers challenges me in a different way - it makes me laugh and it makes me think. That’s what keeps me passionate about the work.”
Asked what continues to excite him about musical theatre, Ghatak said, “Being in this show and telling this story. The comedy, the chaos, the craft… it’s such a joy. And to be the only person of colour among the six principal cast members, representing our community on such a stage, that’s something I’m proud of.”
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