THIS week legendary actor Jeetendra turns a year older and celebrates his 79th birthday on April 7. Although the hardworking actor delivered a huge number of memorable performances throughout his prolific career, he was perhaps at his best in songs.
With that in mind and for those needing a Bollywood musical fix during lockdown, Eastern Eye presents a unique list of his 10 most memorable songs, presented in chronological order, fully aware there are many more musical gems featuring the much-loved actor.
Baar Baar Din Ye Aaye from Farz (1967): The spy thriller has perhaps the most memorable birthday song in Bollywood history and it is one that is still popular today. The definitive track has an uplifting energy, catchy music and lyrics that have been sung by many millions across different generations. It is picturised on the handsome young actor not afraid to show off his dance moves.
Gum Uthane Ke Liye Main To Jiye Jaunga from Mere Huzoor (1968): This deeply emotional song captures the pain of heartbreak perfectly, but it is also a heartfelt apology, and that is what makes it so special. With tears streaming down his face, the actor brings the Mohammed Rafi song beautifully to life on-screen and it is no surprise that this superb song has been viewed some 62 million times on YouTube.
Aane Se Uske Aaye Bahaar from Jeene Ki Raah (1969): The standout moment in Jeene Ki Raah is this stunning love song picturised on the actor. The pure vocals of Mohammed Rafi combine with the incredible lyrics and marvellous music. The Laxmikant Pyarelal composed track is so good that it gets someone out of a wheelchair in the movie.
Kisi Raah Mein Kisi Mod Par from Mere Humsafar (1970): This gentle Lata Mangeshkar-Mukesh duet picturised on the actor and Sharmila Tagore is about two people travelling together, but also has a strong romantic metaphor about two lovers taking that journey of life. The soothing song will immediately make you think about the one you love and motivate you to make plans with them when lockdown ends.
Chadhti Jawani from Caravan (1971): The monster hit song from this film is Piya Tu Ab To Aja, but that was picturised on Helen. This youthful Lata Mangeshkar-Mohammed duet has stood the test of time and has been remixed various times, since it released. The track has formed diverse connections with different generations and still has that feel-good vibe.
Saat Ajube Is Duniya from Dharam Veer (1977): The blockbuster entertainer had this friendship song picturised on Dharmendra and Jeetendra. With everyone looking to reconnect with friends when lockdown is over, this track is a perfect pick-me-up and one that will remind you of good times. The cool combination of Mohammed Rafi and Mukesh is a fabulous finishing touch on a timeless classic.
Tere Haathon Mein Pehna Ke Chudiyan from Jaani Dushman (1979): This may have been a horror film, but it has some great tracks like the romantic duet Oh Meri Jaan and the emotional Chalo Re, Doli Uthao Kahaar, but this celebratory number is the highlight. Also loaded with romance, it has a great playful energy, which is elevated further by the actor and Neetu Singh on-screen.
Aashaon Ke Sawan Mein from Aasha (1980): The big blockbuster song in this film is Sheesha Ho Ya Dil Ho, but that isn’t pictured on the actor, so this romantic duet makes the list instead. The terrific track picturised on him and Reena Roy is injected with so much romance that it will make you think about the one you love.
Maar Gayi Mujhe Judaai from Judaai (1980): This Kishore Kumar-Asha Bhosle rain-soaked duet picturised on Jeetendra and Rekha is a perfect lockdown song for couples who have been isolating separately. It is very much about missing someone you love and the happiness of seeing them again.
Nainon Mein Sapna, Sapnon Mein Sajna from Himmatwala (1983): The jewel in the crown of this blockbuster hit was this upbeat dance number where Jeetendra matched steps with Sridevi. The imagery in the star-making song for Sridevi would influence many tracks that followed and the beat is still catchy enough to make you want to bust your best Bollywood shapes, just like jumping Jack Jeetendra did in so many classics.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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