Gosling's upcoming film 'The Fall Guy' faces controversy over a Heard-Depp joke
“It's like Amber and Johnny were just in here,� by Hannah Waddingham's character has created stir on social media.
By Vibhuti PathakApr 23, 2024
Early viewers of Ryan Gosling’s upcoming film The Fall Guy are expressing concerns about a particular joke in the movie that references the tumultuous relationship between Amber Heard and Johnny Depp.
Set to hit cinemas next month, The Fall Guy features Gosling in the role of Colt Seavers, a struggling stuntman on a mission to locate the missing lead actor from his ex-girlfriend's director’s blockbuster film. Alongside Gosling, the action-comedy boasts a star-studded cast including Emily Blunt, Teresa Palmer, Hannah Waddingham, Winston Duke, and Aaron Taylor-Johnson, who has been rumoured as the next James Bond.
Despite the film's release being a few weeks away, select critics and journalists who attended preview screenings have taken to Twitter to share their reactions. One scene, in particular, has garnered criticism for its reference to Amber Heard and Johnny Depp's highly publicised marriage and subsequent legal battles.
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The controversial joke is delivered by Hannah Waddingham’s character as she enters a trailer post-fight, remarking, “It’s like Amber and Johnny were just in here,” alluding to the tumultuous nature of their relationship.
Some viewers found the joke distasteful, with one journalist expressing disappointment over the inclusion of domestic violence themes in a 2024 action-comedy. Another viewer remarked that the joke was unnecessary and disrupted their immersion in the film.
Fans of the actors and the film expressed similar sentiments, with some feeling let down by the choice to include the joke.
The relationship between Johnny Depp and Amber Heard has been the subject of intense media scrutiny and legal battles in recent years. Depp lost a libel case against The Sun in 2020, where the court ruled in favor of the newspaper's characterisation of him as a "wife-beater." Depp later sued Heard for defamation in 2022, winning the case and being awarded significant damages.
The Fall Guy is scheduled for release in cinemas on May 2, 2024.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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