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Tax fraudster gets 4-year jail term

Tax fraudster gets 4-year jail term

A TAX fraudster of Stockport, who went into hiding for eight years, has been awarded a four-year jail term.

Muhammad Tanwir Khan, who was convicted of conning the taxman of £800,000 in VAT repayment fraud, fled to Pakistan in 2013 before the quantum of punishment was pronounced. His name featured in the ‘20 most wanted' list.


But the law finally caught up with the 66-year-old man of Heaton Moor in Stockport when he came back to England. He was arrested on 13 August, the BBC said.

A Nightingale Crown Court of Manchester ordered him to undergo imprisonment for three year-and-a-half years for tax fraud and another six months for absconding.

He will have to spend another three years in prison if fails to repay £696,749 to HM Revenue and Customs.

According to the tax department, he created 350 fake invoices between 2006 and 2011 for the export of machinery parts to Pakistan which never took place.

Khan and his “trading company” Spearpoint Limited came under the scanner of HMRC which found discrepancies in VAT receipts.

"Khan stole more than £800,000 of taxpayers' money and thought he could escape punishment but now he must serve his sentence," Eden Noblett, assistant director of HMRC's fraud investigation service, said, according to the BBC report.

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Martin Parr, who captured Britain’s class divides and British Asian life, dies at 73

Highlights:

  • Martin Parr, acclaimed British photographer, died at home in Bristol aged 73.
  • Known for vivid, often humorous images of everyday life across Britain and India.
  • His work is featured in over 100 books and major museums worldwide.
  • The National Portrait Gallery is currently showing his exhibition Only Human.
  • Parr’s legacy continues through the Martin Parr Foundation.

Martin Parr, the British photographer whose images of daily life shaped modern documentary work, has died at 73. Parr’s work, including his recent exhibition Only Human at the National Portrait Gallery, explored British identity, social rituals, and multicultural life in the years following the EU referendum.

For more than fifty years, Parr turned ordinary scenes into something memorable. He photographed beaches, village fairs, city markets, Cambridge May Balls, and private rituals of elite schools. His work balanced humour and sharp observation, often in bright, postcard-like colour.

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