Swati Natekar: During live performances, you get one chance to prove yourself
By ASJAD NAZIRMar 17, 2022
SWATI NATEKAR has delivered everything from deeply classical music to huge commercial songs with effortless ease.
Although she has released acclaimed albums and collaborated with worldclass artists, the versatile singer is at her best live and delivers concerts globally.
The British talent will deliver a free concert as part of the Mid-day Mantra series at Symphony Hall in Birmingham on March 26. Accompanied by top UK musicians, she will do a special presentation of songs celebrating Holi.
Eastern Eye caught up with the singing star to discuss her musical journey, live performance, and forthcoming concert.
How do you look back on your incredible musical journey?
I was born in a musical family in a small town of Jabalpur, India. I was trained by my mother Vidushi Dr Smt Sushila Pohankar, who herself was a scholar. Being constantly surrounded by great music created a natural passion for music. Shifting to Mumbai and then London opened a new world for me. So, it has been a great journey so far.
Tell us about some of the highlights?
There have been many beautiful memories. As a singer, composer, and songwriter, I recorded tracks such as Nadia (with Nitin Sawhney), Khwaab (with Niraj Chag) and Jakatta American Dream (number three in UK main charts). I also collaborated through recordings with Ustad Zakir Hussain, Craig Armstrong, Talvin Singh, Sonu Nigam and Muzaffer Ali. I have released my own albums and performed in Europe, Caribbean, South Africa, Karachi, and Nairobi. I composed and sang a track for the Queen’s gallery at Buckingham Palace.
How much does a live performance mean to you?
Artists either love working in the studio or performing live. Fortunately, I enjoy both. In the studio, you have all the time to rework on things you are not happy with. But during live performances, you get just one chance to prove yourself. At the same time, the energy you receive from your audience is phenomenal.
What has been your most memorable performance?
In my 45-year musical career, there are many special memories, such as performing with Nitin Sawhney in Johannesburg in front of a 70,000-strong audience or my classical performance for All Night Festival in Paris. But performing live with Scottish composer Craig Armstrong, along with London Sinfonietta 60 piece, at Barbican was one of the most memorable shows for me.
What can we expect from your Mid-day Mantra performance?
As part the Holi celebrations, I’ve specially selected thumri, ghazals, classic Bollywood, including a tribute to Lataji (Mangeshkar), and bhajans. Together, it will be a unique combination.
Is there a song or piece of music you are looking forward to performing?
It is a thumri, based upon Holi; composed by my mother and guru. People have always loved it. I’m looking forward to performing it for my Birmingham audience.
What according to you is the secret of a great live performance?
I think one has to be well prepared. For this, not just a few days, but lifelong study and hard work is very important. There are no shortcuts!
Do you ever get nervous before going on stage?
When I was young, I used to have stage fright. Watching Jagjit Singh in concert taught me how one can enjoy themselves while performing. Also, the moment I decided to focus on my performance while on stage rather than worrying about the results has been my biggest finding, which eventually helped me to overcome this problem.
Who have you loved seeing live as a music fan?
I’ve been fortunate to have heard many legendary artists live. In classical, I would say Ustad Rashid Khan, Pt Ajay Pohankar (my elder brother) and Ustad Zakir Hussain. In lighter music, it has to be Jagjit Singh.
What music dominates your own personal playlist?
Oh many! Ustad Vilayat Khan, Pt Ravi Shankar, Ustad Rashid Khan, Pt Ajay Pohankar, Lata Mangeshkar and Ustad Mehdi Hassan.
Why do you love music?
I was born into a musical atmosphere, and so music has always been like oxygen for me. Also, coming from a family of professional musicians and being raised having listened to a high standard of music, I cannot imagine my life without it.
Why should we come to your show?
Thanks to Sampad, I’m bringing a special concert to Symphony Hall, Birmingham with lots of variety. There will be something that everyone can enjoy. So, I urge people to book this free event, come and listen to me and my talented team.
ACTOR Raj Ghatak praised the enduring appeal of The Producers as he takes on a role in the hit Broadway show, now playing in the West End.
Ghatak is the first person of colour to portray Carmen Ghia, the flamboyant partner of eccentric director Roger DeBris (Trevor Ashley) and, consequently, his character is dressed in the south Asian attire of sherwani (tunic) and kurta pyjama.
In an interview with Eastern Eye, he said, “The world was arguably a happier place when it was first written.
“But what we’re finding now is that audiences are so grateful to laugh. They sit down, immerse themselves in the story, and forget everything else. That’s the power of theatre.”
Describing the show as a kind of “therapy” for modern times, Ghatak said, “Audiences tell us how welcome it is to laugh so hard again”.
It is the first major London revival of American filmmaker and actor Mel Brooks’ classic, which earned an unprecedented 12 Tony Awards, and has transferred from a sold-out run at the Menier Chocolate Factory to the Garrick Theatre.
Based on Brooks’ 1967 cult film, the story follows two desperate Broadway producers who scheme to get rich by producing a flop, only for their plan to go hilariously wrong.
Trevor Ashley as Roger DeBris and Ghatak as Carmen Ghia in The Producers
Teeming with Brooks’ signature wit, the show delights in its irreverence, sending up everything from show business to politics. Ghatak said, “It’s massively exciting to be part of it. And this time around, they’ve leaned in to my ethnicity. I wear a kurta pajama and a sherwani – things that have obviously never been done before. It gives us visibility.”
Two decades ago, Ghatak starred in Bombay Dreams, AR Rahman’s West End musical produced by Andrew Lloyd Webber, that became a cultural turning point for British Asian performers.
Ghatak recalled how the show “broke the glass ceiling for south Asian actors”.
He said, “At the time, it was just a job – a very high-profile one. But, years later, people tell me they were taken to see that show as children, and because of it, they felt they had permission to be an actor. That’s something that was never the case in my day.”
That generational shift is something Ghatak takes pride in. “When I look back, it feels like we’ve come a long way. But we still have a long way to go.”
Being part of The Producers brought Ghatak face to face with one of his heroes. Brooks himself, now 99, had to approve his casting.
The actor said, “They filmed my meeting. I met the team on a Friday afternoon, and on Monday morning they said, ‘Pending Mel Brooks’ approval, we’d like to offer you the role.’ I remember thinking, if I don’t get his approval, does this mean I can’t do the job?”
The cast had four weeks of full-time rehearsals. “For that production, I watched both films,” Ghatak said, referring to the 1967 original and the 2005 version with Nathan Lane and Matthew Broderick.
“I wanted to understand the source material. I’m a firm believer that if it’s not broke, don’t fix it. Otherwise, you’re changing something for the sake of it. But rehearsals are where you experiment and play.” He credited both Brooks’ writing and Patrick Marber’s direction for the show’s humour.
“Our director comes from a background of plays. My own background is in plays, TV and film. So, we both approached this with the idea that, however heightened the situation or character, it must be grounded in truth,” he said.
Ghatak trained at the Royal Central School of Speech and Drama and Queen Mary University in London and has worked with Emma Thompson, Nicole Kidman, Riz Ahmed, Sir Derek Jacobi, Ewan M c G r e - g o r, Hugh Jackman and Benedict Cumberbatch. His stage credits include The Kite Runner, Life of Pi, Everybody’s Talking About Jamie and The Father and the Assassin. He has worked with some of the most respected directors in theatre, including Dominic Cooke, Indhu Rubasingham, Rufus Norris, Kerry Michael and now Marber.
Despite his achievements, the actor is conscious of the ongoing struggles for representation. He said, “As much as the situation has improved, we’ve still got a long way to go. Roles that challenge me, excite me. There are so many stories from the Asian subcontinent and diaspora that deserve to be told.
“When I started, there were very few people I could look to as role models. That’s why I’ve become such a champion for diversity and inclusion.”
Born and raised in north London to Bengali parents from Kolkata, he grew up surrounded by music and culture.
“My father was a doctor, and my mother was a chemistry teacher,” Ghatak said, adding, “But there was always music at home. My father sings Rabindra Sangeet, my mother plays guitar, and my sister is a classical singer.” Initially, he didn’t see acting as a viable career. “I went to a very academic school.
My interests were split between medical sciences and the performing arts.”
Eventually, he followed his childhood passion and trained as an actor.
He said, “A show like The Producers challenges me in a different way - it makes me laugh and it makes me think. That’s what keeps me passionate about the work.”
Asked what continues to excite him about musical theatre, Ghatak said, “Being in this show and telling this story. The comedy, the chaos, the craft… it’s such a joy. And to be the only person of colour among the six principal cast members, representing our community on such a stage, that’s something I’m proud of.”
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