Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
SUPPORTERS of Tibetan spiritual leader the Dalai Lama have announced plans to establish a library in his honour in New York.
The Namgyal Monastery in Ithaca, New York announced the launch of a $5 million public fundraising campaign to build a Dalai Lama Library and Learning Centre.
Top US leaders have warmly greeted the Dalai Lama on his 86th birthday on Tuesday (6) describing him as an inspiration to people around the world.
Tenzin Choesang, the president of Namgyal Monastery in Ithaca, said he is seeking support from donors for a project of great benefit to all of humanity.
"Our vision - one that is supported and shared by the Dalai Lama - is to encourage genuine human interconnection and unity in an increasingly divided world. The Dalai Lama Library and Learning Centre will do this by creating a transformational hub of compassionate and humane education that is open to everyone, both in-person and online," he said in a statement.
According to the monastery, the Dalai Lama Library and Learning Centre will span 9,240sqft and will serve as a repository for all the work of the current and previous Dalai Lamas.
Besides, it will be a place for study and exploration for the public, including students, scholars, spiritual, civic and business leaders, and practitioners of all faiths.
The Learning Centre will be a physical space as well as a virtual destination (via its robust website) for people across North America and the world, offering free and low-cost programmes, it added.
The 14th Dalai Lama has made the hillside town of Dharmsala in Himachal Pradesh his headquarters after a failed uprising against Chinese rule in 1959.
China does not recognise the Tibetan government-in-exile and accuses the Dalai Lama of seeking to separate Tibet from China.
'Inspiration to people'
"I am delighted to extend warm wishes to His Holiness the Dalai Lama on the occasion of his 86th birthday on July 6. His Holiness is an inspiration to many around the world who are drawn to his messages of compassion, equality, and inclusivity," US Secretary of State Antony J Blinken said.
"I have deep respect and appreciation for His Holiness' grace, wisdom, and humility, as well as his dedication to greater global equality and the equal rights of all people, including his fellow Tibetans. I wish His Holiness the very best."
State department spokesperson Ned Price said: "Today we wish a happy birthday to his holiness the Dalai Lama, whose grace and compassion have served as an inspiration to all of us.
"We commend his dedication to the global Tibetan community and to all those around the world who share his important message of peace and kindness and his commitment to equality and, importantly, to human dignity.”
House of Representatives Speaker Nancy Pelosi tweeted: "It is an honour to join the Tibetan people and so many friends of Tibet to send warm birthday wishes to His Holiness The @DalaiLama.
"This is a beautiful opportunity to celebrate His Holiness and the message of hope and spiritual guidance that he has shared with the world."
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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