Urooj Ashfaq's hilarious journey: Her top 10 comedy moments so far
Rising comedy star Urooj Ashfaq shares her top 10 comedy moments – from viral sketches and Edinburgh wins to dance parties, Daniel Sloss shoutouts and her dream of a drama-free Fringe.
Urooj Ashfaq is quickly becoming one of the most exciting voices in stand-up comedy
Urooj Ashfaq is quickly becoming one of the most exciting voices in stand-up comedy – not just in India, but on the international stage. After years of building a loyal following with her sharp, playful humour and refreshingly honest storytelling, she made a major mark at the 2023 Edinburgh Fringe, winning the prestigious Best Newcomer Award. It was a breakthrough moment that catapulted her from popular Indian comic to a global name to watch.
Since then, she’s been touring internationally, selling out shows in India, the UK and beyond, and earning rave reviews for her mix of relatable comedy, bold observations and joyful absurdity. Now, she’s returning to London and Edinburgh with her latest show How To Be A Baddie, previewing at Soho Theatre in July before another much-anticipated run at the Fringe.
Ahead of her 2025 summer UK shows, Urooj shares her Top 10 Comedy Moments – from viral sketches and food deliveries to unexpected dance parties, shoutouts from comedy legends and her hopes for the Fringe this year.
Urooj shares her Top 10 Comedy MomentsInstagram/uroojashfaq
Participating in Queens of Comedy:
It was India’s first all-female comedy competition! We did formats of comedy in every round. It pushed me to create well on a timeline, and it taught me a lot about being on sets and shoots. More importantly, all the girls had a great time just giggling and crying through the whole thing together. It is lovely to have made the friendships I did on the show.
The Ahmedabad audience having a dance party at the end of my show in February 2025:
I was touring with my new show How To Be A Baddie in February, which I am previewing at Soho Theatre in London in July and bringing to the Fringe Festival in August. I was on my period that day and was lying face down in the green room in pain before the show. I have a section in my show where I read One Direction erotica – and a song by One Direction plays at the very end of my show! I think the audience that day was lovely. The show went so well – there was so much joy in the room, the audience had a giant dance party at the end and I couldn’t feel my cramps anymore.
Meeting Phoebe Waller-Bridge:
In 2023 at the Fringe Festival, I met Phoebe Waller-Bridge. She came to watch my show and hung out with us later. It was so kind of her, and we had the best time chatting with her. It’s a core Fringe memory for me forever.
Daniel Sloss gave me a shoutout after watching my show:
Another memory from the 2023 festival was when Daniel Sloss came to watch my show and liked it enough to recommend it to people to come watch, it was surreal! I was overjoyed by his warmth – and it helped my sales so much. Phew!
Winning Best Newcomer at the Fringe in 2023:
That was a very big year for me.
Doing food deliveries after starring in a viral comedy sketch by the comedy group AIB:
I starred in a sketch called If Apps Were People by AIB, a legendary Indian comedy group, back in 2016. The video did really well and I was a delivery girl for my sister’s breakfast and brunch service Eggcetra at the time. I would show up outside their rooms with the breakfast for students at a nearby fashion institute and they would open the door at 8 am bleary-eyed, looking like they had seen me before and they just couldn’t tell where. One time, a man recognised me and asked me, “Do you still take tips?” I said, “Yes sir, I’m pursuing a career in comedy, please tip me!”
Releasing my first YouTube video:
It is a big day in the life of an Indian comedian when we release our first YouTube video. It is our debut into the online world of comedy, and it really helps build our audience. My first video really helped me build that and be able to tour. It was a very important moment for me.
Playing Tara on Pushpavalli:
Pushpavalli is an iconic Indian comedy‐drama series on Amazon Prime created by Sumukhi Suresh. I played Tara in the duo Tara and Srishti, who are the Siamese twins of evil. Srishti was played (both were largely written) by the hilarious Sumaira Shaikh, who is my college mate and we started doing stand-up comedy together. It was so fun to be on set and shoot this series. The characters were so mean and evil and funny, we had the best time playing them.
Being a question on the Indian version of Who Wants To Be A Millionaire hosted by Bollywood legend Amitabh Bachchan:
On Season 15, Episode 31 (I’m really casual about it), this specific question was asked: “Which Indian comic won the Best Newcomer award at the prestigious performing arts festival, Edinburgh Fringe?” The guest on the show that day was a legend in the Indian comedy scene, Zakir Khan. My entire family watches this show and they were stoked to see my name pop up, everybody called my parents and they expressed some pride about me. It was really sweet.
I’m saving this spot for something magical at Fringe 2025:
Maybe One Direction will come to my show and applaud my erotica reading, maybe I will be the first person in history to receive a 15-star review – “We had to increase the number of stars for her! She was just so good!!” Or maybe, just maybe, I will have a Fringe with zero cries in the meadows.
Urooj Ashfaq: How To Be A Baddie At Soho Theatre in central London from July 21-26. Then Monkey Barrel 4 at Monkey Barrel Comedy, 9-12 Blair Street, Edinburgh EH1 1QR from July 30 – August 24.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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