DJ Shadow Dubai speaks about his music and big collaborations
By ASJAD NAZIRSep 30, 2022
THESE are exciting times for DJ Shadow Dubai.
The Indian DJ has mixed up mastery on the decks with creating music for films and web series, along with rolling out big collaborations with major names such as Guru Randhawa, Rick Ross, and Jason Derulo.
His recently released dance hit Casanova, with Lil Pump and YoYo Honey Singh, continued that rapid rise.
All the musical ability and struggles are being turned into an autobiography, which has already been optioned to be developed into a hard-hitting commercial film or web series. With more songs and stunning DJ sets on the way, the unstoppable music star is fast becoming a force to be reckoned with.
Eastern Eye caught up with the ace DJ and music producer to discuss his interesting journey. He also spoke about his inspirations, Derulo collaboration, and no-holds barred autobiography.
What first connected you to music?
Music has always been in my blood since childhood, but I never imagined making a career in it. My Indian parents wanted their son to be a doctor, but a fear of blood led me towards being an engineer, to make them happy. In the second year of studying engineering, I took up a part time job in an event managing company and saw the control a DJ had over a crowd for the first time. I knew then it was something I loved and wanted to do.
Which of your musical projects have been closest to your heart?
The Tera Saath Hai Kitna Pyaara remix I did for the late legend Feroz Khan. I was a big fan of his growing up, so that song was very special and one of my first productions. I worked on it a lot in terms of music, the track and video. Since I didn’t know anyone in the industry, and was living in Dubai, it was a struggle to put it out. But that project will always be closest to my heart.
Which artist have you enjoyed working with most?
I have had the most fun time with Guru Randhawa. He’s a friend and loves pulling my leg, so we had a good time working on the song Slowly Slowly. We flew to Miami a couple of times together, which was a lot of fun. We have a lot of crazy memories, both in Miami and Dubai.
With Guru Randhawa
What is the secret of a great DJ set?
Like any other musical form, you need to take the people on a journey of space. It’s about a musical progression and telling a story. Every DJ is a storyteller, and you want to tell a story through music and that’s what I try to do.
How much of your DJing informs your music production?
Thankfully, my DJing enables me to travel internationally and that helps because it allows me to listen to a lot of native music in different parts of the world. While making Casanova, I was inspired by the South American music scene that was going on and there was a Dominican Republic influence. So, travelling made that project possible.
Are you able tell if a song will be a hit in the studio?
We listen to the same song multiple times and countless hours; so it becomes very difficult for us to understand what will become a hit or not. And more so when a lot of people are involved, with creativity and energy coming from different corners. But when I’m working on an independent project and taking all the calls, I think ‘okay, this could be a hit’. Other times, you do feel confident, like with my track Banna Re, which was a reworking of a popular Rajasthani folk song.
With Lil Pump
Tell us about your autobiography?
During Covid, I was feeling depressed, because I was sitting at home, not travelling, or making music. I started thinking about my life and where it was headed. While cleaning my house I found old journals and realised how far I had come after reading them. I realised there were a lot of things I wanted to do. This inspired me to get back on my feet. I also thought that my story could inspire others, including the younger generation and anyone looking for motivation. I wanted the book to be not just aspirational but also show the bad side of the night life, and the whole thing no-holds barred. So, it’s a book close to my heart.
How do you feel about it being turned into a film or web series?
While writing this book I was also working on the music production of a web series called 7th Sense, produced by Gaurang Doshi and Rocky Khan. After reading the synopsis of my book, both wanted to put the story on screen. But I was very sure I wanted it to be out as a book first. So, they bought the visual rights for the book, to be adapted into a series or film later. And I’m super excited about that. It is a great insight into an industry everyone has heard of, but few know what really goes on.
DJ Shadow Dubai
What can we expect next from you?
I’ve been completing music production projects over the last six months, travelling, and putting together my next few songs. So, there is a lot of great music on the way.
Tell us about the big song that you have coming out with Jason Derulo?
Usually, when there is an international collaboration, we get the Indian singer to do their verse first and later send that to the American artist, who then jumps on it for a feature. With this, Jason Derulo sang on the song first and worked on the composition, and melody. We worked on it together, and now we have an Indian artist featuring on that song. It has a great chance of becoming a big hit worldwide and has a great video, featuring Urvashi Rautela and Erica Fernandez. It is a huge project for me.
Who else would you love to collaborate with in future?
I think a person I would really love to collaborate with just to feel his energy and vibe would be Ranveer Singh. I think with his Apna Time Aayega song, he’s shown his singing skills. I would love to collaborate with him on a song. I have a few ideas for him. So Ranveer, if you’re reading this, hit me up.
What music dominates your playlist?
I listen to a lot of different genres, which helps me in keeping my music alive. Like I said, when I travel, I listen to a lot of different music from that part of the world, and it keeps me going.
What inspires you?
Travel, meeting diverse people from various parts of the world, and different cultures inspire me. Seeing where they come from helps me understand things in a different way and that has inspired me a lot in my musical journey. People listening to different music in different parts of the world motivates me to explore more new music, styles, and ideas.
Why do you love music?
Music is such an integral part of my life that it falls under an ‘essentials’ category. I wake up daily, more excited than the day before to work on my projects, bring it to audiences and see the appreciation, which makes me love it more. Being one of the blessed few in the world, who gets to entertain people with their art and make them dance, makes me fall in love over and over again.
Mohini Dey laughs down the line, a deep, unfiltered chuckle that cuts through the noise. “Ronnie Scott’s? With my band, playing my music? That’s crazy,” she says, still letting it sink in. Speaking exclusively to Eastern Eye from Los Angeles, where she recently wrapped a show at the Hollywood Bowl with Willow Smith, the 28-year-old bassist is now preparing for her first headline performance in the UK this July.
For Dey, who grew up riding Mumbai’s local trains with a Walkman and no room for childhood distractions, this moment feels both improbable and hard-earned. It’s the kind of full-circle milestone that doesn’t come from luck, but from surviving, insisting, and showing up anyway.
A childhood full of sounds and music
Mohini was never a regular child. Born into a musically disciplined home in Mumbai, her father a bassist, her mother a singer, Mohini’s life was all structure and sound. But not the kind most children grow up with. “I didn’t have friends my age,” she says plainly. “My dad was strict. He believed childhood was for building something, not wasting time.”
While most kids her age were at birthday parties, Mohini was at Nirvana Studio, jamming with jazz legends like Ranjit Barot and Louis Banks. “It was like going to two schools: one for academics, one for music history and reality checks,” she recalls. “I was surrounded by giants, and I learned early that to make it, I had to be exceptional.”
Mohini Dey will make her UK headline debut at London’s iconic Ronnie Scott’s Jazz Club this July Instagram/dey_bass
That early push turned her into a master of her craft but also left scars. “I was depressed as hell,” she admits. “I was constantly being moulded into someone else’s dream.”
At 17, she left it all and became the family’s breadwinner
At 17, she snapped. In a moment of quiet rebellion, she left home. Cut ties. Lived alone. And decided to prove, especially to her father, that she could make it on her own. “He told me I wouldn’t be successful without him,” she remembers. “I needed to show him he was wrong.”
Those three years were lonely, but transformative. Mohini toured, hustled, and became her family’s main earner. “I learned to navigate everything. The business side, the gigs and all of it,” she says.
Bassist Mohini Dey is redefining what it means to be an Indian woman on the global music stageInstagram/dey_bass/bassplayunited
When music became medicine
The silence with her father finally broke when he called her after three years. “He said he was proud. That was enough. He didn’t apologise, but he didn’t need to.” She began taking him to her shows. In the last two years before he passed away, Mohini made sure he saw what she’d become.
“I took him to my shows. Introduced him to the life I’d built. It was healing,” she says, voice softening. “His death hit hard... but also made me push even more,” she says. “The last two years before he passed… they were good. Really wholesome. I’m glad we had that.”
Her father’s death could have derailed her. Instead, she kept playing. “I got back on stage within days. Because music took care of me when I couldn’t take care of myself.”
Mohini Dey opens up about burnout, ambition, and finding balance in a demanding industryInstagram/dey_bass
Not just the bass girl
Mohini is now one of India’s most sought-after musicians, having worked with legends like A.R. Rahman, Clinton Cerejo, Zakir Hussain, Salim–Sulaiman, and even Willow Smith, with whom she just played the Hollywood Bowl.
She’s crossed genres with ease, from Carnatic to rock, from fusion to pop. Her only rule? Never stay comfortable. “I’ll do a metal tour one week, a classical show the next,” she grins. “If it feels too easy, I’m bored.”
But don’t mistake that hustle for perfectionism. “I’m burnt out,” she says without flinching. “I’ve been working nonstop, albums, tours, even managing a side business. Sometimes I just want to disappear into a cave with my bass.”
Still, when she plays, the burnout fades. “There are these rare moments when I’m on stage, not overthinking, just being. That’s what I chase.”
Mohini Dey’s journey from a musically strict childhood in Mumbai to international acclaim is a story of rebellion, resilience, and rhythmInstagram/dey_bass
“I’m not a diversity hire. I’m just good”
Despite being a young Indian woman in an industry that rarely makes space for either, Mohini refuses to paint herself as a victim. “If anything, I used it to my advantage,” she says with a shrug. “I’m talented, I’m beautiful, I’m Indian. It made people take notice. But then I had to prove I deserved it.”
That confidence comes from lived experience. “I’ve never been treated like a diversity hire. I get called because I deliver. And because I’m versatile.” Her mentor, drummer Ranjit Barot, taught her early on: “You’re a musician first. The rest is noise.” That philosophy stuck.
From Mumbai to the world stage, Mohini plays life her own wayInstagram/dey_bass
Redefining success on her own terms
Despite the accolades, Forbes 30 Under 30, global acclaim, and sold-out venues, Mohini says awards never meant much to her. “In India, there are no awards for instrumentalists. Everything is for playback singers.”
So how does she define success? “I don’t know what it means yet,” she admits. “But contentment? That’s what I chase. Those rare moments when I play and I’m not overthinking, just flowing. That’s a win.”
Mohini Dey says music saved her when nothing else couldInstagram/dey_bass
What’s next: less travel, more life
As she readies her set for Ronnie Scott’s, including unreleased tracks and new sounds, Mohini is also thinking about slowing down. “I hate travelling,” she laughs. “By the time I’m 38, I want to be working from home, running a studio, picking only what excites me.”
She’s already laying the foundation with a social media company, side hustles and plans to support young musicians. “Music can’t feel like a grind,” she says. “It has to stay personal.”
Mohini Dey has become one of India’s most in-demand musicians across genresInstagram/dey_bass/bahrainjazzfest
Advice to dreamers: trust your gut
Asked what she’d tell her 14-year-old self, Mohini smiles. “Nothing. That kid was solid. She did what her dad told her to do. Then she did what she wanted to do. I’m proud of her.”
Her advice to young artists is blunt but inspiring: “People will try to drag you down. You’ve got to stay consistent, stay grounded, and own your story. Don’t wait for validation. Let your work speak. And if it doesn’t? Keep going until it does.”
From lonely train rides in Mumbai to sold-out shows at Ronnie Scott’s, from rejection and burnout to quiet moments of clarity on stage, Mohini Dey’s journey isn’t just about music, it’s about survival, rebellion, and learning to finally breathe in a life she built for herself.
And through it all, one truth remains: the bass didn’t just give her rhythm. It gave her voice.
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Ezra Miller attends the Los Angeles premiere of Warner Bros. "The Flash"Getty Images
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Ezra Miller attends the Apple Store Soho presentation Getty Images
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