ENTERTAINING films that put across a strong message or highlight an important social issue have become increasingly popular in Bollywood.
That trend continues with forthcoming film Batti Gul Meter Chalu, which stars Shahid Kapoor, Shraddha Kapoor and Yami Gautam in the lead roles.
“In terms of the Batti Gul Meter Chalu title it talks about the issue of electricity, which is a fundamental human right in India, yet there are so many millions of homes where not even one bulb has been lit. There are also many homes where there is no light, but the (electric) meter continues to run. Ever since electricity has been privatised, there has been a massive rise in bills. So it is a relevant issue,” said Shahid.
The latest film from Toilet: Ek Prem Katha director Shree Narayan Singh revolves around an ordinary person who takes on a major electric company conning customers and how he mobilises others in his pursuit of justice.
Shahid admits he didn’t know how big an issue sanitation and toilets were until he saw the director’s previous film.
“That film was almost educational for me. I realised how big an issue it was in our country. That was more a rural issue with Toilet, but this is much wider with our film as it affects those in towns, villages and cities. So many are experiencing power cuts and a rise in bills,” Shahid said.
Although Batti Gul Meter Chalu tackles an important social issue, the award-winning actor points out that it is entertaining and aimed at a wide audience.
“I think this is an extremely mainstream film as you can see from the trailer. I think issues don’t make a film non-mainstream. The take on the issue makes a film non-mainstream. I have always believed that if you want to say something good and want to reach a wide audience, then you should.”
Shahid is very much of the belief that actors should use the power of cinema to highlight issues to a wider audience, which he hopes results in a bigger debate and action being taken. He feels proud to have the opportunity to do something on a human level that is relevant and good for the country.
Shraddha [Kapoor] and I have done Haider together, which spoke about human rights which is a massive issue, and then I did Udta Punjab, which is about the drug problem in the Punjab. Today I am doing Batti Gul Meter Chalu. So it’s kind of my third film which focuses on a relevant social issue and something people in this country are going through. I must tell you that after I did those two films in the past, the kind of love I got from people affected by that issue was overwhelming.”
He is very proud of the new film and hopes to continue making entertaining cinema for a wide audience.
The actor ultimately wants to be part of good films that say something to audiences and perhaps touch their hearts.
“If you make a good film you can reach many people and that is a huge opportunity which all of us have,” he said.
Adrian Lester, best known for his work on television and film, returns to the stage in the eponymous role of Edmond Rostand's 1898 comedy, Cyrano de Bergerac.
Rostland’s play centres around Cyrano - a little-known romantic 17th century French libertine poet, soldier, and philosopher. The play is based partly on his letters written on behalf of his love rival Christian de Neuvillette as he tries to charm Cyrano’s cousin, Roxanne with whom Cyrano is also in love.
Cyrano is cursed with an overt self-consciousness in the form of a large nose. His insecurity is such that he prohibits anyone to refer to it directly or indirectly. Together with his wit, his skills as a swordsman, and the directorial splattering of our own vernacular, they provide the play with a certain infectious - albeit teenage - humour.
Despite Cyrano unexpressed love for Roxanne, the latter has fallen for Christian who is handsome, but useless when it comes to expressing his feelings in words. But then, he is also useless as a swordsman and clearly no match for Cyrano’s mastery and maturity. Realising this and being utterly selfless, Cyrano offers his help to the youthful Christian to woo Roxanne by writing for him poetic and hyperbolic proclamations of love and longing. All he wants is Roxanne to be happy even if he himself has to do with nursing a broken heart.
Christian Patterson and Levi BrownMarc Brenner
The result is a farce of the highest order and mistaken identity, coupled with threat and violence
This RSC production is directed by Simon Evans who has provided a very lively and engaging interpretation by all accounts. Apart from a skilled, highly polished ensemble of cast, there’s interesting theatricality at work. Every now and then, for instance, one gets a sense that the stage is a reflection of our own world and vice versa. Characters mingle with the audience, they break the fourth wall, and the theatre band wander around with the characters and referred to with some bemusement and fun.
In a 17th century French world – not unlike our own, 21st century – external beauty, speech, language are prized. Expression has become almost secondary. It’s a world in which fakery, deception and lies are paced above sincerity, honesty, and truth. Looks and external beauty outweigh the inner beauty of man.
Evans removes the original piece from its French setting to England, littering it with a Brummie accent, and accentuating our preconceptions about hopeless romantics and those with meaningless verbiage. The effect is one of joyous atmosphere and true entertainment.
Adrian Lester provides a magnificent performance as the wordsmith, Cyrano. His character is verbose, comedic, and sympathetic in equal measures. Lester is enticing, hilarious and – judging by the reaction of the audience –appreciated as a versatile actor who can do comedy just as well as drama. Levi Brown’s Christian is a fiery - overtly hopeless - romantic who cannot paint his feelings into words. Brown gives a very energetic and magnetic performance. Similarly, Susannah Fielding provides a sprightly Roxanne who is heart-warming and an utter pleasure to watch.
Adrian Lester (front right) and companyMarc Brenner
It’s hard not to notice but as an audience, we are invited to consider the value of language that may sound romantic, but may – in actual fact – be little more than a shallow expression of fancy. Whereas, the seemingly absence of language – though painfully inadequate - may actually embody real sincerity and the true meaning of love.
Whatever you may think, one thing is certain: you will enjoy this production. It’s a real treat.
The play started at the Swan Theatre in Stratford-upon-Avon in early September, with its run lasting until 15th November.
Rating: ***** (5 stars)
(Cyrano de Bergerac is playing at the RSC Stratford until 15th November 2025.)
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