The UK government declared an end to a decade of austerity Wednesday (4) despite the economic uncertainties of Brexit -- a spending pledge that saw the opposition accuse it of "electioneering".
Finance minister Sajid Javid's promise of more money on "people's priorities" came hours after prime minister Boris Johnson proposed holding a snap election on October 15 to resolve the political impasse over Britain's scheduled departure from the EU two weeks later.
"We can now afford to turn the page on austerity and move forward from a decade of recovery to a decade of renewal," Javid told parliament.
"We can now afford to spend more on vital public services," he said to jeers from opposition MPs.
Javid said he intended to raise government spending by £13.8 billion ($16.8 billion, 15.3 billion euros) on health and education and to put more police on the streets.
The figure represents around 4.1 percent of Britain's gross domestic product -- a relatively large sum that Javid said the government could now afford.
"Even with the extra spending, we are still meeting the current fiscal rules," he said.
"While our biggest challenge a decade ago was getting the deficit down, our biggest challenge today is getting our long-term economic growth back to where it was."
Britain and most other major economies plunged into an extended economic crisis 12 years ago.
The country was headed at the time by the "New Labour" government of Gordon Brown.
The Conservative-led governments that have headed Britain since 2010 responded to the global financial crisis by keeping to strict budgets that slashed public spending.
It has since enjoyed a period of slow but steady growth that is being increasingly threatened by Britain's twice-delayed split from the other 27 EU nations.
The economy unexpectedly shrank again in the second quarter on investor worries over the prospects of Britain crashing out without an agreement with Brussels over how to unwind nearly half a century of intricate trade ties.
It marked Britain's first economic contraction in seven years.
But Bank of England chief Mark Carney said Wednesday that the country was more prepared to deal with the impact of a "no-deal Brexit" than previously forecast.
Carney said in a letter to parliament "that the appropriate set of assumptions to underpin a worst case scenario would now be less severe than those used in the disorderly scenario published in November".
The Bank of England's updated no-deal Brexit forecast still made for grim reading for Johnson's team.
Carney said unemployment would nearly double to 7.0 percent from the current 45-year low of 3.8 percent.
He also predicted an "an initial peak-to-trough decline in GDP of 5.5 percent".
That figure was down from the earlier 8.0-percent estimate.
Labour's finance spokesman John McDonnell accused Javid and the Johnson government of engaging in "grubby electioneering".
Javid and Johnson are "pretending to end austerity when they do nothing of the sort," McDonnell said.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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