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Safe to travel to Kerala

India's southern state of Kerala, which had been grappling with the threat of Nipah virus, has finally lifted the travel advisory it issued last month.

It is now safe to travel to any part of the state, the government said in a statement. Last month, Kerala had issued high alerts in the districts of Kozhikode and Malappuram following Nipah outbreak, which has so far claimed 17 lives.


"No new cases have been reported for the past 21 days. Since this is more than the longest-recorded incubation period of the virus, we consider the Nipah outbreak to be over in the state," the statement said.

The virus has been brought under control. The government also said educational institutions, which were set to reopen on June 1, will start functioning from June 12.

"Nipah is under control now and no positive case has been reported. In this backdrop, it has been decided to relax the high alert issued in mid-May after the outbreak of the disease," health minister K K Shylaja said.

Meanwhile, Kuwait this week said it has introduced a new quarantine procedures to deal with anyone infected with the Nipah virus. This is in line with the directive of the World Health Organisation and it involves isolation of the infected person.

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Martin Parr

Martin Parr death at 73 marks end of Britain’s vivid chronicler of everyday life

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Martin Parr, who captured Britain’s class divides and British Asian life, dies at 73

Highlights:

  • Martin Parr, acclaimed British photographer, died at home in Bristol aged 73.
  • Known for vivid, often humorous images of everyday life across Britain and India.
  • His work is featured in over 100 books and major museums worldwide.
  • The National Portrait Gallery is currently showing his exhibition Only Human.
  • Parr’s legacy continues through the Martin Parr Foundation.

Martin Parr, the British photographer whose images of daily life shaped modern documentary work, has died at 73. Parr’s work, including his recent exhibition Only Human at the National Portrait Gallery, explored British identity, social rituals, and multicultural life in the years following the EU referendum.

For more than fifty years, Parr turned ordinary scenes into something memorable. He photographed beaches, village fairs, city markets, Cambridge May Balls, and private rituals of elite schools. His work balanced humour and sharp observation, often in bright, postcard-like colour.

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