RUSSIA has claimed it is trying to stop the ongoing war waged against it using the Ukrainian people.
“The war, which we are trying to stop, which was launched against us using Ukrainian people, of course, influenced the policy of Russia, including energy policy,” Russian foreign minister Sergei Lavrov said at the Raisina Dialogue in New Delhi on Friday (3).
The audience at the annual conference on geopolitics and geo-economics received his remarks with both laughter and applause as he deliberated on Moscow’s position on the conflict and its repercussions on the world.
He accused western nations of raking up the Ukraine issue during G20 meetings while claiming nobody "gave a damn" over the situation in Iraq, Afghanistan and Yugoslavia in previous deliberations of the grouping.
Lavrov also wondered why everyone was asking Russia whether it was ready to negotiate to end the war after Ukrainian president Volodymyr Zelensky had signed a decree making negotiations with Moscow under president Vladimir Putin a "criminal offence".
The Russian minister said US president Joe Biden and NATO secretary general Jens Stoltenberg have publicly stated that Moscow must be defeated on the battlefield.
"They say Russia must suffer a strategic defeat and this they say is existentialist for the west in the context of global domination. This is a blunt admission," he said.
Referring to the G20 foreign ministers' meeting on Thursday (2), he said the western leaders had raised the Ukraine issue, but wondered whether previous declarations of the grouping ever discussed the situation in Iraq, Libya, Afghanistan or Yugoslavia.
"Nobody was giving a damn about anything but finances and macroeconomic policies which the G20 was formed for... when Russia has started to defend itself, there is nothing except Ukraine that is of interest to the G20," he said.
"It is a shame. If they say it is existentialist for them, it is existentialist for us," he said, adding that Moscow had been warning the West for decades against the expansion of NATO and pushing arms into Ukraine to prepare them for war against Russia.
Lavrov said the countries in Europe were not affected by what Russia was doing in Ukraine, but by the reaction of the West to Moscow's actions in the region after ample warnings.
"They do not remember when Serbia was bombed. Joe Biden, a senator at that time, bragged that he promoted that approach. When Iraq was ruined as a state, a few years later Tony Blair said it was a mistake. You think the United States has the right to declare a threat just like they did to other countries, but no one questions it for that," the minister added.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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