My creative process is an ongoing jam session with life: Ridi Oswal
By Eastern EyeMar 27, 2024
At just 19 years old, indie pop singer-songwriter Ridi Oswal captivates audiences with her unique blend of Indian heritage and Western influences, showcased in hits like Merry Go Round and Happier, garnering over 65,000 monthly listeners on platforms like Spotify, while her latest single, Guilty Feet, is a vibrant testament to self-love and the unapologetic expression of women's desires. Read her in interview below;
1. How do you reflect on your journey as a leading artist?
Honestly, reflecting on my journey feels like I've been on this crazy rollercoaster, but instead of terrifying drops, it’s filled with beats and lyrics. Dealing with bullying for being different made me turn to music—it was my safe space. Now, standing here as an artist, it blows my mind how those tough times kind of sculpted me into who I am. It’s wild to think that the music I made from those experiences is now something people from all corners of the world tune into. It’s more than just making tracks; it’s about connecting, sharing bits of my soul, and, hopefully, making someone else’s journey a bit brighter.
2. Tell us more about that creative process.
My creative process is like this ongoing jam session with life itself. It all starts with a spark—maybe a moment, an emotion, or a snippet of a conversation that just sticks. My personal experiences, especially the challenges like dealing with bullying or feeling caught between cultures, fuel my songwriting. They're not just stories; they're the raw material for my music. I dive into these experiences, turning them into lyrics and melodies that resonate. Mixing my Indian roots with the global sounds I've fallen in love with is central to my process. It's about creating a space where these influences can dance together, producing something that feels both deeply personal and universally relatable. This journey of turning the personal into the universal is what drives me. It’s crafting tunes that not just echo my life but, hopefully, speak to the hearts of others, too.
3. Were you anticipating the widespread popularity of your music when you began your career?
Starting out, I just wanted my music to be this little light for someone out there, maybe someone who’s felt like an outsider like I did. Seeing my songs reach across oceans and touch so many lives? That was never in my wildest daydreams. It’s this surreal, heartwarming feeling to know that what began as a personal escape turned into something that resonates with millions. It’s not about the fame; it’s that connection—knowing that my music might be a friend to someone when they need it most. That’s the real success for me.
4. What is your journey behind your newest Love Me Until You Lose Me
"Love Me Until You Lose Me" was like piecing together a puzzle of my own growth and realizations about love’s tricky sides. It was an exploration, not just of melodies and lyrics, but of what it means to truly put yourself first in the tale of love. This song is a snapshot of where I’m at, learning to navigate the balance between giving love and not losing myself in it. It’s been a journey of not just creating music but also discovering more of who I am and the kind of love I believe in—one that empowers and frees.
5. What is your inspiration behind this new single?
This single hit me in a phase of self-reflection, thinking about how love is such a complex dance. Inspired by my own twists and turns with relationships, “Love Me Until You Lose Me” is all about the bravery in loving yourself enough to walk away when love feels more like a cage than wings. It’s this anthem for anyone wrestling with their worth in the shadow of love, reminding us that sometimes, the most loving thing you can do for yourself is to choose your own well-being. It’s a piece of my heart, hoping to light the way for others in their journey of love and self-discovery.
6. What are your future plans?
The plan is to keep fueling my creativity and see where it takes me. There are so many stories yet to tell, melodies yet to explore, and hearts yet to touch with my music. “Love Me Until You Lose Me” is just the beginning. And I am is humble after receiving such a great and huge response for it. Even the last single ‘Guilty Feet’ was trending in India for over a month since its launch. I felt grateful.
And now, I'm eager to explore new musical territories, experiment with different sounds, and maybe, just maybe, work towards releasing an album that truly represents the essence of my artistry. More than anything, it's about deepening the connection with my listeners, sharing stories that resonate and journeys that inspire. I am confident to explore new horizons, make unforgettable memories, and bring more of my musical visions to life. Stay tuned for what's next—there’s a whole world of music we have yet to explore together.
US president Donald Trump gestures next to Israeli prime minister Benjamin Netanyahu at Ben Gurion International Airport as Trump leaves Israel en route to Sharm El-Sheikh, Egypt, to attend a world leaders' summit on ending the Gaza war, amid a US-brokered prisoner-hostage swap and ceasefire deal between Israel and Hamas, in Lod, Israel, October 13, 2025.
‘They make a desert and call it peace’, wrote the Roman historian Tacitus. That was an early exercise, back in AD 96, of trying to walk in somebody else’s shoes. The historian was himself the son-in-law of the Roman Governor of Britain, yet he here imagined the rousing speech of a Caledonian chieftain to give voice to the opposition to that imperial conquest.
Nearly two thousand years later, US president Donald Trump this week headed to Sharm-El-Sheikh in the desert, to join the Egyptian, Turkish and Qatari mediators of the Gaza ceasefire. Twenty more world leaders, including prime minister Sir Keir Starmer and president Emmanuel Macron of France turned up too to witness this ceremonial declaration of peace in Gaza.
This ceasefire brings relief after two years of devastating pain. Tens of thousands of civilians have been killed. More of the Israeli hostages taken by Hamas are returning dead than alive. Eighty-five per cent of Gaza is rubble. Each of the twenty steps of the proposed peace plan may prove rocky. The state of Palestine has more recognition - in principle - than ever before across the international community, but it may be a long road to that taking practical form. Israel continues to oppose a Palestinian state.
The ceasefire will be welcomed in Britain for humanitarian relief and rekindling hopes of a path to a political settlement. It offers an opportunity to take stock on the fissures of the last two years on community relations here in Britain too. That was the theme of a powerful cross-faith conversation last week, convened by the Board of Deputies of British Jews, to reciprocate the expressions of solidarity received from Muslims, Christians and others after the Manchester synagogue attacks, and challenge the arson attack on a Sussex mosque.
Jewish and Muslim civic voices had convened an ‘optimistic alliance’ to keep conversations going when there seemed ever less to be optimistic about. The emerging news from Gaza was seen as a hopeful basis to deepen conversation in Britain about how tackling the causes of both antisemitism and anti-Muslim prejudice could form part of a shared commitment to cohesion.
This conflict has not seen a Brexit-style polarisation down the middle of British society. Most people’s first instinct was to avoid choosing a side in this conflict. The murderous Hamas attack on Jews on October 7, 2023 and the excesses of the Israeli assault on Gaza piled tragedy upon tragedy. The instinct to not take sides can be an expression of mutual empathy, but is not always so noble. It can reflect confusion and exhaustion with this seemingly intractable conflict. A tendency to look away and change the subject can frustrate those whose family heritage, faith solidarity or commitments to Zionism and Palestine as political ideas make them feel more closely connected.
Others have felt this conflict thrust upon them in an unwelcome way - including British Jews fed up with the antisemitic idea that they can be held responsible at school, university or work for what the government of Israel is doing. Protesters for Palestine perceive double standards in arguments about free speech - as do those with contrasting views. The proper boundaries between legitimate political protest and prejudice are sharply contested.
Hamit Coksun is an asylum seeker who speaks somewhat broken English. He would seem an unusual ally for Robert Jenrick. Yet the shadow justice secretary went to court to offer solidarity, after Coskun had burned a Qu’ran outside the Turkish Embassy, while shouting “F__ Islam” and “Islam is the religion of terrorism”. He had been fined £250, but the appeal court overturned his conviction. The judgment was context-specific: this specific incendiary protest took place outside an embassy, not a place of worship, in an empty street, and did not direct the comments at anybody in particular.
The law does not protect faiths from criticism, and indeed offers some protection for intolerant and prejudiced political speech too, though the police can place conditions on protest to protect people from abuse, intimidation or harassment on the basis of their faith.
So it can be legal to performatively burn books - holy or otherwise - though this verdict makes clear it does not offer a green light to do so in every context.
But how far should we celebrate those who choose to burn books? Cosun advocates banning the Qu’ran, making him a flawed champion of free speech. Jenrick is legitimately concerned to show that there are no laws against blasphemy in Britain, but could anybody imagine that he would turn up in person to show solidarity to a man burning the Bible, Bhagvad Gita or Torah, shouting profanities to declaring religion of war or genocide? The court’s defence of the right to shock, offend and provoke is correct in law. Those are hardly the only conversations that a shared society needs.
Sunder Katwalawww.easterneye.biz
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
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