Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
INDIA's opposition leader Rahul Gandhi condemned prime minister Narendra Modi's inaction over deadly ethnic conflict in the country's northeast on Wednesday (9), in his first parliamentary speech since his defamation conviction was suspended.
Modi's administration is being forced this week to defend its conduct over months of violence in Manipur state that has killed at least 120 people.
Gandhi's fiery address to the chamber was part of a no-confidence debate demanding the government's resignation for letting the unrest fester for months.
"You are throwing kerosene in the whole country. You threw kerosene in Manipur, and lit a spark," Gandhi said, with cheers from supporters and jeers from rival lawmakers.
"You're set on burning the whole country. You are killing Mother India", he added.
Modi's Hindu-nationalist Bharatiya Janata Party (BJP) is regularly accused by opponents of fomenting divisions for electoral purposes, and India will hold general elections early next year.
The ruling BJP has a large majority in the 543-member lower house, and is expected to comfortably defeat the no-confidence vote, which it has dismissed as a headline-grabbing gimmick.
"India's army can bring in peace in one day but you're not using it," Gandhi told fellow lawmakers.
"If Modi doesn't listen to the voice of India, then whose voice does he listen to?"
Soldiers have been rushed in from other parts of India to contain the violence and a curfew and internet shutdown remain in force across most of the state.
Government minister Smriti Irani refuted Gandhi's allegations, saying the party was always ready to discuss the Manipur issue in parliament.
"They ran away from the discussion, not us," Irani said.
"Rahul Gandhi said kerosene has been poured all over the country. And where all did you go to find the matchbox, Rahul Gandhi?" she added.
Gandhi, 53, the scion of India's premier political dynasty, was restored to parliament on Monday (7) after the Supreme Court last week suspended his defamation conviction over comments criticising Modi.
He was sentenced to two years' imprisonment in March in a case that critics flagged as an effort to stifle political opposition in the world's largest democracy.
Gandhi is the son, grandson and great-grandson of three former prime ministers, beginning with independence leader Jawaharlal Nehru.
Congress was once India's dominant political force but Gandhi has led it to two landslide defeats against the BJP and its nationalistic appeals to the country's Hindu majority.
Gandhi and his allies are attempting to stitch together a grand coalition of opposition parties ahead of next year's national elections, in which Modi will seek a third successive term.
At least 120 people have been killed in Manipur since May in armed clashes between the predominantly Hindu Meitei majority and the mainly Christian Kuki community.
The state has fractured on ethnic lines, with rival militias setting up blockades to keep out members of the opposing community.
Gandhi accused the government of having "broken" Manipur "into two parts", but Irani responded by insisting the state was "not divided".
Modi has been criticised by opponents for taking more than two months to speak about the conflict from when clashes began.
The no-confidence debate is scheduled to conclude on Thursday (10) after a speech by the prime minister.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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