ONE constant throughout Radhika Apte’s career is her refusal to stay in her comfort zone. This desire to explore uncharted territories is perfectly illustrated by her new feature film Sister Midnight, now in cinemas.
She plays a newly married woman living in the Indian slums, with no domestic skills, who feels restless and suddenly discovers a bloodsucking passion that leads her down a dark and dangerous path.
The genre-bending black comedy, written and directed by Karan Kandhari, had its UK premiere at the BFI London Film Festival and captivated cross-cultural audiences. The multi-award-nominated feature adds to the unique body of work for an actress who consistently chooses to do things differently.
Eastern Eye caught up with the London-based star to learn more.
Do you seek out these out-of-the-box projects, or do they find you?
I hope they come and find me, because it’s very hard to go looking for specific projects. But I definitely get attracted to them. It’s not about being out of the box – I find them more relatable. I relate to these roles more than to black-and-white characters, which often seem boring and unrealistic – they don’t reflect the world around us.
What drives your fearlessness as an actress?
I don’t aim to become famous or the biggest. My goal is to learn. I love to learn, and that’s where my fearlessness comes from. I enjoy making mistakes and refining my performance. It’s part of the process.
To grow, you must take risks; otherwise, you’ll never learn anything new.
How did you feel when this unique project was offered to you?
I was excited. I thought it was something unique and special. It had that fine line between being an amazing project and potentially going completely wrong. I love that kind of challenge.
Did you have any reservations about playing such a feral character, especially with its dark and intense moments?
Not at all. I said yes immediately.
What was it like to play such a character, and how did you approach it as an actress?
I think Karan (Kandhari) was the driving force behind it. We had several rehearsals and decided to root the entire character in the body rather than the mind. My character, Uma, doesn’t react through emotion or thought – she reacts with her body. To play her, I had to unlearn a lot. But once I got into the rhythm of it, it became a joyride.
What I love most about your performance in Sister Midnight is how much you communicate without speaking. What was that experience like?
Again, it’s about being fully present in the moment and following Uma’s journey. That’s all I focused on. It was playful and light, which I really enjoyed. I love working with my body and not having to rely on dialogues.
What was the biggest challenge you faced as an actress during this film?
I think the whole process was a bit out of my comfort zone because I’d never done anything like this before. Trusting the process and going along with it was key, but it was enjoyable, so it never really felt like a challenge.
Is there a particular moment in the film that stands out as your favourite?
There are so many. So many crazy moments in this film that I can’t pick just one. It’s been two years since I worked on it, and I’m excited that audiences will finally get to see it.
Can you talk a little bit about the director of Sister Midnight?
Karan is probably one of the most perceptive directors I’ve worked with. It was a true collaboration. I felt really supported and safe with him. He took me out of my comfort zone, and I’m grateful for the opportunity. I genuinely enjoyed playing this role – it’s one of my favourites.
How do you feel before the release of one of your films? Are you excited or nervous?
If I know the film is going to be a bit, you know, then I am nervous. I don’t normally watch my films either. But with this one, I’m really excited because I feel somewhat detached from it. I can watch it as an audience member, so I’m looking forward to it.
At the London Film Festival, this movie was enjoyed by a cross-cultural audience. Who are you hoping it connects with?
I don’t think it’s a story about an Indian woman at all. It’s about a person who feels like a misfit. We’re all misfits in some way. The story transcends language and regional barriers. If you connect with it, then you’re in it. Once you’re in, I believe it can resonate with anyone.
You are one of the best actresses India has. What, according to you, is the secret to a great performance?
Honestly, I don’t know. I never think about it that way. I don’t consider myself the best or the biggest. I just love my job.
No two of your films are the same. Does it inspire you that you get such a variety of projects?
Thank you for the compliment. Otherwise, it would be boring. Honestly, if I had to do the same thing over and over, I’d never get out of bed and go to the set. That’s the best part of the job – you get to do something different every day.
Why do you love cinema?
I don’t know. Cinema just transports you to different worlds.
Many of your films get selected for festivals.
Radhika Apte
How does it feel to attend international film festivals like the one in London?
It’s exciting. London is home, and it’s so nice to have the premiere here.All my friends and colleagues came to watch it, so it’s really special.
You’ve played a variety of roles. Is there one you haven’t done yet but would love to play?
I don’t have any expectations. I don’t view things in terms of black and white. There’s no specific role I’m waiting for – I’m open to whatever comes next.
You’re always breaking new ground with unconventional roles in India and also doing international projects. Do you hope more Indian actors will follow in your footsteps?
Yes, I hope all the barriers and boundaries are broken, and people can work across industries to tell different stories.
Some of your roles are intense. Do they ever affect you mentally or emotionally?
No, I’m very good at detaching. I don’t know how I do it, and there’s no particular technique. I just don’t get attached.
Did you make a New Year’s resolution this year?
I don’t make New Year’s resolutions, never have.
What are your passions outside of work?
Work is my passion. But I enjoy cooking, travelling, and spending time with friends.
You live in the UK now, so we see you as a Brit. Have you adopted any British qualities?
I’ve always been punctual. As for British qualities, I’m not sure. I do say “sorry” and “thank you” a lot.
A still from Sister Midnight
Why should we all come watch Sister Midnight?
Just come for the experience. That’s all I’m going to say. Don’t come with any expectations – just come and experience the movie.
Do high expectations ever scare you, because you’re seen as such a great actor?
No. Expectations are always there. But with this film, I was petrified because it was completely unknown territory. I think fear is good – it makes you work harder.
Sister Midnight will be in cinemas on Friday (14).
Ed Sheeran’s latest single, Sapphire, is out now, and it marks a new chapter in his musical journey. With the Indian rhythms, rich storytelling, and unexpected star power, Sapphire is a big cross-cultural leap for the British singer-songwriter.
A musical journey through India with Arijit and SRK in the spotlight
Bringing together the soulful voice of Arijit Singh, choreography by Bollywood icon Farah Khan, and a surprise appearance by Shah Rukh Khan, the song celebrates global connection. Recorded during Sheeran’s visit to India earlier this year, Sapphire captures the spirit of collaboration and joy. From a sitar-laced melody to Arijit's vocals, the track has the feel of a summer anthem rooted in shared sounds and stories.
Shah Rukh Khan makes a special appearance in the Sapphire music video
The music video, directed by Liam Pethick, traces Sheeran’s journey across India, starting on a rooftop at sunrise and winding through beaches, bustling markets, and backlot film sets. There is even a stop at A.R. Rahman’s music school, where he jams with young musicians. One standout moment was a studio session with Arijit and a bike ride around his hometown.
In his own words, Ed says, " Sapphire was the first track that really gave me direction for the album. I finished it in Goa with some amazing Indian musicians. Getting Arijit on board was the missing puzzle piece. We even recorded a Punjabi version that drops soon; it’s one of my favourites on the record."
Ed Sheeran and Arijit Singh in India
New album Play coming this September and live shows sell out instantly
Sapphire is part of Sheeran’s upcoming album Play, releasing on 12 September 2025. After closing the Mathematics era, this album sees him experimenting with sounds from India and Iran.
In other exciting news, Sheeran’s homecoming gigs in Ipswich, his first UK headline shows since 2023, sold out immediately. Taking place at Portman Road Stadium in July, the three-night run will feature guests like Tori Kelly, James Blunt, and Busted. A portion of ticket sales will go to The Live Trust, a new fund aimed at supporting grassroots music professionals.
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Badshah reacts to backlash over controversial Dua Lipa comment
Rapper Badshah found himself in hot water after a social media post about global pop sensation Dua Lipa. What started as a simple tweet, her name with a heart emoji, quickly spiralled into chaos when a fan asked if they were collaborating. Badshah's response? "I'd rather make babies with her bro."
Badshah's viral response to the comment under his tweet Twitter Screengrab
The backlash was instant. Critics called the remark objectifying and disrespectful, forcing Badshah to clarify. Trying to douse the fire, he later posted, "I think one of the most beautiful compliments you can give a woman you really admire is to wish for her to mother your children. Meri soch nahi, tumhari soch saamne aayi hai." But the clarification didn't sit well with many, who criticised him for doubling down rather than acknowledging the issue. "Since when did that qualify as a compliment?" one user wrote, while others called it tone-deaf and entitled.
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Honey Singh joins the fray with a sarcastic jab
As the debate raged on, Badshah's longtime rival, Honey Singh, couldn't resist chiming in. Reacting to the rapper's explanation on Instagram, Singh dropped a sarcastic "Genius 😂👏👏," clearly mocking the justification. Fans caught the dig immediately, with some laughing at the not-so-subtle jab between the two, who've had a rocky relationship for years.
Badshah had previously expressed a desire to end their feud, but Singh's latest comment suggests the tension isn't fading anytime soon. Meanwhile, the rapper continues to make headlines, whether for his dramatic weight loss, rumoured romance with Tara Sutaria, or this latest controversy. One thing's clear: Badshah knows how to stay in the spotlight, but not always for the right reasons.
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Anurag Kashyap reacts sharply to Ted Sarandos’ remarks on Sacred Games
Anurag Kashyap is known for being outspoken, and this weekend he made headlines again, this time taking aim at Netflix’s top boss Ted Sarandos. The filmmaker lashed out after Sarandos questioned the streaming platform’s early approach in India, particularly their decision to kick things off with Kashyap’s gritty crime drama Sacred Games in 2018.
During an interview on Nikhil Kamath’s podcast People by WTF, Sarandos said he may have chosen a more “populist” route if he could go back, admitting the series was perhaps too novel for the Indian market at the time. The comments didn’t sit well with Kashyap, who fired back on social media, calling Sarandos “the definition of dumb” and sarcastically suggesting the platform should’ve launched with traditional “saas-bahu” content instead.
Kashyap takes aim at Netflix’s shift to mass-market content
Kashyap’s reference wasn’t just casual; it came at a time when Netflix India has partnered with Balaji Telefilms, led by Ektaa Kapoor, best known for her highly successful daily soaps like Kyunki Saas Bhi Kabhi Bahu Thi. The filmmaker’s post read: “He should have started with Saas Bahu… he would have done well. Which he is doing now. I always knew tech guys are dumb when it comes to storytelling, but @tedsarandos is the definition of dumb is what I didn’t know.”
The post sparked debate online, with even singer-actor Lisa Mishra chiming in to support Kashyap, saying that everything on OTT today is “derivative… specifically of Sacred Games.”
Kapoor, without naming Kashyap, responded via Instagram by accusing unnamed artists of being classist. She defended soap operas, claiming they gave a voice to Indian women and were even studied by international researchers. Her post ended with a call for inclusivity and “graciousness.”
Ekta Kapoor's story Instagram screengrab/ektakapoor
A clash of content ideologies in India’s OTT landscape
Sacred Games, co-directed by Kashyap and Vikramaditya Motwane and starring Saif Ali Khan and Nawazuddin Siddiqui, was a landmark moment for Indian streaming content. Though it didn’t continue past two seasons, it opened doors for darker, more experimental storytelling in Indian OTT.
Sarandos’ comments appear to suggest that while Sacred Games earned critical acclaim, it may not have been the right commercial launchpad for Netflix in India. Kashyap, however, sees the platform’s current pivot toward formula-driven programming as a step backward.
Ted Sarandos talks about Sacred Games for Netflix IndiaGetty Images
This very public disagreement brings to light a bigger conversation in the entertainment industry, between art that challenges and content that simply sells.
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Fans react as Billie and Nat’s long-rumoured romance takes centre stage
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In photos circulating online, the Chihiro singer and Wolff are seen locking lips while casually dressed in matching grey T-shirts, enjoying champagne and sunshine in one of the world’s most romantic cities.
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A long-rumoured connection comes into focus
While this is the first clear public display from the duo, Eilish and Wolff’s bond goes back a while. They worked together on her music video Chihiro, which she directed. Around the same time, Nat and his brother Alex opened for her during the North American leg of her Hit Me Hard and Soft tour in 2024.
Fans first started speculating about their closeness earlier this year when the two were seen leaving the iHeart Music Awards together and later on a night out in New York City. Although both had previously described their friendship as platonic, there seemed to be more under the surface.
Fans react as Billie and Nat’s long-rumoured romance takes centre stageGetty Images
In past interviews, Wolff described their connection as one of shared understanding, particularly around living with Tourette syndrome, a condition both have spoken about. “It’s rare to find people you don’t have to explain yourself to,” Wolff once shared, adding that he and Eilish could just “be” around each other.
Keeping it private until now
Eilish has openly said she regrets how much she’s shared about her personal life in the past. In an interview, she stated she wanted to keep her dating life and sexuality out of the spotlight going forward.
A kiss in Italy sparks fresh buzz around Billie Eilish’s love lifeGetty Images
“I wish no one knew anything about my dating life,” she said. “And I’m never talking about who I’m dating ever again.”
Still, their recent public outing in Venice may signal a quiet shift in that. Whether or not they’ll speak out, the photos seem to say plenty.
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The cast of Maybe Happy Ending celebrates their big night at the Tony Awards
South Korea just scored a historic milestone at the Tony Awards, with the musical Maybe Happy Ending bagging six trophies, including Best Musical and Best Lead Actor. The show, centred on two ageing helper robots living on the edge of Seoul, left the awards night buzzing. Korean entertainment, long a force in film, television, and music, is now making serious inroads into Western theatre too.
From Seoul to Broadway: A story born in two languages
Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.
Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.
The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.