Russian lawmaker Pavel Antonov, who was found dead in Odisha's hotel, has booked the trip to India under 'India Tribal Tour,' Delhi-based travel and tour company Trip India Private Limited said on Tuesday. In an exclusive interview with ANI, Pragya Chandra, director of operations of Trip India Private Limited said, "We have booked the trip for four Russian citizens under 'India Tribal Tour' which included some places of Odisha and few for in North East states and total trip duration was 14 nights and 15 days."
Responding to a question about whether he knows that a Russian lawmaker was on the trip, Chandra said, "Yes..! I was knowing that one out of four is a lawmaker (politician) of Russia but we treated everyone as a guest and we provide equal services to all."
The multi-millionaire was on vacation in the Rayagada region of Odisha where he was celebrating his 65th birthday. According to the police, he was allegedly found dead having fallen out of a third-floor hotel window.
This is the second death of Russian lawmakers within a week in the same Odisha hotel.
The Tour company came to know about the death of their guest through the hotel staff and guide. "We came to know about the death of our guest through our guide and hotel staff... later police came and started investigations," India's tour company said.
Primarily one of the Russian guests was declared dead due to a heart stroke after the post-mortem.
"One Russian guest was dead due to heart stroke as per Post-mortem," Pragya Chandra told ANI.
Four Russians have booked the package through phone and e-mail communication and there is a pending regarding the tour which is yet to pay.
Due to the current sanction on Russia by the United States, guests were not able to transact online payments for their tour booking.
"Russian guests were unable to pay us online due to the internet and fast money transfer issues in Russia and promised to pay cash in India," the Indian tour company said and added, "our money is still pending."
Four Russian guests, including a Russian parliamentarian, landed at Delhi airport in India on December 19 and headed to Odisha for the first leg of their tour.
Notably, four Russian tourists, including Vladimir and Anton, checked into the hotel on December 21 after visiting Daringbadi in the Kandhamal district.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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