Animal rights group PETA said Friday it is taking legal action against the UK defence ministry over its refusal to test a fake fur version of the distinctive bearskin hats worn by ceremonial guards.
The tall black hats are worn by the elite regiments, including for the Changing of the Guard ceremony outside Buckingham Palace, and are one of the best-known symbols of the UK.
PETA has long campaigned to stop using the fur of Canadian Black Bears and has developed a prototype replacement hat made of shaggy acrylic material.
It said it has filed for a "judicial review" over the Ministry of Defence (MoD) decision, alleging "unlawful conduct".
The charity's lawyer Lorna Hackett said: "We are seeking the court's intervention so that the MoD fully evaluates the report and reaches a fresh decision by fair process."
"Unfortunately, they're just holding back progress by not moving forward with the faux fur cap," added PETA senior campaign manager Kate Werner.
"They refuse to test it, which they had committed to do numerous times over the years," she told AFP.
"And so now we're at the stage where we're mounting a legal challenge to try to force the MoD to reconsider its decision."
An MoD spokesperson said: "We have been served with a legal claim in respect of this matter and cannot provide specific comment on ongoing legal proceedings."
PETA has had the fake fur tested at an MoD-accredited laboratory and claims it meets ministry criteria on how compressive and waterproof it is.
The government said in a statement earlier this year that there were "no plans" to switch.
It said the fake fur backed by PETA "does not in fact reach the standards needed to provide an effective replacement for our bearskin ceremonial caps".
Licensed
Werner argues that real fur is not militarily necessary.
"No one would ever notice," she said.
"This is an iconic symbol of Britain but we want it to reflect the morals and values of our society."
The fake fur used in the prototype was produced by French company Ecopel.
Compared with a real bearskin hat given to PETA by the ministry, the prototype looks smoother and shinier and Werner describes it as "a lot more luxurious feeling".
The defence ministry had initially been receptive to replacing the hats and PETA had a "good relationship" with them, Werner said.
But current defence minister Ben Wallace, a former army officer, is not supportive.
As a backbench MP he put forward an amendment calling for the continued use of bearskin.
In July, parliament debated a switch to fake fur after a petition online gathered over 100,000 signatures.
PETA argues that the use of bear fur creates a market for hunting and says the animals are shot or killed with a bow and arrow.
"Bears are not hunted to order for the Ministry of Defence," a spokesperson said.
"Bear pelts used are a product of legal and licensed hunts, sourced exclusively from the regulated Canadian market."
PETA is meanwhile also asking King Charles III to swap ermine robes made from stoats for fake fur at his coronation ceremony next year.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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