Gayathri Kallukaran is a Junior Journalist with Eastern Eye. She has a Master’s degree in Journalism and Mass Communication from St. Paul’s College, Bengaluru, and brings over five years of experience in content creation, including two years in digital journalism. She covers stories across culture, lifestyle, travel, health, and technology, with a creative yet fact-driven approach to reporting. Known for her sensitivity towards human interest narratives, Gayathri’s storytelling often aims to inform, inspire, and empower. Her journey began as a layout designer and reporter for her college’s daily newsletter, where she also contributed short films and editorial features. Since then, she has worked with platforms like FWD Media, Pepper Content, and Petrons.com, where several of her interviews and features have gained spotlight recognition. Fluent in English, Malayalam, Tamil, and Hindi, she writes in English and Malayalam, continuing to explore inclusive, people-focused storytelling in the digital space.
Comedian and The Chase star Paul Sinha says Parkinson’s disease has inspired his comedy
He will perform his new show 2 Sinha Lifetime at the 2024 Edinburgh Festival Fringe
Sinha previously suffered two heart attacks during the 2022 festival
The comedian uses personal health challenges as material for his stand-up
Parkinson’s is a progressive neurological condition with no known cure
Sinha returns to Edinburgh with health-themed show
Comedian and television personality Paul Sinha has described his Parkinson’s diagnosis as a “comedy goldmine” as he prepares to take a new stand-up show to this year’s Edinburgh Festival Fringe.
Speaking on ITV’s Good Morning Britain, the 55-year-old The Chase quizzer said he would be tackling the realities of living with Parkinson’s disease head-on in his set at The Stand Comedy Club.
Two heart attacks during previous Edinburgh appearance
Sinha revealed that during his 2022 appearance at the festival, he suffered two heart attacks—one in the first week and another in the third.
“I was in a room with 400 people in and it all got on top of me,” he recalled. The first heart attack occurred while he was shaking hands with Levi Roots, the creator of Reggae Reggae Sauce, in a bar.
“I didn’t want to cause a scene,” he said. “I thought I might as well just get into a cab to take me to the nearest hospital as quick as possible, which is what I did.”
Despite being sent home after the first incident, Sinha later learned both episodes had been small heart attacks. He decided to carry on performing regardless, fearing financial loss if he dropped out. “Looking back on it, that’s not the right thing to do,” he admitted.
Turning Parkinson’s into punchlines
Sinha, who was diagnosed with Parkinson’s disease in 2019, said he chooses to confront the condition through humour.
“I do lots of jokes about it. It’s as simple as that. You deal with the cards you’ve been dealt, and if you’ve been given a comedy goldmine, as Parkinson’s is, then you deal with it,” he explained.
He added that, to his knowledge, he may be the only comedian at the Fringe discussing their experience with neurological degeneration.
Understanding Parkinson’s disease
According to the NHS, Parkinson’s disease is a progressive neurological condition in which parts of the brain become damaged over time. Key symptoms include tremors, slow movement, and stiff muscles.
The charity Parkinson’s UK notes that the cause of the condition is still not fully understood, though it is thought to involve a combination of genetic, age-related, and environmental factors. The disease results in the death of dopamine-producing nerve cells in the brain.
30th anniversary show set for The Stand
Sinha’s new show, 2 Sinha Lifetime, marks his 30th anniversary in comedy. It is scheduled to run at The Stand Comedy Club during the 2024 Edinburgh Festival Fringe, where he will once again use personal experiences to connect with audiences through humour.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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