Shahid Afridi, the box office trailblazer of Pakistan white ball cricket, believes his "unpredictable" nation can summon the spirit of 2009 and win a second T20 World Cup.
Afridi was man of the match in a nail-biting seven-run semi-final win over South Africa in the tournament 12 years ago where he made 51.
He then starred again in the eight-wicket rout of Sri Lanka in the final at Lord's where he smashed an undefeated 54.
Pakistan's victory came just three months after the terror attack on the Sri Lanka team in Lahore, an incident which sparked a shutdown of international cricket in the country.
"We had that issue of the Sri Lanka attacks on our minds," Afridi told AFP.
"The whole nation was disappointed and frustrated so that win was very much needed.
"The win gave the whole nation happiness and some unforgettable moments."
Afridi famously stormed onto the scene in 1996 when he broke the record for the fastest century in ODI cricket, reaching his hundred from 37 balls.
It was a record which stood until 2014.
Afridi, who played 99 T20 Internationals for Pakistan, thinks recent setbacks can again inspire Babar Azam's team in the 2021 T20 showpiece.
A month before the mega-event, head coach Misbah-ul-Haq and bowling coach Waqar Younis resigned, apparently believing new board chairman Ramiz Raja would sack them anyway.
Then New Zealand abandoned their tour of the country just minutes before the first ODI in Rawalpindi.
Three days later, England also withdrew its men's and women's teams from visiting Pakistan.
"This is Pakistan cricket for you, never ever a dull day," added Afridi ruefully.
"Pakistan can surprise any team in the world. Rule them out at your peril."
In his 22-year international career, Afridi was at the heart of Pakistan's "topsy-turvy" ride in limited overs cricket.
- Heartbreak and drama -
Afridi anchored Pakistan's run to the final in the inaugural Twenty20 World Cup in South Africa in 2007, taking 12 wickets which earned him the player of the tournament award.
Pakistan, however, lost twice against arch-rivals India -- including the final.
"Pakistan gave the best entertainment in the first T20 World Cup," insists Afridi.
"We lost to India in the group match after a bowl-out, which was something very new for us."
Pakistan then lost the final with Misbah-ul-Haq falling to an injudicious shot off the third ball of the final over, with just six needed for a win.
"Misbah brought Pakistan into the game but then we lost by the barest of margins," said Afridi.
Under Afridi, defending champions Pakistan then lost in the semi-final of the 2010 edition in the Caribbean when Michael Hussey clobbered 39 runs in the last two overs to give Australia an unlikely win.
"T20 suits our character," added Afridi. "We have the talent, approach and aggression required for this rapid format.
"It is a format which is loved throughout Pakistan. We won against every team and then every team adopted that style.
"Bowling is now full of variety and new batting techniques have developed."
Afridi insists Pakistan can once again spring a few surprises in the UAE.
"The current Pakistan team is very talented although they lack experienced players. But, as we all know, never under-estimate a Pakistan team!"
Apple has introduced a new software design across its platforms, aimed at making apps and system interactions more expressive, seamless, and engaging. The update brings a cohesive visual experience that spans across iOS 26 beta, iPadOS 26, macOS Tahoe 26, watchOS 26, and tvOS 261, providing users with a more fluid and immersive digital environment.
At the heart of this redesign is a newly developed material called Liquid Glass, which enhances the visual dynamism of apps, system elements, and user interfaces. This translucent material intelligently reflects and refracts surrounding content, creating a more vivid and intuitive experience while ensuring focus on essential elements.
Introducing Liquid Glass
Liquid Glass is inspired by Apple’s work on visionOS and incorporates advancements in hardware, silicon, and graphics technologies. The material is designed to mimic real-world glass, dynamically adapting to surrounding colours and transitioning seamlessly between light and dark environments.
Developed through collaboration between Apple’s design and engineering teams, Liquid Glass utilises real-time rendering, adjusting to movement with specular highlights that enhance visual depth. This results in a more immersive and responsive experience, whether using an iPhone, iPad, Mac, Apple Watch, or Apple TV.
Apple introduces a delightful and elegant new software design
Apple previewed a new software design, crafted with Liquid Glass, that makes apps and system experiences more expressive and delightful.
- YouTubeYouTube/ Apple
The Liquid Glass aesthetic extends to small interactive elements, including buttons, sliders, switches, and text fields, as well as larger UI components, such as tab bars and sidebars. Users will notice these refinements in system experiences like the Lock Screen, Home Screen, notifications, and Control Centre.
Refinements to app design
Apple’s design update also brings a modernised approach to app layouts, ensuring greater harmony between hardware and software. The redesign eliminates rigid rectangular formatting in favour of soft, rounded edges, aligning app elements with the curved contours of modern Apple devices.
Navigation components, including toolbars, tab bars, and sidebars, have been refreshed using Liquid Glass, offering a layered visual effect that enhances interaction. When scrolling in iOS 26 beta, for example, tab bars seamlessly shrink to emphasise content, only expanding when users scroll back up.
In iPadOS 26 and macOS Tahoe 26, sidebars now reflect and refract surrounding content, ensuring users maintain a sense of context while navigating apps. These refinements extend to core apps such as Camera, Photos, Safari, FaceTime, Apple Music, Apple News, and Apple Podcasts, making interactions more intuitive and visually appealing.
System-wide enhancements
The new software design is integrated into core system elements across iOS 26 beta and Apple’s wider ecosystem. Updates to the Lock Screen, Home Screen, Dock, and widgets improve personalisation and accessibility, with Liquid Glass introducing specular highlights and dynamic colour adaptation.
On iPhones and iPads, the Lock Screen’s time display is now crafted from Liquid Glass, allowing it to fluidly adapt and fit elegantly behind wallpaper subjects.
On Macs, macOS Tahoe 26 enhances personalisation with widgets and app icons that adjust to light and dark appearances, custom tints, and a clear, refined look. The menu bar is now completely transparent, increasing the sense of screen space and visual depth.
A new opportunity for developers
For developers working with SwiftUI, UIKit, and AppKit, Apple has introduced updated APIs to facilitate the integration of Liquid Glass into third-party apps.
These tools allow developers to leverage the new design elements, making interactions more fluid and engaging while preserving familiarity for users. With this update, Apple is encouraging developers to refresh their app designs, ensuring consistency with the next-generation interface introduced in iOS 26 beta.
The latest
Apple’s latest design update represents a significant leap forward in user interface aesthetics and functionality. With Liquid Glass at the core of iOS 26 beta and its companion platforms, the visual experience is more immersive, adaptive, and dynamic than ever before.
By combining seamless transitions, refined navigation, and optimised system elements, Apple has crafted a modern and visually engaging software design, reinforcing its commitment to delivering elegant and intuitive digital experiences.
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Forsyth’s reporting took him to politically volatile regions
Frederick Forsyth, the internationally renowned author of The Day of the Jackal, has passed away at the age of 86. His agent, Jonathan Lloyd, confirmed the news, describing Forsyth as one of the world’s greatest thriller writers.
With a career spanning more than five decades, Forsyth penned over 25 books, selling 75 million copies worldwide. His work, including The Odessa File and The Dogs of War, set the standard for espionage and political thrillers. Bill Scott-Kerr, his publisher, praised Forsyth’s influence, stating that his novels continue to define the genre and inspire modern writers.
From fighter pilot to novelist
Born in Kent in 1938, Forsyth lived a life as thrilling as his novels. He joined the Royal Air Force (RAF) at 18, becoming one of the youngest pilots in the service. However, his passion for writing led him into journalism, where he worked as a foreign correspondent for Reuters and the BBC.
Forsyth’s reporting took him to politically volatile regions, including Biafra during the Nigerian Civil War. His experiences there deeply affected him, shaping the narratives of many of his future works. In 2015, he revealed that he had worked with British intelligence agency MI6 for over 20 years, drawing on his real-life encounters with espionage for his novels.
The birth of The Day of the Jackal
Forsyth’s literary breakthrough came in 1971 when he published The Day of the Jackal. At the time, he was struggling financially and decided to write a novel as a way out of his difficulties.
“I was skint, in debt, no flat, no car, no nothing, and I just thought, ‘How do I get myself out of this hole?’” Forsyth later recalled. “And I came up with probably the zaniest solution – write a novel.”
Set in 1963, the book tells the gripping story of an English assassin hired to kill French President Charles de Gaulle. It quickly became a bestseller and was adapted into a film in 1973, starring Edward Fox. The novel’s impact continued decades later, with a TV adaptation starring Eddie Redmayne released in 2024.
An enduring literary legacy
Forsyth’s ability to blend real-world political intrigue with compelling fiction cemented his reputation. His follow-up novel, The Odessa File (1972), explored Nazi war criminals and was later adapted into a film starring Jon Voight.
Other major works include The Fourth Protocol (1984), which became a successful film starring Michael Caine and Pierce Brosnan, and The Dogs of War (1974), inspired by mercenary conflicts in Africa.
His latest novel, Revenge of Odessa, co-written with Tony Kent, is set to be published this August.
Tributes from colleagues and admirers
Following Forsyth’s death, tributes poured in from fellow authors, entertainers, and public figures.
Jonathan Lloyd reflected on Forsyth’s extraordinary life, recalling how they had recently watched a documentary on his career, In My Own Words, set to air later this year on BBC One.
Bill Scott-Kerr described working with Forsyth as one of the highlights of his career, praising his professionalism and meticulous approach to storytelling. Forsyth’s background in journalism, he noted, gave his novels a sharp sense of realism and ensured they remained contemporary and engaging.
Forsyth was awarded a CBE for services to literature in 1997Getty Images
Singer Elaine Paige, a personal friend, expressed her sadness, calling Forsyth’s knowledge of world affairs unparalleled. Andrew Lloyd Webber, who collaborated with Forsyth on Love Never Dies, the sequel to Phantom of the Opera, thanked him for his ability to craft stories that will endure for generations.
Conservative MP Sir David Davis, who considered Forsyth a close friend, described him as a man of honour, patriotism, and courage, as well as an outspoken defender of the armed forces.
Recognition and personal life
Forsyth was awarded a CBE for services to literature in 1997, honouring his immense contribution to British storytelling.
He was married twice and had two sons with his first wife, Carole Cunningham. His second wife, Sandy Molloy, passed away in October 2024, just months before his death.
Passing marks
Frederick Forsyth’s influence on thriller writing is undeniable. From his groundbreaking debut with The Day of the Jackal to his final works, he leaves behind a literary legacy that will continue to captivate readers for years to come. His ability to merge real-world intrigue with gripping narratives made his books essential reading for fans of espionage fiction.
Forsyth’s passing marks the end of an era, but his stories will live on, shaping the genre and inspiring new generations of thriller writers.
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Charli XCX celebrates a year of Brat’s cultural takeover
It’s been a full year since Charli XCX dropped Brat, and the album’s neon-green grip on pop culture has not loosened. Forget fading summer anthems; Brat feels permanently wired into the now. How did an artist long celebrated for being ahead of the curve finally make the whole world tune in? Well, she did it entirely her own way.
Charli was no newcomer. She smashed charts a decade ago with “Fancy” and penned hits for others. Yet mainstream stardom on her own terms felt elusive until Brat. The rollout was masterful, starting with the divisive “Von Dutch”, then the It Girl-packed “360” video featuring faces like Julia Fox and Chloë Sevigny, who soon became unavoidable.
Charli XCX arrives for the 2025 Met GalaGetty Images
Crucially, she nurtured her core fans (“Angels”) with intimate pop-up shows, birthing the iconic Brat Wall, where teasers about collaborations and the deluxe album kept excitement boiling. When Brat landed, hitting No. 3 in the US and No. 2 in the UK, it was a moment of absolute cultural takeover.
Beyond the music: building a movement
Brat’s fire spread far beyond the songs. A simple tweet : “Kamala IS brat”, saw the US Vice President’s campaign adopt the album’s aesthetic overnight, sparking global chatter. Charli directly addressed fan speculation, confirming “Girl, So Confusing” was about Lorde, then brilliantly working it out with her on a remix weeks later. She refused to let the moment die, dropping a full remix album (Brat and It’s the Same but There’s Three More Songs so It’s Not), featuring everyone from Billie Eilish to underground stars, which pushed Brat to UK No. 1.
Charli XCX performing on stage Getty Images
The Sweat and Brat tours became must-see events, packed with surprise guests. Grammy wins followed, plus SNL, Coachella and film cameos. Even her older song “Party 4 U” surged up the charts years later. Charli questioned at Coachella: “Does this mean brat summer is finally over?” The answer seems clear. Brat wasn’t just a seasonal hit. It was almost like Charli XCX meticulously crafting a phenomenon, proving that staying fiercely true to her vision was the ultimate key to connect with a wide audience.
This summer, Northolt becomes the stage for an elegant celebration of South Asian heritage, movement, and expression, as weekly Bharatanatyam Dance Classes take centre stage every Wednesday throughout June. Hosted at the Grand Union Village Community Centre (1st Floor, Weaver House, Higham Mews, Northolt UB5 6FP), these sessions will be held on June 11, 18, and 25, offering a rare opportunity for both newcomers and trained dancers to deepen their understanding of one of India’s oldest and most revered classical dance traditions.
Bharatanatyam is not merely a dance—it is a profound narrative art form that weaves together intricate footwork, hand gestures (mudras), facial expressions (abhinaya), and rhythm (nritta) to convey stories drawn from Hindu mythology and ancient texts. Originating in the temples of Tamil Nadu over 2,000 years ago, this sacred dance has evolved into a global cultural phenomenon, admired for its precision, beauty, and spiritual depth. These Northolt classes aim to make that heritage accessible to all, regardless of age, gender, or prior experience.
Led by accomplished and passionate instructors, the course is structured to accommodate dancers at all levels. Beginners will be introduced to the foundational elements—basic postures, sequences (adavus), and symbolic gestures—while those with prior training can refine their techniques and explore more advanced compositions and performance aspects. Each session fosters physical discipline, mental focus, and emotional expression, making it not only a dance class but a full-body, cultural experience that nurtures confidence and creativity.
Set in the welcoming environment of the Grand Union Village Community Centre, these classes serve as a cultural bridge for the local community, promoting inclusivity, mindfulness, and a shared appreciation for traditional arts. It's also a great way to meet like-minded individuals, engage with Indian classical music and heritage, and take a break from the digital noise of everyday life.
These classes are perfect for individuals looking to reconnect with their roots, build a strong foundation in classical dance, or simply experience the meditative power of movement and music. Participants are encouraged to wear comfortable traditional attire and bring an open heart ready to learn and grow.
Don’t miss the chance to be part of this artistic journey that celebrates the spirit and soul of Indian dance. Whether you're just beginning your dance story or adding a new chapter, Bharatanatyam offers a timeless path of expression and self-discovery.
Glastonbury has taken the unprecedented step of selling thousands fewer tickets for its 2025 event following dangerous overcrowding last year. Festival chief Emily Eavis confirmed the capacity reduction just weeks before Olivia Rodrigo, The 1975 and Neil Young headline the iconic event. The move addresses 2024’s critical incidents, where crowd crushes forced performances to halt and areas to close. “We’ve sold a few thousand fewer tickets to see how that affects site dynamics,” Eavis stated on the Sidetracked podcast.
In its most dramatic transformation, the festival’s legendary nightlife zone Shangri-La will become a tree filled sanctuary, abandoning its industrial aesthetic entirely. “It’s completely the opposite of anything we’ve done,” Eavis revealed. Simultaneously, newly acquired land has created Dragon’s Tail, a public hilltop area overlooking the southeast corner. The dual strategy is to disperse crowds after last year’s chaos, when fans missed sets like Sugababes and Charli XCX due to unsafe congestion.
A secret Pyramid Stage booking named “Patchwork”, which required a year of complex logistics, fuels intense speculation alongside major acts. The line-up also features Rod Stewart’s coveted legends slot, Irish rap trio Kneecap and breakout star Raye. Demand remains high despite reduced capacity: November’s first ticket batch sold out in 30 minutes, with coach packages disappearing even faster. “There were years we couldn’t give tickets away,” Eavis reflected, contrasting the current frenzy with past struggles.
Organisers now leverage crowd data from the festival app’s schedule planner, which accurately predicted 2024 pinch points. Post-pandemic movement patterns show attendees move more in a herd, prompting new traffic management including 10 alternative routes across the sprawling site.
The festival runs from 25 to 30 June with additional measures like expanded space at the Other Stage, where Charli XCX’s Saturday headline set is expected to test the new systems. While operating below its capacity of 210,000, Glastonbury maintains its non-corporate ethos despite £10 million (₹1,025,000,000) pandemic losses. “The whole thing is based on goodwill,” Eavis emphasised, rejecting commercial takeovers. Final preparations include £1 million (₹102,500,000) wet weather contingencies, ensuring the show proceeds rain or shine.