A BUS blast last month that killed 13 people, including nine Chinese workers, was a “suicide bombing” by Islamist militants backed by Indian and Afghan intelligence agencies, Pakistani foreign minister Shah Mehmood Qureshi said on Thursday (12).
The minister said an investigation showed there was a "nexus of Indian RAW and Afghan NDS" in the attack, referring to the two countries' intelligence agencies.
The July 14 blast hit a bus carrying workers to a dam construction site in northern Pakistan. Two Pakistani soldiers were also among the dead.
An Indian government official denied the charge and said Pakistan has made similar accusations repeatedly in the past.
The Afghan foreign ministry could not immediately be reached for comment.
Qureshi, addressing a news conference in Islamabad together with the head of the investigation team, said Pakistan had data evidence to back its determination that the intelligence agencies from the two neighbours were involved.
Qureshi said Pakistani Taliban militants - known as Tehrik-e-Taliban Pakistan (TTP), an umbrella movement of militant groups linked to al-Qaeda and Islamic State - carried out the attack.
"As per our investigation the Afghan soil was used for this incident... about its planning and its execution, we're seeing a clear nexus between NDS and RAW," Qureshi said.
The TTP denied it carried out the attack.
The deputy inspector general of counter-terrorism police of Khyber Pakhtunkhwa province, Javed Iqbal, who was in charge of the probe, said the attackers rammed an explosive-laden car into the bus.
"Around 100/120 kg of high explosive was used in the car bombing," Iqbal said, adding that forensic examination of the suicide bomber's remains showed he was not a Pakistani national.
Video footage, cell phone data analysis, investigation of local handlers and facilitators, and forensic examination of the car used in the bombing all revealed that the TTP in Afghanistan had planned this attack, he said.
"Senior officers of the RAW and NDS were directing them in Afghanistan," Iqbal added.
Pakistan and India are longtime arch-rivals and frequently trade accusations - which both sides deny - that the other country is behind attacks.
Pakistan originally blamed a mechanical failure for the blast but later said traces of explosives were detected and that it could not rule out an attack.
Chinese premier Li Keqiang urged his Pakistani counterpart last month to hold the culprits accountable in what he called a terrorist attack.
Chinese investigators have been involved in the probe, Qureshi said.
Beijing is investing over $65 billion (£47b) in infrastructure projects in Pakistan as part of the China Pakistan Economic Corridor (CPEC) under its wider Belt and Road initiative.
"China is firmly opposed to all forces that use terrorism as a means to get geopolitical benefits," a Chinese foreign ministry spokesperson said in a statement.
A Chinese tabloid run by the ruling Communist Party's official People's Daily called the bus blast the most serious attack on Chinese nationals in recent years.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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