According to the Government, over a third of Brits are not active enough for good health.
Though exercise is one of the best ways to remain healthy, unfortunately, most people find it difficult to find time for regular exercise.
However, new research suggests that just doing one-minute bursts of exercise twice each day, could be enough exercise to reduce the risk of early death, The Sun reports.
The study, which is published in Nature Medicine, has revealed that doing several 60-second bursts of activities daily can have similar benefits to high-intensity interval training (HIIT) which has reportedly gained popularity as a quick and effective way to exercise. In fact, celebs like Scarlett Johansson, and Jennifer Lopez are fans of this type of training.
HIIT offers many of the same health benefits as other types of exercise.
An earlier report in Healthline informs that HIIT workouts involve short periods of intense exercise alternated with recovery periods.
Apparently, one of the biggest advantages of these workouts is that you can get maximum health benefits in the least time.
Some examples of one-minute bursts of exercise listed by scientists include daily activities like running for the bus while commuting, bursts of power walking during errands, or playing high-energy games with the children.
Emmanuel Stamatakis, lead author of the study is reported to have said, “A few very short bouts totalling three to four minutes a day could go a long way, and there are many daily activities that can be tweaked to raise your heart rate for a minute or so.”
Researchers used a data set from the UK, to study 25,000 adults and their daily physical activity. These adults apparently did not exercise. However, the participants of the study were asked to wear smartwatches all days of the week and their health events and results were followed for a total of about seven years.
It was found that those who had not engaged in 'proper' exercise but managed to get in a few minutes of vigorous physical activity from daily chores and activities, had a 40% lower risk of death during the study period in comparison to those who did nothing and didn’t engage in any activity.
This was reportedly correct for death by any cause, including cancer.
It was also discovered that taking time out for this small amount of intense physical activity was associated with an even greater decrease in the risk of dying from heart disease, amounting to about 48%.
The researchers state that the study reveals how incidental physical activity can overcome many health barriers.
Emmanuel is quoted as saying, “Upping the intensity of daily activities requires no time commitment, no preparation, no club memberships, no special skills.
"It simply involves stepping up the pace while walking or doing the housework with a bit more energy."
Usually, a HIIT workout lasts for 10-30 minutes.
According to experts, despite the HIIT workout being short, it can produce health benefits like twice as much moderate-intensity exercise, and though the actual activity being performed differs – it can include biking, sprinting, jumping rope, or other bodyweight exercises.
An example of a HIIT workout as mentioned in Healthline can include using a stationary bike – you need to cycle for 30 seconds as fast as possible with high resistance (to make it more challenging) then, cycle slowly for several minutes (2-4 minutes) which means easy cycling with low resistance.
This can be considered as one “repetition” or “round.” In a HIIT workout, you would typically need to complete 4-6 reps or repeat this pattern for 15-30 minutes.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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