Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
THE NHS has told pharmacies that it cannot increase the number of Covid-19 rapid tests it delivers each day, The Telegraph reported.
Infections from the Omicron variant of the coronavirus have risen in the UK with the number of new cases reaching 59,610 on Tuesday (14), the highest figure since early January.
Health leaders were told during an emergency meeting that there would be a temporary pause on the orders of test kits in some regions, the newspaper said.
NHS officials said it was "not possible logistically" to increase supplies to pharmacies beyond what they offer now, the report said.
During the meeting, healthcare bosses asked the government to stop directing people to pharmacies for the tests after prime minister Boris Johnson insisted there were "ample supplies in the shops", the Telegraph reported.
On Monday (13), the British government's website suspended online ordering and home delivery of lateral flow tests, which will be required for some social gatherings.
Omicron cases could reach 1m a day
British government’s most senior public health adviser has warned that Omicron infections could reach 1m a day by the end of December, The Guardian reported.
Dr Susan Hopkins told MPs that the Omicron Covid variant was initially doubling every two to three days in the UK but the pace appeared to have speeded up, driving a surge of disease that risked putting “significant” pressure on the NHS.
The number of Omicron infections across the country is estimated to be far higher – at an estimated 200,000 daily infections– due to a time lag in testing and because many cases are never picked up by the testing programme, the report added.
Hopkins said with so many people expected to contract the virus over the coming weeks, the NHS would come under significant pressure if only a fraction became ill enough to need hospital care.
“If we have a million infections a day, even a very small proportion of those individuals requiring hospitalisation will put a significant impact on healthcare,” she told the Commons science and technology committee.
There are also concerns about the impact on schools, lorry drivers and shop workers if cases continue to rise rapidly while forcing 10 days’ isolation for anyone who contracts Covid.
According to the report, hospitals in England are bracing themselves for a “significant” surge in Covid patients from next week because the Omicron variant is spreading so fast, a senior NHS leader said.
Chris Hopson, the chief executive of NHS Providers, has told the Guardian that Omicron’s greater transmissibility means hospitals would again have to treat large numbers of patients despite it apparently inducing milder symptoms than the previously dominant Delta variant.
On Tuesday, the UK’s four chief medical officers approved a temporary suspension of the 15-minute observation period to help speed up the vaccine rollout.
Patients normally stay at the vaccination centre for a short time after having their shot in case they experience a serious allergic reaction, which happens with about one in 100,000 doses, the newspaper report said.
The observation period will remain in place for people who have previously experienced anaphylaxis or other allergic reactions.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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