Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
A statue has been unveiled in New York by a US-based insurance company to honour an Indian American who is the most successful agent in the company's history.
New York Life Insurance Company unveiled a statue of Jaydev Patel last month to recognise his career achievements.
The statue is located in a terrace garden adjacent to the Jaydev R. Patel Conference Center, which was dedicated to him last October to mark his 50 years with the company, according to a statement.
Mark Madgett, executive vice president and co-head of New York Life’s Foundational Business, said, "The statue’s placement, seated on a bench, will allow anyone visiting the conference center to take a photograph with Jay – fitting given the number of agents and advisors he has inspired and mentored over his long career."
“No one deserves this recognition more than Jay Patel. He is a true legend, and we are so thankful that his legacy at New York Life will live on forever,” said Sonali Virendra, senior vice president, who will assume leadership of New York Life’s Agency Department in January 2025.
Patel has been a member of New York Life’s Chairman’s Cabinet, which consists of the company’s top 50 agents based on sales performance, every year since its inception. In 1983, he became the New York Life council president, the highest accolade the company awards to an agent.
He has also qualified as a life member of the Million Dollar Round Table, an organisation in the life insurance industry, for 50 years.
Patel measures success not by awards but by the lives he has protected and the impact he has made on his clients and their families.
“I personally think there is no other profession, if practiced with integrity and compassion, that provides as much personal satisfaction. I truly enjoy my work. No matter how many hours I’ve put in over the years, they’ve never been the same as hours spent working for someone else," said Patel
"The greatest blessings of this business are the opportunities to serve and make meaningful impact, while also controlling one’s own destiny.”
Patel has also dedicated himself to philanthropic efforts, overseeing the renovation of three schools in Sojitra, India. This includes two high schools and a primary school, demonstrating his commitment to his hometown.
According to the statement, Patel’s achievements have not only inspired many to enter the profession but have also contributed to New York Life’s strategy of investing in the career agency model and strengthening its presence in cultural markets.
Founded in 1845, New York Life is the largest mutual life insurance company in the US.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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