Netflix, the leading streaming media giant in the world, has announced three new original feature films from India. It has roped in such popular Indian filmmakers as Karan Johar, Anurag Kashyap and Aditya Motwane to helm its forthcoming projects.
Dharma Productions’ head honcho Karan Johar, who most recently directed a segment in the Netflix omnibus series Ghost Stories, has come onboard to bankroll yet another anthology film for the streamer. Titled The Other, the four-part anthology series focuses on the various complexities of relationships.
KJo will produce the series under Dharmatic Entertainment, the digital content arm of Dharma Productions. Each segment of the four-part anthology series will be directed by different directors who are yet to be finalized. As far as the cast is concerned, Shefali Shah, Manav Kaul, Nusrat Bharucha, Fatima Sana Shaikh and Jaideep Ahlawat have been locked.
“An anthology allows us to bring together diverse creative minds to showcase different facets of the same concept in a unique manner, and Netflix presents these beautifully,” Johar said in a statement. “The Other is one such film that delves into the various complexities of human relationships. Each director will bring their unique vision to the table, amalgamating in a piece that many viewers across the world will definitely resonate with.”
Coming to Anurag Kashyap, his project has been titled Choked. It revolves around a bank cashier whose life changes when she finds an almost unlimited source of money in her kitchen. Saiyami Kher and Roshan Mathew have been signed on to headline the film. Kashyap said in a statement: “I have found a home in Netflix and with every project, I do with them, I feel like I am able to push my creative boundaries a little more. Choked is unlike anything I have done before, much like all my outings with Netflix, and is a story that, I believe will appeal to a varied audience.”
Sacred Games fame Vikramaditya Motwane directs AK vs AK in which a filmmaker kidnaps the daughter of a film star, and while the star searches for his daughter the director films the desperate search in real time for his next blockbuster movie. Anurag Kashyap and Anil Kapoor will play the lead roles in the film.
“As you can tell, the whole thing is going to feel meta, with Kashyap and Kapoor no doubt playing the brash director and the star, respectively. Their initials are in the title, after all. AK vs AK has an extremely, unique and gripping storyline and Netflix is the perfect platform for it because of their organic disposition to take creative leaps of faith and constantly push the envelope every single time,” Motwane said in a statement.
Everyone is saying it: Diane Keaton is gone. They will list her Oscars and her famous films. Honestly, the real Diane Keaton? She was a wild mash-up of quirks and charm; totally stubborn, totally magnetic, just all over the map in the best way. Off camera, she basically wrote the handbook on being unapologetically yourself. No filter, no apologies. And honestly? She could make you laugh until you forgot what was bothering you. Very few people could do that. That is something special.
Diane Keaton never followed the rules and that’s why Hollywood will miss her forever Getty Images
Remembering the parts of her that stuck with us
1. Annie Hall — the role that reshaped comedy
Not just a funny film. Annie Hall changed how women in comedies could be messy, smart, and real. Her Oscar felt like validation for everyone who had ever been both awkward and brilliant in the same breath.
2. The nudity clause she would not touch
Even as an unknown in the Broadway cast of Hair, she had a line. They offered extra cash to do the famous nude scene. She turned it down. Principle over pay, right from the start.
3. The Christmas single nobody saw coming
3.At 78, she released a song. First Christmas. Not for a movie. Not a joke. Just a sudden, late-life urge to put a song out into the world.
4. The wardrobe — menswear that became signature
Keaton made ties and waistcoats a kind of armour. She was photographed in hats and wide trousers for decades. Style was not a costume for her; it was character. People still imitate that look, and that is saying something.
5. Comedy with bite — First Wives Club and more
She could be gentle one moment and sharp the next. In The First Wives Club, she carried the ensemble effortlessly, landing jokes while letting you feel the heartbreak beneath. Friends who worked with her spoke about her warmth and how raw she stayed about life.
6. A filmmaker and photographer, not just an actor
She directed, she photographed doors and empty shops, she wrote. She loved the weird corners of life. That curiosity kept her working and kept her interesting.
7. Motherhood, chosen late and chosen fiercely
She adopted Dexter and Duke and spoke about motherhood being humbling. She was not pressured by conventional timelines. She made her own map.
8. The last practical act
Months before she died, she listed her Los Angeles home. A quiet, practical move. No drama. It feels now like a final piece of business, a woman tidying her own affairs with clear-eyed calm.
9. The sudden end — close circle, private last months
Friends say her health declined suddenly and privately in recent months. She kept a small circle towards the end and was funny right up until the end, a friend told reporters.
10. Tributes that say it plain — “trail of fairy dust”
Stars poured out words: Goldie Hawn, Bette Midler, Ben Stiller, Jane Fonda, all struck by how singular she was. They kept mentioning the same thing: original, kind, funny, utterly herself.
Diane Keaton’s legacy in film comedy and fashion left a mark no one else could touchGetty Images
So, that is the list.
We will watch her films again, of course. We will notice the hats, laugh at the delivery, and be surprised by the sudden stab of feeling in a small, silent scene. But more than that, there is a tiny, stubborn thing she did: she made permission. Permission to be odd, to age, to keep making mistakes and still stand centre screen. That is the part of her that outlives the headlines. That is the stuff that does not fade when the credits roll.
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