Gayathri Kallukaran is a Junior Journalist with Eastern Eye. She has a Master’s degree in Journalism and Mass Communication from St. Paul’s College, Bengaluru, and brings over five years of experience in content creation, including two years in digital journalism. She covers stories across culture, lifestyle, travel, health, and technology, with a creative yet fact-driven approach to reporting. Known for her sensitivity towards human interest narratives, Gayathri’s storytelling often aims to inform, inspire, and empower. Her journey began as a layout designer and reporter for her college’s daily newsletter, where she also contributed short films and editorial features. Since then, she has worked with platforms like FWD Media, Pepper Content, and Petrons.com, where several of her interviews and features have gained spotlight recognition. Fluent in English, Malayalam, Tamil, and Hindi, she writes in English and Malayalam, continuing to explore inclusive, people-focused storytelling in the digital space.
NK 370 to depict the journey of India’s first Formula One driver, Narain Karthikeyan
Directed by Mahesh Narayanan and written by Shalini Usha Devi
Produced by Blue Marble Films with a focus on global appeal
The story explores racing, resilience, racism, and redemption
Cast yet to be announced; film currently in development
A biopic titled NK 370 is in the works, centred around Narain Karthikeyan — India’s first Formula One driver. Directed by acclaimed filmmaker Mahesh Narayanan and written by Soorarai Pottru screenwriter Shalini Usha Devi, the Tamil-language film is being produced by Faraz Ahsan, Vivek Rangachari, and Pratik Maitra under Blue Marble Films. The feature will trace Karthikeyan’s personal and professional journey, from a young boy in Coimbatore to his historic debut in Formula One.
Mahesh Narayanan takes the wheel
Director Mahesh Narayanan, known for Take Off, Malik, and Ariyippu, brings his grounded, emotional storytelling to NK 370. “Narain’s journey isn’t just about racing. It’s about belief — in yourself, your country, and a dream no one else can see,” Narayanan said in a statement. The film aims to go beyond motorsport, touching on identity, perseverance, and overcoming systemic barriers.
A tale of grit, speed and struggle
The film charts Karthikeyan’s rise from a curious child fascinated by rally cars to a determined young man navigating the domestic racing circuits of India. From driving a homemade go-kart at age five to entering his first Formula Maruti race at 15, his trajectory is marked by defiance of odds and fierce dedication. A turning point came when he attended the Winfield Racing School in France, where he overcame racial bias to prove his talent on a global stage.
From heartbreak in Macau to redemption
Among the pivotal moments the film captures is Karthikeyan’s devastating crash at the Macau Grand Prix — a loss that cost him sponsorship and strained friendships. This setback led to a temporary return to India and a period of soul-searching. His eventual comeback, which included a symbolic victory at Macau, forms the emotional core of the story.
Personal and professional milestones
The biopic will also delve into Karthikeyan’s personal life, including his meeting with his future wife, a woman unfamiliar with the world of motorsport but deeply supportive. The film culminates in his historic 2005 debut with Jordan F1, where he out-qualified Michael Schumacher in Melbourne and went on to score championship points at the United States Grand Prix.
A global story rooted in Indian soil
Producer Faraz Ahsan described the project as a universal underdog tale: “What fascinated me was how someone like NK went from surviving Indian traffic to racing at speeds faster than a commercial aircraft.” The team spent years securing rights and aligning on creative direction before Karthikeyan agreed.
The production aims to resonate with a global audience, blending high-octane drama with deeply human themes of resilience and ambition.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.