Suryakumar Yadav played one of his finest knocks on a challenging track as Mumbai Indians beat Chennai Super Kings by six wickets in the first Qualifier, entering IPL final for the fifth time on Tuesday.
On a sluggish pitch, which offered considerable turn and odd bounce, Suryakumar batted in a copybook fashion scoring an unbeaten 71 off 54 balls with MI reaching the target in 18.3 overs.
However, CSK will get another chance to make it to their eighth summit clash as they will now play the second Qualifier against the winner of the 'Eliminator' between Delhi Capitals and Sunrisers Hyderabad.
The target of 132 wasn't a big one but once the below-par Chepauk pitch was factored in, the chasing team had its own set of challenges.
With senior players Rohit Sharma (4) and Quinton de Kock (8) returning quickly, Surya and Ishan Kishan (28 off 31 balls) traded their natural flair for caution adding 80 runs that set the platform. While Surya hit 10 fours, the normally aggressive Kishan had three fours and a six in his innings.
While Imran Tahir (2/33 in 4 overs) dismissed Kishan and Krunal Pandya (0) off successive deliveries in the 14th over, it was more a of minor scare as Surya anchored the chase with ease in Hardik Pandya's company.
The best part about Surya's batting was how late he played both Tahir and Ravindra Jadeja (0/18 in 4 overs) whenever they got the ball to turn away from the right-hander, playing it past the short third-man fielder. The best part was not taking undue risks against Jadeja, who looked menacing on this track.
When Tahir flighted, he would whip him through mid-wicket. Deepak Chahar after getting Rohit's wicket erred in line and proved to be costly. Harbhajan Singh (1/25 in 4 overs) finished his quota primarily when at least one left-hander was at the crease.
In the end, the difference was created by the three Mumbai Indians spinners Rahul Chahar (2/14 in 4 overs), Krunal Pandya (1/21 in 4 overs) and Jayant Yadav (1/25 in 3 overs), who gave away only 60 runs in the 11 overs between them taking four wickets.
CSK were 10 runs short of the par-score even on a challenging track where Surya made batting look easy.
Earlier, Dhoni failed to launch a brutal assault on a sluggish pitch but, in the company of Ambati Rayudu, managed to propel Chennai Super Kings to 131 for 4.
The CSK total was built largely on a fifth wicket stand of 66 off 48 balls between Dhoni (37 no off 29 balls) and Rayudu (42 no off 37 balls) when other batsmen found going tough.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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