Mohika Shankar on immersive dance show Ghost Ships
Having begun her training at the age of five, the dancer from New Delhi has made a mark in the UK with her live performances.
Mohika Shankar
By Asjad NazirSep 20, 2024
MOHIKA SHANKAR connected with dance at a young age, and it quickly became an integral part of her identity. This passion led her to pursue dance professionally and she has performed in major productions.
Having begun her training at the age of five, the dancer from New Delhi has made a mark in the UK with her live performances.
“I believe art travels through generations, and I have been lucky enough to pursue it professionally,” Shankar said. “As I grew up and received more formal training, I found my safe space in dance. Dance gave me a medium to create my reality instead of running away from it.”
Shankar (who is a first-class graduate of the University of Derby) will next be seen in the immersive theatre event Ghost Ships, which vividly recharts the history of Chatham Dockyard and takes place on-site with a stunning live performance.
By shining a light on the true and untold stories of those who built and sailed the ships of Chatham Dockyard around the world, Ghost Ships explores the waters connecting the past and present, as well as the ideas of borders, belonging, people and places. It reflects on the impact of the Dockyard, from its role in slavery and abolition to the loss and legacy of its closure in 1984.
Shankar said, “Ghost Ships, as the name suggests, is about those voyages that started from Chatham Dockyard to different parts of the world. These are not glamorous stories, but they brought about very powerful change.
“The theme is very close to my heart. I’ve been a history student, and our curriculum included a lot of what we are exploring in Ghost Ships. It connects me to my motherland, and I consider it my responsibility to create that awareness among people through an artistic medium for the shared history that we have.”
The explosive show includes music, hip hop dance from Olivier Award winners ZooNation: The Kate Prince Company and Kathak from Amina Khayyam Dance Company, of which Shankar is an integral part.
Shankar added, “In a way, bringing it to the stage right now is of utmost importance, especially because of all the racial discrimination we have seen in the UK recently.
“It is even more imperative to highlight our past and acknowledge all that has unfolded, from the East India Company conquering India to the colonial slave trade.”
Ghost Ships has been created with the communities of Chatham and features an ensemble of more than 150 young people, residents and professional dancers performing together to mark the 40th anniversary of the dockyard’s closure.
Shankar spoke of her hope that audiences can relate to the new production, which will be performed at the dockyard from September 25-28.
She said, “I hope it connects with people across cultures, ethnicities, and racial backgrounds because, at the end of the day, it boils down to us being humans and our shared histories.”
Shankar said she is fortunate to be part of a cast which recognises the shared responsibility that comes with the production's historical significance.
“No matter how big or small a cast is, every one has a role to play, and everyone brings something special to the table. Together, everyone makes the complete whole. It’s all about the bigger picture and how we come together as artists to bring to life a concept that I have not seen brought onto such a big platform before,” she said.
Shankar praised ace choreographer and dancer, Amina Khayyam, for her bold, path-breaking approach to exploring unique and socially relevant subjects.
One powerful element in Ghost Ships that she feels connected to is the chapter on the Bengal famine.
Asked about her favourite moment from the production, Shankar said, “I really can’t choose one because each holds its own special importance. The project has really challenged me to step out of my comfort zone, as we are experimenting with other dance forms, such as hip hop.”
She is excited to perform at the dockyard and said it as an opportunity to highlight south Asian dance forms on a unique platform. The entertaining and educational show will resonate with different cultures and age groups, Shankar said.
“You should come if you want to be immersed in art and history in an unconventional space, with shared stories of people and the connections we formed decades and centuries ago, which still exist today.
“They enable us to be more sensitive to other communities and make a conscious effort to learn about each other’s histories, celebrate how far we have come, and reflect on how we can move forward.”
Shankar draws inspiration from human stories and experiences, bringing art to unconventional spaces, as well as from fellow performers and everyday moments, like leaves dancing in the wind.
Creativity and inspiration are everywhere. But recently, it’s been about stories of people like you and me and how, even though they are unique, they are deeply connected and resonate on many levels.”
Ghost Ships is at the historic dockyard in Chatham from next Wednesday (25) to Saturday (28). contheatre.org.uk
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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