Internationally acclaimed filmmaker Mira Nair, whose credits include Salaam Bombay! (1998), Kama Sutra: A Tale of Love (1996), and Monsoon Wedding (2001), recently attended the virtual convocation of Film and Television Institute of India (FTII) where she spoke about the need for people to tell their own stories. She also touched upon her experiences of making films that usually talk about people suspended between cultures.
“Colonialists made us believe that we are not able to represent ourselves. We must tell our own stories,” Nair said.
A statement issued by FTII informed that three hundred students from the 2008 to 2019 batches were awarded postgraduate diplomas and certificates during the online convocation.
FTII chairman Shekhar Kapur, who has not been able to visit the campus ever since resuming the office last year due to the coronavirus pandemic, spoke about how cinema and storytelling are going to change in times to come.
“Cinema is becoming much more global. Mira Nair is someone who has broken the traditional norms of eastern and western cinema. I would like to see more technology in storytelling, not just in cinema, but also in gaming,” said Kapur.
Giving her profound words of advice for the new graduates, Nair said, “Never treat what you do as just a stepping stone. Let the heart inform the brain, and allow inspiration to come from any quarter. Be brave.”
The acclaimed filmmaker also reminisced about her education in film and theatre in India and abroad. She stressed the need to have “fluid and porous” borders and bridges for more stories to be told.
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Mukerji parts ways with YRF’s Dhoom 4 after reported creative disagreements.
Decision said to be amicable, with Aditya Chopra and Ranbir Kapoor supportive.
Director shifts focus to Brahmastra: Part Two – Dev, expected to begin filming in 2026.
Filmmaker steps away from YRF’s action franchise
Filmmaker Ayan Mukerji has stepped away from Yash Raj Films’ (YRF) highly anticipated action project Dhoom 4, reportedly due to creative differences. According to Bollywood Hungama, Mukerji’s vision for the film did not align with the studio’s direction, prompting him to withdraw from the project.
Mukerji, who was in discussions to direct the next instalment of the hit franchise—expected to star Ranbir Kapoor—was said to have limited control over the script, which was reportedly written by Shridhar Raghavan. The director, best known for Yeh Jawaani Hai Deewani and Brahmastra, was keen on shaping the film creatively rather than simply executing an existing plan.
A source quoted in the report said, “Ayan didn’t have much say in the screenplay and didn’t want to embark on another journey of just execution.”
Amicable parting after discussions with Aditya Chopra
Before stepping away, Mukerji is believed to have held several discussions with YRF head Aditya Chopra and actor Ranbir Kapoor. Both reportedly supported his decision, with insiders describing the split as “completely amicable.”
The director’s departure does not mark the end of Dhoom 4, as YRF plans to continue with the project under a new director. The studio may also reconsider casting options, despite earlier reports that Ranbir Kapoor had set aside dates for the film.
Focus returns to the Brahmastra universe
Following his exit from Dhoom 4, Mukerji has shifted attention back to his passion project—the Brahmastra series. The filmmaker is currently developing Brahmastra: Part Two – Dev, the sequel to the 2022 fantasy epic.
The film, initially expected to begin production earlier, is now likely to go on floors in 2026. Sources suggest Mukerji intends to expand the Astraverse with more depth in storytelling, combining elements of mythology, drama, and spectacle.
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