Eastern Eye caught up with the actor to discuss the Apoorv Singh Karki-directed film Sirf Ek Bandaa Kaafi
By Mohnish SinghJun 02, 2023
Self-made star Manoj Bajpayee has gone from small roles in films to winning multiple awards, acclaim, and adulation for stunning performances as a leading man.
That incredibly rich career has enabled the versatile actor to play a wide array of roles in diverse projects that have shown off his impressive range. He recently added to his immense body of work with newly released film Sirf Ek Bandaa Kaafi Hai, which recently premiered on streaming site ZEE5 Global and won rave reviews. The powerful legal drama, based on real events, sees him play a lawyer who takes on a holy man accused of sexually assaulting a teenage girl.
Eastern Eye caught up with the actor to discuss the Apoorv Singh Karki-directed film, his role, Hollywood aspirations and why he has nothing left to achieve.
What can you tell us about your new film Sirf Ek Bandaa Kaafi Hai?
Bandaa is actually inspired by true events. It’s the story of a lawyer and his chemistry with the victim whose case he has filed. It is a case that took five years, for a very regular ordinary lawyer, and someone who was not even expecting a case like this to happen to him. When he gets the case, he gives all his life experiences and intentions to winning it.
Tell us a little more about the role you are playing?
The character I am playing in Bandaa is very real. His name is Mr PC Solanki. As I mentioned, the film is inspired by true events, so this character is also modelled on a real-life person. For me, it is also a story of a 16-year-old girl, who is the victim. It’s about them deriving strength from each other and holding each other’s hand in the difficult journey. That is what the film is all about.
Bajpayee in 'Sirf Ek Bandaa Kaafi Hai'
What most appealed to you about this story?
Once you get the story, first you look at its creative potential. For me, it is very, very important that I am not an activist, but an actor. First and foremost, it has to appeal to me as an actor, okay? And then you try to be sincere and sensitive to the message it is trying to convey. You know, it should work on both levels. If it works on both levels, you just go ahead and do it.
What was the most challenging part about playing this role?
You know, it is always very challenging when it comes to courtroom dramas. It is about the words, sections, and all of that. Then remembering them and saying those lines. It is about the arguments and those testimonies. You must memorise those legal technical words and try to make it look interesting, and exciting for the audience at the same time. That’s the biggest challenge for an actor.
This is a story based on reality. How much was altered for the film?
See, this case went on for five long years. We, of course, used to read up on it every day and every time there was a hearing. That much knowledge and awareness were there. The directors and writers started researching it. Many of the intricate and minute details started coming up and they were handed over to me, to just go through it and be aware of the facts and journey. My whole focus was on Solanki’s life and the kind of person he is.
Tell us about that?
What made him take up this case? What made him go through such a long and difficult journey? What are the points where he felt completely vulnerable, tired, or exhausted? These were things I was more interested in.
You have collaborated with ZEE5 Global previously. How do you look at your association with the streaming platform?
This streaming platform has my film Silence (2021), which is the most viewed movie on this platform. I was completely surprised when I was given this news. Yes, I knew that it was good, but to be the most viewed film content on the streaming platform was quite an achievement.
Tell us about that successful association with ZEE5?
Before Silence, we released Suraj Pe Mangal Bhaari (2020). Then there is Dial 100 (2021) and now Bandaa. All these films have been ZEE Studios productions. My next ZEE Studios film Zorum is getting a lot of praise (at film festivals) in Rotterdam and Sydney. So, I am excited about my association with ZEE5 Global, and they are showing such pride in this relationship. We are very happy in each other’s company. I get a lot of support from them. That gives me a lot of strength and emotionally you feel secure in this kind of a relationship.
Bajpayee in 'Sirf Ek Bandaa Kaafi Hai'
You have innumerable accomplishments and awards. What is it that you still want to achieve professionally?
You know, there is nothing I want to achieve. The only thing I wanted to achieve in my life was to get my salary as an actor. When that happened for the first time, I started telling the world that I am a professional actor. This is what I wanted to be and what has happened to me, so I feel blessed. After that, whatever I am getting is a bonus and blessing. It is the kind of blessing I never thought or comprehend that I would ever get.
You have been a part of Indian cinema for such a long time and achieved so much. At this point in your career, do you have any Hollywood aspirations?
See, I never had the audacity or guts to think about that. Coming from a village, and just becoming an actor was a tough task. I could never run my imagination wild and cross seven seas and see myself in Hollywood. Even now when I am talking to you, I find it very, very difficult that I would ever be able to break through there. But yes, I am always open, since the world has all come closer. Opportunities are there, but not ones I would like to take because that is not somewhere I see myself. I see myself doing great roles in beautiful projects in India. Then the criteria are going to be the same in any other industry, and this is what I am waiting for.
What would you tell the public to expect from Sirf Ek Bandaa Kaafi Hai?
I would expect them to come and watch a great story of a very ordinary man.
The Peter Rabbit™ Adventure runs at Hampton Court Palace from 25 July to 7 September 2025
Trail includes interactive games, riddles and character encounters across the gardens
Children can meet a larger-than-life Peter Rabbit in the Kitchen Garden
Special themed menu items available at the Tiltyard Café
£1 tickets available for families receiving Universal Credit and other benefits
Peter Rabbit comes to life at Hampton Court
This summer, families visiting Hampton Court Palace can step into the world of Beatrix Potter as The Peter Rabbit™ Adventure takes over the palace gardens from 25 July to 7 September 2025.
Explore the Kitchen Garden, Tiltyard and WildernessHRP
The family trail, officially licensed by Penguin Ventures on behalf of Frederick Warne & Co., combines the palace’s historic gardens with the much-loved tales of Beatrix Potter. Visitors will encounter interactive activities, puzzles and games while exploring the Kitchen Garden, Tiltyard and Wilderness.
Interactive activities and wildlife learning
Along the trail, children can try Mrs Tiggy-winkle’s washing equipment to make music, search for Peter Rabbit under wheelbarrows, or test their hopping skills alongside Beatrix Potter’s characters.
The experience also highlights Potter’s role as a committed environmentalist. Young visitors are encouraged to look for real wildlife such as hedgehogs, squirrels and toads while learning about habitats and conservation in the palace grounds.
Children can meet a larger-than-life Peter Rabbit HRP
Meet Peter Rabbit and enjoy themed treats
Peter Rabbit himself will make appearances in the Kitchen Garden at set times each day, where families can take photos among the seasonal produce. Fresh fruit and vegetables grown in the gardens will feature in special Peter Rabbit™ menu items at the Tiltyard Café.
After completing the trail, children can also explore the Magic Garden playground or visit Henry VIII’s Kitchens inside the palace, where live cookery demonstrations take place each weekend.
Tickets and access
The Peter Rabbit™ Adventure is included in general admission:
Off-peak (weekdays and bank holidays): Adults £27.20, Children (5–15) £13.60, Concessions £21.80
Peak (weekends and events): Adults £30.00, Children £15.00, Concessions £24.00
HRP Members go free
Families in receipt of Universal Credit and other means-tested benefits can access £1 tickets throughout the summer (advance booking required).
Membership offers unlimited visits to Hampton Court Palace and other Historic Royal Palaces sites, including seasonal events such as the Hampton Court Palace Food Festival and Henry VIII’s Joust.
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The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday
Gary Lineker named best TV presenter, breaking Ant and Dec’s 23-year run
Former Match of the Day host left BBC after social media controversies
Netflix drama Adolescence wins two awards, including best drama performance for 15-year-old Owen Cooper
Gavin & Stacey takes home the comedy award
I’m a Celebrity wins in the reality competition category
Lineker takes presenter prize after BBC departure
Gary Lineker has ended Ant and Dec’s record 23-year winning streak at the National Television Awards (NTAs). The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday.
Lineker stepped down from Match of the Day in May after 26 years, following controversy around his social media posts. Accepting the award, he thanked colleagues and said the prize showed “it is OK to use your platform to speak up on behalf of those who have no voice.” He added: “It’s not lost on me why I might have won this award.”
Asked if he might work with the BBC again, Lineker said he was uncertain but was “really looking forward to working with ITV.”
The last winner before Ant and Dec’s run was Michael Barrymore in 2000.
Netflix drama Adolescence scores double win
Netflix’s hit drama Adolescence won best new drama and best drama performance for 15-year-old Owen Cooper. The show, which follows the story of a teenage boy accused of murder, became a national talking point earlier this year.
Cooper beat fellow nominee Stephen Graham, who plays his on-screen father, though neither attended the event.
Gavin & Stacey named best comedy
Gavin & Stacey’s Christmas finale, watched by more than 20 million viewers, was named best comedy. Ruth Jones, who plays Nessa, accepted the award and joked: “Alright, calm down. I’m going to the bar now for a pint of wine.”
Backstage, Jones paid tribute to co-writer and co-star James Corden, who could not attend, and addressed reports of a new Apple TV+ project, saying nothing had yet been confirmed.
I’m a Celebrity beats The Traitors
In the reality competition category, I’m a Celebrity… Get Me Out of Here! triumphed over The Traitors, Love Island, and Race Across the World. Presenters including Coleen Rooney and Oti Mabuse collected the award.
Other winners of the night
Michael McIntyre’s Big Show won the Bruce Forsyth Entertainment Award
Molly-Mae Hague’s Behind It All won best authored documentary
Wallace & Gromit received a special recognition award
Gogglebox won factual entertainment, while Call the Midwife secured returning drama
The NTAs remain unique in British television for being entirely voted for by the public.
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UN human rights office urges India to drop cases against Arundhati Roy
ARUNDHATI ROY’S forthcoming memoir, Mother Mary Comes To Me, is about the author’s close but fraught relationship with her mother, Mary Roy, whose death in 2022 her daughter has likened to “being hit by a truck”.
Mary Roy, who insisted her children call her “Mrs Roy” in school, belonged to the Syrian Christian community. She does not seem a very nice person.
The Financial Times, which interviewed Arundhati at her home in Delhi, reveals: “In an episode to which the writer makes oblique reference early in the book but withholds until later — because of the pain it caused — she returned from boarding school for the holidays, aged 13, to find that Mrs Roy had had her beloved pet dog, Dido, shot and buried as ‘a kind of honour killing’ after Dido mated with an unknown street dog.”
In 1996, someone tipped me off that a publisher had won an auction by paying £1 million for The God of Small Things by an unknown Indian writer. This was unprecedented for a debut novel. But the buzz among the bidders was that the novel was a possible contender for the Booker Prize.
As I was writing my story at the Daily Telegraph, the night editor, Andrew Hutchinson, leant over and quipped: “Writing about your sister again?” As we know, Arundhati Roy did win the Booker in 1997. I had actually met Arundhati two years previously when she had stuck up for Phoolan Devi, the subject of Shekhar Kapur’s movie, Bandit Queen, based on Mala Sen’s biography.
Phoolan had been repeatedly raped by upper class Thakurs (the men were later lined up in the village of Behmai and executed by Phoolan’s gang in 1981). The film was exploitative, claimed Arundhati, because for Phoolan, it was like being raped again. She wrote a piece in Sunday in Calcutta (now Kolkata), headlined, “The Indian rape trick”.
Mala arranged for me to interview Phoolan who was refusing to talk to Channel 4 which was making a documentary in India on the controversial movie. In public, she supported Arundhati, but behind the scenes did a deal with C4 which paid her £40,000.
The FT interview says Arundhati “left home at 16, putting the length of the subcontinent between her mother in Kerala and herself in New Delhi, where she was admitted as one of the few women students at the School of Planning and Architecture. ‘I left in order to be able to continue to love her, because I knew she would destroy me if I stayed,’ she says.
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The mural has been covered and is being guarded by security
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.
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Works are painted on bark cloth from Lake Victoria
Artist Shafina Jaffer presents a new chapter of her Global Conference of the Birds series.
The exhibition runs from 7–12 October 2025 at Mall Galleries, London.
Works are painted on bark cloth from Lake Victoria, combining spiritual themes with ecological concerns.
Exhibition details
Artist Shafina Jaffer will open her latest exhibition, Whispers Under Wings (Global Conference of the Birds), at the Mall Galleries in London on 7 October 2025. The show will run until 12 October 2025.
This practice-led series reinterprets Farid ud-Din Attar’s 12th-century Sufi allegory, Conference of the Birds, reflecting on themes of unity, self-realisation and the idea that the Divine resides within.
Material and meaning
Each work is painted on sustainably sourced bark cloth from the Lake Victoria region, using natural pigments, minerals and dyes. Large panels are formed from the bark of single trees, aligning material ecology with the spiritual narrative.
The series weaves together sacred geometry, Qur’anic verses and depictions of endangered bird species, underscoring the connection between ecological fragility and spiritual awakening.
Previous recognition
Whispers Under Wings follows earlier presentations in London and Dubai, extending the project’s message of peace, unity and environmental care.
A central work from the series — the Simurgh, conceived as a symbol of light (Noor) — was recently acquired by Prince Amyn Aga Khan for the new Ismaili Centre in Houston. A feature on the exhibition also appears in the September edition of Twiga, Air Tanzania’s inflight magazine.