Vivek Mishra works as an Assistant Editor with Eastern Eye and has over 13 years of experience in journalism. His areas of interest include politics, international affairs, current events, and sports. With a background in newsroom operations and editorial planning, he has reported and edited stories on major national and global developments.
AT THE Maha Kumbh in Prayagraj, in India's northern state of Uttar Pradesh, the process of initiating over 100 women as ‘Naga Sanyasinis’ of Juna Akhada began on Sunday.
Naga Sanyasinis are female ascetics belonging to the Naga sect, a prominent and ancient monastic order within the broader Hindu tradition.
The term "Naga" is derived from the Sanskrit word for "naked," symbolising renunciation of material possessions and worldly attachments.
Divya Giri, a saint at Shri Panch Dashnam Juna Akhada, said that 102 women received the ‘Naga Diksha’ in the first phase of the registration process.
These women were granted the title of ‘Avdhutani’ after completing 12 years of service under their guru.
Following tradition, the women, dressed in 2.75-metre unstitched clothes, arrived at the banks of the Ganga, where their heads were shaved. They then took a holy dip in the river and were given a water pot (Kamandal), Ganga ‘jal’, and a staff.
The final phase of the initiation will be performed by Swami Avadheshanand Giri, the Acharya Mahamandaleshwar of Juna Akhada. Three foreigners were also initiated as Naga Sanyasinis and became members of Shri Panch Dashnam Juna Akhada.
Among them, Italy’s Bankiya Mariam was renamed Shivani Bharti, Bequeven Marie from France was renamed Kamakhya Giri, and Nepal’s Mokshita Rai took the name Mokshita Giri after their initiation.
The Maha Kumbh, a six-week-long Hindu festival, has drawn millions of people to Prayagraj.
Each morning, crowds gather along the confluence of the Ganga and Yamuna rivers for ritual bathing. Organisers expect around 400 million visitors to attend the festival, which concludes on February 26.
Held every three years in four cities on the banks of sacred rivers, the Kumbh Mela rotates among Prayagraj, Haridwar, Nashik, and Ujjain. The Maha Kumbh is held every 12 years, attracting the largest number of devotees due to its auspicious timing.
Hindus believe that immersing in the sacred rivers during the Kumbh Mela absolves sins and offers liberation from the cycle of life and death.
The festival’s origins trace back to the Rigveda and the legend of ‘Sagar Manthan,’ where drops of nectar from a divine pitcher fell at the four locations.
The event is a blend of religious devotion and cultural spectacle, with ascetics and devotees from various Hindu sects participating in rituals, including the ‘Shahi Snaan’ or royal bath.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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