‘Legend of Zelda’ movie reveals Bo Bragason and Benjamin Evan Ainsworth as leads in surprise casting move
The live-action Nintendo film, directed by Wes Ball, announces a 2027 release with fresh faces in iconic roles amid earlier fan demands for big-name stars.
Bo Bragason and Benjamin Evan Ainsworth dressed as Zelda and Link in the first official look
Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Bo Bragason and Benjamin Evan Ainsworth have been cast as Princess Zelda and Link in the upcoming Legend of Zelda live-action movie.
Nintendo’s Shigeru Miyamoto confirmed the casting via X on 16 July.
Directed by Wes Ball (Kingdom of the Planet of the Apes), the film is set to release on 7 May 2027.
The project is co-produced by Nintendo and Sony Pictures, marking a major push into cinematic adaptations for the gaming franchise.
Nintendo has officially announced the lead cast for its long-anticipated Legend of Zelda live-action adaptation. British actors Bo Bragason and Benjamin Evan Ainsworth will step into the iconic roles of Princess Zelda and Link, respectively, in a film set to release on 7 May 2027.
The casting was confirmed on Wednesday morning by Shigeru Miyamoto, Nintendo’s legendary game designer, who shared the news via Nintendo’s X account, alongside first-look images of the duo in costume. The announcement marks a major milestone in the development of the fantasy adventure film, which has been in the works for years.
First glimpse of the young actors in costume from the upcoming Legend of Zelda movieInstagram/zeldanintendo
Bo Bragason and Benjamin Evan Ainsworth tapped as Zelda and Link
Relative newcomers to Hollywood blockbusters, both Bragason and Ainsworth bring youthful energy to two of gaming’s most enduring characters. Bragason, best known for her work in Renegade Nell and Three Girls, will portray Princess Zelda. Ainsworth, who voiced Pinocchio in Disney’s 2022 remake and starred in The Haunting of Bly Manor, takes on the role of Link, the courageous warrior from the land of Hyrule.
Casting speculation had been widespread, with fans campaigning online for actors like Hunter Schafer to be considered. Ultimately, Miyamoto expressed confidence in the final selection, stating, “I am very much looking forward to seeing both of them on the big screen.”
Legend of Zelda movie release date and production team
The live-action Legend of Zelda movie will hit cinemas on 7 May 2027. Directed by Wes Ball, known for The Maze Runner trilogy and Kingdom of the Planet of the Apes, the film is gearing up to be a cinematic retelling of the beloved game series.
Sony Pictures is set to distribute the film, with production shared between Nintendo and Avi Arad’s Arad Productions. The script was most recently updated by T.S. Nowlin. Miyamoto and Arad will co-produce, continuing their collaboration from earlier projects.
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Plot expectations and franchise history
While official plot details remain under wraps, the film is expected to follow Link and Princess Zelda as they battle the dark forces threatening the kingdom of Hyrule, most notably the demonic warlord Ganon. The Legend of Zelda games often explore themes of power, wisdom, and courage through an ever-evolving timeline of reincarnated characters.
Originally launched in 1986, the Zelda franchise has sold over 150 million units worldwide. Notable entries like Ocarina of Time (1998), Breath of the Wild (2017), and Tears of the Kingdom (2023) have helped define the action-adventure genre in gaming.
The upcoming movie follows the box office success of The Super Mario Bros. Movie, another Nintendo franchise adaptation that grossed over £1.04 billion (₹10,800 crore) globally.
Reactions to the casting have been mixed but largely curious, with many gamers excited to see fresh faces taking on the legendary roles. Some fans expressed disappointment that more established names were not chosen, while others welcomed the studio’s bold decision to prioritise performance potential over star power.
Meanwhile, early costume reveals of the two leads have already begun circulating online, fuelling discussions about the tone, aesthetic, and faithfulness of the adaptation.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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