Community prayers began the day after Biden withdrew from the race, paving the way for Harris to ascend to the top of the ticket, and are expected to continue daily until voting day
By Eastern EyeJul 24, 2024
The god of truth and righteousness is supporting the Democratic Party in this year's US presidential election, according to Hindu priests in Kamala Harris' ancestral Indian village.
A single narrow road lined with coconut trees leads to Thulasendrapuram, a village surrounded by paddy fields in Tamil Nadu and once home to Harris' maternal grandfather.
A large picture of the smiling Democrat stands at the village entrance near its main temple, a sprawling structure with a towering, decorated gate.
Community prayers began the day after president Joe Biden withdrew from the race, paving the way for Harris to ascend to the top of the ticket, and are expected to continue daily until voting day.
Hours after sunrise, head priest M Natrajan, dressed in a sarong, offered sweets and rice pudding to Dharmasastha, the Hindu god of truth and righteousness, to whom the centuries-old temple is dedicated.
Sri Dharmasastha temple in Thulasendrapuram, the ancestral village of Kamala Harris (Photo: Idrees Mohammed/AFP via Getty Images)
"We prayed for her, and she became vice-president," the 61-year-old priest told AFP. "With the blessing of our all-powerful deity, we are confident she will now become president too."
Another large image of Harris stands outside the temple's gates, adorned with intricate artwork, and dozens of villagers gathered there.
The scale of the prayers will increase as the elections approach, said Natrajan, who also works as a veterinarian at the nearby animal dispensary.
Harris' name appears on a list of donors on one of the temple walls, but she has not visited the village since being sworn in as vice president in 2021.
"This time if she wins again, the celebrations will be grander than anything the village has ever seen," the priest said. "After becoming president, she must visit."
The offerings were "donated by the people of the village," said J Sudhakar, 50, an influential local leader whose wife is the local councillor. "It is a collective effort of everyone in the village for one of our own."
Village reaps benefits from Kamala Harris' high profile
Harris' maternal grandfather PV Gopalan left the village decades ago, but residents say the family has maintained close links and regularly donated to the temple's upkeep.
Harris, 59, was born in California but was often taken to India by her mother, breast cancer specialist Shyamala Gopalan, and has spoken about the influence of her maternal grandfather. She has a diverse religious background—she is a Baptist, while her husband is Jewish.
Government employee Vijay Kumar insists the village has benefited from Harris' high profile. A local commercial bank donated 10 million rupees (£92,547.7) to rejuvenate a long-dead reservoir in the area. "They did that only because of Kamala Harris' association with our village," the 59-year-old said.
But even before she seeks to become leader of the world's most powerful country, Harris faces demands from a constituency continents away. "Only the very bright can go to America, but if she can get some companies to open in our area, our kids can work there," said Sudhakar, the local politician.
And farmer T Selvi, 53, added: "She was vice president, and now she will become president, but she should do something for us too. What is the point otherwise?" (AFP)
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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