Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
US prosecutors have labelled alleged drug dealer Jasveen Sangha the "Ketamine Queen." She is one of five individuals accused of supplying ketamine to Friends star Matthew Perry, exploiting his addiction for profit, and leading to his fatal overdose.
Sangha now faces nine charges, including conspiracy to distribute ketamine and distribution of ketamine resulting in death.
Ketamine is a dissociative anaesthetic with hallucinogenic effects, according to the US Drug Enforcement Administration (DEA). It can alter perception of sight and sound, causing users to feel disconnected and out of control.
Typically used as an injectable anaesthetic for humans and animals, ketamine helps patients feel detached from pain and their environment.
Authorities stress that ketamine should only be administered by a qualified physician, and patients who receive the drug must be closely monitored due to its potential risks.
The American-British dual national, who appeared in court, pleaded not guilty to the charges on Thursday (15).
If they can prove their case against Sangha -- that she made thousands of dollars from the troubled celebrity, selling him ketamine from her North Hollywood drug emporium -- she might never see the outside of prison again.
Her court appearance in a green Nirvana sweatshirt and baggy sweatpants was a far cry from the party-filled jet set lifestyle that investigators say she normally leads.
She was one of five people charged in connection with the October 2023 death of the much-loved Perry, who was found unresponsive in the pool of his swanky Los Angeles home.
Others included Perry's live-in personal assistant, a go-between and two medical doctors who are alleged to have sold $12 (£9.3) vials to the celebrity for as much as $2,000 (£1,545) each, as they exchanged texts wondering "how much this moron will pay."
But it was the arrest and charging of Sangha that has particularly shone a light on the seedy side of Hollywood glamour.
'Sangha Stash House'
Court documents allege Sangha, 41, ran a huge drug operation out of her comfortable apartment -- dubbed the "Sangha Stash House" -- where investigators discovered ketamine, methamphetamine, cocaine and prescription medication like Xanax.
Her source for the ketamine, she told broker Erik Fleming -- who is also charged in connection with Perry's death -- was a "master chef" and a "scientist" through whom she boasted she could "fill any order."
"She only deal[s] with high end and celebs," Fleming is said to have written to Perry's personal assistant. "If it were not great stuff she'd lose her business."
Photos posted on the internet show Sangha partying with actor Charlie Sheen, a man with well-documented addiction problems.
Her own Instagram account is packed with proof of a glitzy lifestyle that appears to include trips on private jets and plates of caviar in an airport lounge.
Other photos show her sporting a range of designer wear, including jewelry from Van Cleef & Arpels, shoes by Louis Vuitton and clothes from Chanel.
But the high-roller lifestyle was apparently funded through a trade in misery, exploiting the desperation of addicts like Perry.
The dozens of doses of ketamine she allegedly sold him came in unmarked glass vials with a cheap blue plastic cap.
Prosecutors say Sangha was a consummate saleswoman, offering a sample for Perry to try before he committed serious money.
"It's unmarked but it's amazing," she allegedly texted the middleman. "He [can] take one and try it and I have more if he likes."
And the final batch Sangha is alleged to have supplied -- the one that resulted in Perry's death at just 54 -- came with a sweetener: ketamine lollipops, prosecutors say.
Hours after news of the actor's death emerged, Sangha set out to cover her tracks, investigators say, ordering middleman Fleming to "delete all our messages."
Two weeks later, she jetted off to Tokyo, posting smiling pictures of her posing in a kimono.
The trip was one of around a dozen foreign jaunts she has taken since Perry died, a Los Angeles judge heard on Wednesday (14), which have also included Antigua and Mexico.
That judge remanded Sangha in custody on Wednesday and ordered her to stand trial in October, after hearing her deny all charges.
If convicted of conspiracy to distribute ketamine and the other charges she faces, Sangha could be jailed for the rest of her life.
Salvador Plasencia, one of the doctors also charged with supplying Perry, also denied the charges he faces.
The other defendants have either pleaded guilty or agreed to do so in relation to their charges. They face between 10 and 25 years in prison.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.