Indian greenhouse-in-a-box startup Kheyti among the five winners of The Earthshot Prize
Kheyti, won in the category Protect and Restore Nature which offers a pioneering solution for local smallholder farmers to reduce costs, increase yields and protect livelihoods in a country on the frontlines of climate change,
Indian startup Kheyti, which provides ground-breaking yet simple farming solutions, has been named as one of the five winners of this year’s prestigious Earthshot Prize, an initiative of Prince William that rewards each winner with 1 million pounds.
Kheyti, won in the category Protect and Restore Nature which offers a pioneering solution for local smallholder farmers to reduce costs, increase yields and protect livelihoods in a country on the frontlines of climate change, according to the statement on the Earthshot website.
The prize is Prince William's initiative towards driving an impetus to save the planet by funding projects that provide innovative solutions to the ongoing climate change crisis.
Five Earthshot Prizes of 1 million pounds (USD 1.2 million) are awarded each year until 2030 in support of environmental innovation projects for the future.
Speaking at the awards ceremony on Friday in Boston, the Prince of Wales said, "I believe that the Earthshot solutions you have seen this evening prove we can overcome our planet's greatest challenges".
"Alongside tonight’s winners and finalists, and those to be discovered over the years to come, it’s my hope the Earthshot legacy will continue to grow, helping our communities and our planet to thrive,” he said.
Kheyti has developed a simple solution that is already having a considerable impact. Its Greenhouse-in-a-Box is designed for small-hold farmers and the crops they grow, offering shelter from unpredictable elements and destructive pests, the statement said. “We are honoured to be recognised by The Earthshot Prize this year. The world depends on its small-hold farmers and yet their lives are amongst the hardest on earth. Our Greenhouse-in-a-Box is empowering farmers in India today. The steps we have already taken at Kheyti are now building to change farmers’ lives at scale,” said CEO and Co-founder of Kheyti, Kaushik Kappagantulu.
The Indian startup also trains and supports farmers to ensure their greenhouse is as effective as possible. Today, 1,000 farms have their greenhouse. By 2027, Kheyti wants 50,000 farmers to have a Greenhouse-in-a-Box, it said.
This is the second set of Earthshot Prizes awarded after the awards were given last year.
The award, inspired by the late US president John F Kennedy's 'Moonshot' ambition in the 1960s which aimed to get a man on the moon within a decade, is aimed at uniting the world to work towards finding innovative solutions for a stable climate by 2030 and create a world in which communities, oceans, and biodiversity can thrive in harmony.
This year's winners were chosen from a list of 15 finalists.
The Prince and Princess of Wales handed out awards to the five winners during a star-studded ceremony attended by many celebrities.
The other four winners included Clean our Air: Mukuru Clean Stoves, Kenya; Revive our Oceans: Indigenous Women of the Great Barrier Reef, Australia; Build a Waste-free World: Notpla, United Kingdom; Fix our Climate: 44.01, Oman.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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