Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
IN THE wake of the shooting incident in Hackney, the Metropolitan Police released an image of a motorbike on Friday (31) and appealed to the public for assistance in identifying the vehicle.
Detective chief superintendent James Conway revealed crucial information about the perpetrator's mode of transport—a Ducati Monster motorcycle, stolen in 2021 from Wembley, and bearing the registration plates DP21OXY at the time of the shooting.
The motorcycle's distinctive features—a white body, red chassis, and red wheels—serve as identifiers for potential witnesses or individuals with relevant information, he said.
Three men were also shot in the attack, which took place around 9pm (2000 GMT) on Wednesday (29) when a gunman fired at diners from a motorbike.
Authorities have urged anyone who recognises the vehicle or has information regarding its whereabouts to come forward. Conway stressed the significance of even the smallest details, stressing the pivotal role community members play in helping law enforcement bring the perpetrators to justice.
"I am particularly eager to hear from anyone who may have seen the motorbike on the day of the incident. Alternatively, perhaps you recognise it from being parked in a driveway or a specific location? Or do you know someone who has been using this bike at any point over the past three years? It's worth noting that it may not have always displayed those registration plates," Conway said in a statement.
"Any information, regardless of its perceived significance, could prove to be vital. This shocking attack likely involved pre-planning, indicating that there are individuals who possess crucial details essential to our investigation."
He revealed that the young victim 'remains in a critical condition'.
"We remain in close contact with our colleagues in the NHS, who have been working around the clock to provide urgent care to the victims, including the young girl," he said.
"Specialist family liaison officers continue to support her family. The thoughts of everyone at the Met remain with the girl and her family at this unimaginably difficult time."
Two other men aged 44 and 42 remain in hospital in a stable condition, with one facing life-changing injuries. The third man – aged 37 – has been discharged from hospital.
Erim Metto, CEO of the Turkish Cypriot Association, added: “As a community we are shocked by the incident that occurred at a restaurant in Hackney which has led to four people being shot, including a young child. We urge anyone from the Turkish and Kurdish communities that may have any information to come forward and speak to police.
“If you do not feel comfortable to speak with police directly, you may do so through your community leaders, your faith leaders, Turkish Police Association or anonymously through Crimestoppers. We as a community stand against violence and gun crime.”
Public can call 101 or the Met's dedicated incident room on 020 8345 3865 or pass information on anonymously via Crimestoppers on 0800 555 111.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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