Golden Globe Award-winning Hollywood star Gina Rodriguez, known for playing as Jane Villanueva in satirical romantic dramedy series Jane the Virgin, believes an artiste should create an art that makes them happy, and in her case, it is the romantic comedies that bring absolute joy to her. She currently stars in Amazon romcom "I Want You Back".
The 37-year-old actor said she tried her hand at different genres with films like Alex Garland's Annihilation (2018) and actioner Miss Bala (2019) but she has come to a realisation that doing romantic comedies is what she enjoys the most.
“I love romcoms. I think it took me a really long time to be okay with making the art that I actually love to make. I always wanted people to see me in all these different lights and I wanted to be like, ‘Look, I can act like this and I can act like this.’ And then I was ‘But when I make romcoms, I'm the happiest’,” Rodriguez told PTI in a Zoom interview from Los Angeles.
She believes that it was her “ego” that drove her to experiment with her choices as an actor. “I believe that was a growing process. I had to get over wanting people to see me in all these different lights and shades, and really be confident that it was okay to do the art that I love. That's where I find a lot of joy in making people laugh and cry.”
Gina currently stars in Amazon romantic comedy "I Want You Back", co-starring Jenny Slate, Charlie Day, Scott Eastwood, Manny Jacinto, and Clark Backo.
Rodriguez said she wanted to be a part of the movie, which currently streams on Prime Video, as it features characters that are inspired by the real world. “It was wonderful to see a group of people that looked a little bit more diverse as the real world. It was nice to be a part of that. And I want to be a part of just that. At the end of the day, what, we're all human and we all relate to the movie in different ways. But we all have a relation to it because we are human and at the most basic level, we all want love. I think this is what Jason, the writers, and Amazon did with the movie. They wrote about human beings and how they really look like in the real world.”
I Want You Back follows the story of Peter (Day) and Emma (Slate), two recently-dumped strangers who team up to sabotage the new relationships of their former partners. Rodriguez stars in the movie as Anne, Peter's former girlfriend who dumped him and begins a new relationship with Logan, her co-worker at the school where she is a teacher. The actor said she got really "lucky" with the movie as she wanted to work with the film's director, Jason Orley, as well as writer duo, Isaac Aptaker & Elizabeth Berger.
"I got really lucky. When I first got the script and found out that it was Isaac and Elizabeth who wrote it, I was already very excited and anticipating something with a really strong script. They obviously exceeded my expectations because they are incredible writers. I was also a really big fan of Jason Orley, who had studied with Nancy Myers and I felt like he was taught by the queen of romcoms... So there was this really awesome opportunity to be in a script that was undeniable and with an awesome director," she added.
I Want You Back is produced by Peter Safran and John Rickard of The Safran Company, along with Aptaker and Berger of The Walk-Up Company.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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