Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Ian McKellen teased that Gandalf and Frodo will appear in Andy Serkis’ upcoming film The Hunt for Gollum.
McKellen made the revelation during a The Lord of the Rings panel at the For the Love of Fantasy convention in London.
Elijah Wood was also present, sparking speculation about his return as Frodo.
The film, produced by Peter Jackson, Fran Walsh, and Philippa Boyens, is set to release on 17 December 2027.
Sir Ian McKellen has raised excitement among The Lord of the Rings fans by suggesting that Gandalf and Frodo will feature in The Hunt for Gollum, the next Middle-earth film from Warner Bros. and New Line Cinema. Speaking during a panel at the For the Love of Fantasy convention in London, McKellen told fans that the film “has a character called Frodo and another called Gandalf,” before adding, “Apart from that, my lips are sealed.”
Although McKellen stopped short of confirming that he or Elijah Wood will reprise their roles, Wood’s presence at the same event, alongside co-stars Sean Astin, Dominic Monaghan, Billy Boyd, and John Rhys-Davies, has fuelled speculation about an on-screen reunion.
Ian McKellen hints at Gandalf’s return during the Lord of the Rings panel in London Getty Images/Newsbytes Screengrab
What is The Hunt for Gollum about?
Directed by Andy Serkis, who famously played Gollum in the original trilogy, the film will dive deeper into the creature’s journey after losing the One Ring to Bilbo Baggins. While The Fellowship of the Ring briefly mentioned Gandalf’s investigation into Gollum’s past, this new project will expand on that thread. Industry insiders suggest the story will connect events between The Hobbit and The Lord of the Rings, giving fans new insight into Gollum’s twisted arc.
The project was first announced in 2024 and has since been delayed from its original 2026 release to 17 December 2027. Filming is expected to begin in May 2026, with New Zealand once again serving as the backdrop for Middle-earth.
Ian McKellen hints at Middle-earth return in The Hunt for GollumIMDB
Who is behind the new The Lord of the Rings film?
The Hunt for Gollum reunites the powerhouse team behind the original trilogies. Peter Jackson returns as producer alongside longtime collaborators Fran Walsh and Philippa Boyens. The screenplay is being developed by Walsh, Boyens, Phoebe Gittins, and Arty Papageorgiou.
Serkis, who directed second-unit sequences for The Hobbit, will not only step behind the camera but also reprise his role as Gollum. Warner Bros. Discovery has placed the film at the centre of its upcoming franchise strategy, alongside new projects in the Harry Potter and DC universes.
Elijah Wood fuels Frodo comeback talk at London fan event Wiki Screengrab
How will Frodo appear in the story?
Frodo’s inclusion raises questions about timeline continuity, as his story unfolds later in Tolkien’s saga. Fans speculate that his role might be framed as a narrator or through a flash-forward sequence, similar to Bilbo’s storytelling device in The Hobbit films. This approach could allow Elijah Wood’s return without disrupting the established chronology.
McKellen, who has often expressed eagerness to return as Gandalf, may finally have the chance to don the wizard’s robes again. Last year, he admitted he was waiting for the right script and timeline to come together. With Wood in attendance and Jackson’s creative team back on board, many believe both actors are closer than ever to reprising their beloved roles.
Gandalf and Frodo may reunite in Lord of the Rings The Hunt for GollumNewsbytes Screengrab
Fan reactions and future of Middle-earth on screen
The announcement sparked thunderous cheers at the London convention, reflecting the enduring global appeal of Tolkien’s world. On social media, fans expressed excitement at the possibility of seeing Gandalf and Frodo reunited after more than two decades since The Fellowship of the Ring.
With Warner Bros. setting The Hunt for Gollum for a December 2027 release, anticipation will only grow as casting confirmations and story details emerge. If McKellen and Wood do return, it will mark one of the most celebrated comebacks in fantasy cinema.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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