Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
HUMAN RIGHTS group Amnesty International on Tuesday (29) said that it stopped India operations after a two-year-long sustained 'campaign of harassment' by the government which culminated in freezing bank accounts.
The group said it had laid off staff after facing a crackdown over allegations of financial wrongdoing that it said were baseless. The bank accounts were frozen on September 10, it said.
“This is an egregious and shameful act by the Indian government, which forces us to cease the crucial human rights work of Amnesty International India for now. However, this does not mark the end of our firm commitment to, and engagement in, the struggle for human rights in India," said Julie Verhaar, acting secretary general of Amnesty International.
"We are very proud of the vital work carried out by our outstanding colleagues in India regardless of the risks they faced, including their unequivocal calls for accountability for the actions of the authorities during the Delhi riots and in Jammu and Kashmir and their work on gender based violence.
The group said that it will continue to play its part within the human rights movement in India for years to come.
Prime minister Narendra Modi's government has faced accusations that it is clamping down on dissent, including in Muslim-majority Kashmir, where insurgents have battled government forces for more than 30 years.
Opposition politician Shashi Tharoor said Amnesty's exit was a blow.
"India's stature as a liberal democracy with free institutions, including media & civil society organisations, accounted for much of its soft power in the world. Actions like this both undermine our reputation as a democracy & vitiate our soft power," he said on Twitter.
Critics of the organization, however, cheered its departure, posting comments on Twitter such as "good riddance" and accusing the group of turning a blind eye to hate crimes against Hindus elsewhere in the region.
The group has in the past fallen foul of Indian governments, including one run by the centrist Congress party, and this would be the fifth time it had ceased operations, its former head, Aakar Patel, said.
'FREEZING DISSENT'
Amnesty said that this time, the federal financial crimes investigation agency, the Enforcement Directorate, had targeted it because of its work on human rights.
"The constant harassment by government agencies including the Enforcement Directorate is a result of our unequivocal calls for transparency in the government," said Avinash Kumar, executive director of Amnesty International India.
"For a movement that has done nothing but raise its voices against injustice, this latest attack is akin to freezing dissent," he said.
Kumar said more than four million Indians had supported Amnesty's work in the last eight years and about 100,000 Indians had donated money.
Amnesty and other groups have accused police of complicity in the riots in Delhi in which at least 50 people were killed, most of them Muslims.
Police denied the allegation.
The government has been tightening oversight of foreign non-governmental groups (NGOs), they say.
Last year, the environmental group Greenpeace said it had to shut two offices in India and had asked many staff to leave because of a block on its bank account after accusations of illegal donations.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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