Public mass in the terror-hit Sri Lanka would resume in certain Catholic churches from May 5 and no bags will be allowed inside as part of the tight security measures, according to Cardinal Malcolm Ranjith.
All public church services were cancelled after the Easter Sunday bomb blasts that ripped through three churches and high-end hotels, killing 253 people and injuring 500 others.
The prelate said on Monday that vigilance committees formed by the residents of the parish would be responsible to identify individuals who enter their respective churches and parishioners will have to confirm their identity before entering a church.
The cardinal, who conducted a private memorial mass on Sunday fearing repeat of the Easter attacks, told media that bags will not be allowed to be taken inside the churches owing to security measures.
President Maithripala Sirisena and prime minister Ranil Wickremesinghe's had also attended the private memorial mass.
Commenting on Wickremesinghe's statement that the bombings could have been averted had the Counter-Terrorism Act been in force, he said that amending the Prevention of Terrorism Act (PTA) is better than bringing in a new piece of legislation to counter terrorism, the Daily Mirror reported.
“It is easier to amend the existing legislation rather than bringing in a new one. Effective measures should be taken to apprehend the individuals and groups responsible for these attacks in order to prevent people from taking the law into their hands," he said.
The religious leader said a new government comprising all parties should be appointed.
"No party should think of elections at this moment. We will even have to take to the streets and lead peaceful protests if the government continues to handle the situation in the manner it presently does. Action should be taken against ministers and MPs if they were found guilty of being part of the Easter Sunday bombings," he was quoted as saying in the report.
Cardinal Ranjith said he wasn't consulted prior to the appointment of a presidential commission to probe security lapses that led to the Easter bombings.
“We are oblivious to the backgrounds of the members in the commission. We urge the government to appoint another commission comprising religious leaders. Buddhist clergy is eligible to lead such a commission as they will look into the matter impartially,” he said.
A total of 106 suspects, including a Tamil medium teacher and a school principal, have been arrested in connection with the Easter Sunday blasts.
The Islamic State claimed the attacks, but the government has blamed local Islamist extremist group National Thowheeth Jamaath (NTJ) for the attacks.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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